

Search Results
1833 results found with an empty search
- "Shelter" by Joseph Pfister
During those first awful weeks in March, when rumors swirled that the city was about to go into lockdown and the wealthy clogged bridges and tunnels, headed for second homes in Vermont and the Hamptons, Myles and Nora decided to adopt a dog. âWhat do you think about this one?â Nora asked, tracing a polished fingernail across her phone. Two wine-stained glasses rested on the coffee table. Myles glanced up from his own screen. Heâd only been half-listening, scrolling through the Times  in a futile search for answers about the virus. A photo of a dog with anime-big eyes flashed in front of his nose. âYeah, sure. Whatever you want.â Mylesâ hand lay on Noraâs knee, caressing it absently. Since the calendar flipped to March, heâd spent his days in a state of permanent distraction, his mind on other things. Flattening the curve. Super-spreader event. Zoom fatigue . They didnât even know how  the virus spread, by what mysterious means it had managed to circumnavigate the globe and bring the entire world to a grinding halt. Myles and Nora had decided to shelter-in-place at his apartment in Park Slope because he didnât have a roommate and his place was a palace compared to the one-bedroom Nora shared in the Village. The stay-at-home order would only last a week, two at most, they had reasoned. Now they were entering their fourth week of endless breaking news alerts, of shuttered offices and restaurants, of having nowhere to be and no one to seeâall demands and constraints on their time utterly, magically erased. Nora wanted a project, something to distract them from the world falling down around them. âI looked into it,â she said. âThereâs this shelter in Williamsburg that does this foster-to-adopt trial. The whole thingâs only three weeks. And then, at the end, you can keep the dog or return them if it isnât working out. The applicationâs on their website.â âYou think weâre gonna be locked down that long?â Myles asked, though the answer seemed clear. A pervading sense that things might not so readily return to normal had crept into their lives, taking up residence on their crumb-littered couch like an unwanted guest. At first, lockdown felt like an unexpected, welcomed vacation. They slept in, remaining in bed until two or three in the afternoon, camping out as if it were a snow day and they were eight years old. In the evenings, they screwed, drank wine, and ordered Chinese, because it was the only place willing to deliver. They binged Tiger King , 30 Rock , Parks and Rec . âAs long as itâs nothing too girly,â he declared. âLike a chihuahua. One of those dogs that fits in your purse.â Nora moved her knee, dislodging his hand. She lifted one finely plucked eyebrow, bringing the full power of her narrow, dark eyes to bear. God, she could have melted glass with that look. Her freckled complexion and red hair, the flush that got into her cheeks whenever she got worked up. The effect was terrifying and sexy at the same time. Myles wasnât sure what caused him to make that crack about chihuahuas. Maybe it was the wine or the fact that he had grown up in the Midwest, where dogs only came in two sizes: big and bigger. âWell, what do you want then?â she asked. That was a larger question, one Myles wasnât prepared to answer. He barely knew what he wanted when they ordered from #1 Asian Kitchen, which theyâd had three times that week. Maybe that was why heâd said yes without even checking to see if his building allowed pets. It was easier to go along with what Nora wanted than try and decide things for himself. âI signed us up,â she said. âWe should be getting a call from the shelter in a day or two.â Myles suffered a flicker of hesitation. Normally, he wouldnât have said anything. Would have let Nora have her way. Maybe it was the wine. âItâs justâŠâ He tried again. âDo you really think itâsâŠwise? Letting someone into our apartment with everything thatâs going on?â âThereâs a whole section on their website dedicated to safety and all the precautions theyâre taking,â Nora said, not missing a beat. âI can show it to you if youâre worried. Okay?â It sounded like a challenge. âOkay.â Outside, the high keen of a siren screamed past, its lights momentarily turning the tree outside red. âFire truck? Or ambulance?â âAmbulance, I think,â Myles said, straining toward the window. It was the fourth or fifth theyâd heard in the past hour. It was getting hard to keep track. Nora poked her phone again, reached for her glass. âIf nothing else, a dogâll give us a legit reason to get out of the house, right?â   * The shelter worker who appeared at their apartment a week later wore beige socks with his Birkenstocks. Despite the latex gloves and mask that covered the lower half of his face, he bore a remarkable resemblance to Frank Zappa. Nora had wrapped a scarf around her face and Myles wore a bandana like an outlaw in a bad Western. A carton of Clorox Disinfecting Wipes waited on the counter. âHello, hello, hello,â he said, leading a black, floppy-eared dog by a short leash into their apartment. âThis is Roxie.â Myles and Nora shared a look. The dog was muzzled. âDonât worryâsheâs not dangerous,â Zappa explained, a smile lifting his mask. âItâs just, when presenting them with a new environment, we find itâs better to go slow and easy. Let âem get acquainted. Do you mind if I show her around? Let her get a feel for the place?â âSure, sure,â Nora said, making a small, fretful motion with her hands. âWow. Nice place,â said the worker admiringly. He walked to the window. Across the street, the heads of trees were still bare, the sidewalks empty. âYour own little slice of heaven, am I right?â âThâthank you,â Nora said, shooting Myles a who-is-this-guy?  look behind the manâs back. Myles shrugged. While his building had a doorman, it wasnât much compared to the lavish apartments his co-workers rented in Chelsea. Not that he would be seeing them, or their apartments, any time soon. Overnight, New York had become a centrifuge, spitting friends far and wide, back to their parentsâ basements in the suburbs. He followed the worker and Roxie into the hall, feeling oddly like a guest in his own home. âSo, do you know what kind of dog she is?â he asked, hoping to distract the worker. âOh, not one hundred percent, but sheâs got some Rottie in her, thatâs for sure.â They headed into the kitchen. âMaybe some pit bull.â âAnd has she been fostered before?â Myles said, brushing past the worker, whisking an opened cereal box from the counter. âRoxie here is one of our long-term residents. Sheâs been adopted a few times. Looked like the last one might stick, but then the owners wound up bringing her back.â The worker opened and closed one of the gleaming white cabinets, nodding appreciatively. Roxieâs long, whip-like tail was folded between her legs. She cowered behind Zappa, only agreeing to enter a room after he did. âDid the previous owners say why?â Nora asked. âNope. They donât have to, though it can be helpful if they give a reason.â âHave you been getting a lot of requests to adopt?â Nora worked as a food blogger and had been fortunate, like Myles, to continue her working life largely uninterrupted. Zappa shook his head. âYou wouldnât believe it. Busier than ever. Everyone wants to adopt now. Youâre my second of six stops this afternoon.â They left the kitchen and entered the bedroom, Roxieâs nails clattering nervously on the parquet floors. âBeing a no-kill shelter like we are, sure, it sounds great,â Zappa said, taking in Mylesâ king-sized bed, built-in bookshelves, and guitar suspended on the wall. âBut itâs not all itâs cracked up to be. Sounds humane, but some of these dogs, they wonât ever get adopted. They have too many issuesâfrom abuse and whatnotâand, of course, we canât put âem down. So, we have to pay to feed âem and look after âem the rest of their lives. All that, knowing theyâre never going to have a home outside the shelter. Itâs kinda sad, realâ âOops. Little accident there,â Zappa said, nodding to the growing puddle of urine on the floor. âDonât worry. Totally normal. Just nervous is all.â âIâll get some paper towels,â said Nora, disappearing into the kitchen. âShe does pretty well off-leashânot that Iâd recommend it,â said the worker, leading Roxie and Myles back to the living room. âWe gave her breakfast,â he continued, dropping the leash into Mylesâ hand. âSheâs up to date on her shots, of course. Might be timid, real lethargic the first few days, âtil she gets used to her new environment.â âSure, sure,â said Myles, nodding. âIs this your first pet?â Zappa asked, lowering himself to one knee and clicking the buckle that held the muzzle in place. âItâs miââ Myles began. âBut not mine!â Nora exclaimed, dropping a wet piece of paper towel sheâd been holding pinched by a corner into the trash. âI had a dog growing up. In Jersey.â âMaybe just set out some water in a bowl for her,â said Zappa, gaining his feet again. Roxieâs tail remained firmly planted behind her haunches. âAnd donât be surprised if she doesnât show much interest in dinner. You have our number if you have any questions.â Zappa put his fists on his hips and fixed Roxie with a look. âYou be a good girl now, ya hear?â âThank you so  much,â said Nora, herding him toward the door. âWe really appreciate it.â The worker gave them an itâs-no-problem wave before his frizzy mop of hair vanished behind the door. âThat name,â Nora said the moment she replaced the bolt, âhas to go.â   * Myles and Nora ran out of toilet paper several days into April. When she shouted from the bedroom that someone would have to go to the bodega, Myles bucked from his stool with such excitement, he nearly upset his tea. âIâI will! I mean, yeahâŠsure. Iâll see what theyâve got.â After six weeks, the apartment had begun to feel like being trapped in a car on a day with 100-degree heat. He had to get out, just for a few minutesâeven if it meant possibly contracting the virus. By the time he gathered his keys, wallet, and mask, âLunaââfor Luna Park, one of Noraâs favorite places in the cityâwas already standing by the door. She waited while he snapped her harness around her impressively broad chest. Nora joined them, chewing a pen. âMakes you wonder, doesnât it? Why the previous owners brought her back?â Nora had a point. Luna was so quiet, Myles sometimes forgot she was there until he got up to use the bathroom or make tea and she would rouse herself from the floor and come follow him, curious. She showed no interest in tug or fetch, even when Nora got down on the floor in her leggings and sweatshirt or bowled a tennis ball down the hall. When Nora performed her daily Yoga with Adrienne , Luna sat like a sphinx at the edge of her mat, watching, calmly waiting until she was done. âWe adopted the most boring dog in the world,â she announced. âI donât think itâs that strange,â Myles said, shrugging on his coat. âThere are a bunch of people out of work right now. And a lot of people have left the city. Maybe they couldnât afford the extra expense.â âYeah,â said Nora doubtfully. She pushed her wide-frame glasses up. âWhat do you want for dinner tonight? Text me.â âAll right,â said Myles, ushering Luna through the door. And then it happened, the words just rushing out. âLove yâI mean, uh, yeah, Iâll let you know.â He stopped as suddenly as if heâd stepped on a nail. âOkay. Bye.â The door swung shut behind him with a disheartening clank. Stupid, stupid, stupid. Myles descended the loud, echoing stairwell, Luna bouncing down the stairs at his side. All right. I love you? What had he been thinking? And was that even what he felt for Nora? Love? Up until five months ago, he loved everything about Nora: her eyes (big, brown), her laugh (infectious), her passion, and many causes (racial justice, reproductive and LGBTQIA rights, the environment, canvassing for third parties). She had joined the Womenâs March and Occupy before it was broken up by officers with shields and billy clubs. Once, when he asked if she really believed in all those things, she leveled him with a look. âWhy? Donât you?â He supposed he did, and didnât. Not enough to take to the streets. Not enough to march, to risk life and limb. Not enough to forsake his $4.50 morning latte, 401(k), and health insurance to join the makeshift camp of students and anarchists he passed each day on his way to Wall Street. Outside, the parked cars and sidewalks were glossy with rain. Unoccupied Ubers drifted past the park, one or two slowing until they saw he had Luna with him. It was only eight; still, you would have thought it was three or four in the morning. There was no one out, and those who were crossed the street to avoid him. During the mornings and afternoons, the world outside his apartmentâs south-facing windows played like a silent film. But now that he was out, that he was part of it , everything moved and thundered around him. A hard reset to his senses. It was a joy to be present in his body again, to feel his tendons and joints moving congruously, blood sloshing through the tunnels of his veins. Was the intensity he felt because, for the past month and a half, heâd spent every waking minute with Nora? His only other human contact being work and his weekly calls to his parents back in St. Paul, assuring them he wasnât dead? Was it because everything in his life felt tenuous and uncertain, the future turned slippery, and Nora was the only solid thing in his life? Or was it something else? Was there any way to tell? Maybe asking someone to move in after six months was  too soonâbut then the pandemic had happened, and everything was moving so fast. What choice did they have? Myles considered himself a bit of a catch: He was thirty-four, a nice enough guy with good credit. He had a reliable job at a major bank whose ethics he repeatedly questioned, but nonetheless provided him with an ample salary and the promise of a comfortable retirement. If that werenât enough, it wasnât like he was un attractive: There was his height, his lithe, lean swimmerâs body and well-defined jaw. But he wasnât striking in the way Nora was. Theyâd matched on Tinder a year after he moved to the city. They both promised the other they werenât looking for anything serious. After a few casual hookups, she began inviting him to accompany her on random errands around the city. A trip to Home Depot or the Upper East Side to retrieve a dresser. Myles wasnât sure when they crossed that porous line between convenience and dependence. Nora didnât discuss her dating history other than to once remark that, during college, sheâd been âkind of a slut.â âReally?â Myles fell back in his chair. He was decently drunk, just short of sloppy. âI meanâhey, no judgment. You do you.â âYou didnât sleep with every girl in your dorm?â Nora asked, loud enough that she could have been heard in Times Square. Her roommates were out. Sheâd thrown one of their T-shirts over the lamp, so the whole room was enveloped in a red glow. Myles scoffed, dragging a hand through his hair. âI mean, no, I  didnât. But it wasnât for lack of trying.â âItâsâfine. I mean, I get it. Youâve got this wholeââshe waxed a hand in his faceââpretentious-sad-boy thing going on. Of courseâof course, you wouldnât understand.â âWell, explain it to me then,â said Myles, leaning forward again, trying to hide his hurt. Nora, he was discovering, was full of unprompted, incisive remarks. She swirled the wine in her glass. For a moment, Myles was sure the night was over. That theyâd spoiled it by bringing up something neither of them wanted to talk about. âI was pretty wild for a few years. Prone to ârisk-takingâ and âdangerous, reckless behavior,â according to my therapist. She was convinced I had a latent death wish. But I wouldnât say there was anything latent about it.â Brown plants lined the fire escape. âNow, I realize, I was acting out because I didnât care . If I got picked up at a party or someone pulled up to the curb while I was walking home. Did I want a ride? Sure, why not? Oh, you donât have a condom? Fuck it. Who cares? Someone I never met until tonight offered me blow, or I went shoplifting, or took my girls on a drunken joyride? What did it matter? What if I took one too many sleeping pills just to see if I could do it? It was almost like a dare, you know? To see how far I could go, to see how much I could get away with.â All at once, Mylesâ pleasant, buzzy-headed drunkenness became too much. He set his wine down on the crowded coffee table and didnât touch it again. The apartment was too warm, the corners too dark. His mouth was suddenly cotton-ball dry. âWhy?â Nora shrugged. âFear drives us to do things we mightâve never considered doing, you know? Or to become someone we didnât plan on being. And I didnât like my life or who I was, anymore.â She drained the last of her wine. Her teeth were dyed red. âAnd, anyway, my dad, I told you he worked for the Transit Authority, right? He was downtown on 9/11. He was evacuating the South Tower when it collapsed. I was a junior in high school. That fucked me up pretty good, Iâd say.â *** Toward the end of April, as Myles and Luna were leaving the park, a window across the street flew open, then another. By the time the light changed, the neighborhood was swollen with raucous applause and boisterous shouts. Someone somewhere down the block blasted an air horn. Children on stoops screamed at the top of their tiny lungs. The echo of pots rung with spoons, clanging bells, and cars laying on their horns completed the ensemble. Lunaâs ears went flat. Myles instinctively led her to the curb and placed a calming hand on her back. During their daily excursions through Prospect Park, crisscrossing its sloping lawns and rolling woodlands, she often plowed ahead, straining at her harness, or trotted gamely at his side. Only when a sudden noise startled herâthe slam of a delivery truckâs rolling door or the honk of an impatient driverâdid she draw close, plastering herself against his leg as if she were trying to crawl inside his pocket. Myles may not have had Noraâs childhood know-how, but he had learned to read Lunaâs moods like a twinge in the knee. âItâs okay, girl. Itâs just seven oâclock. Thatâs all.â Within minutes, the last of the die-hards closed their windows and doors and went back inside. The cacophony faded. âThat wasnât so bad, was it now, Loon?â Myles cooed. Lunaâs head bobbed with each stride, but her ears were still pressed against the side of her massive head. âAlmost home, Luney-Tuney. Almost there.â If Luna sensed she was nearing home, that she recognized the trees stuck in the sidewalk like candles in a cake, the stoops and garden apartments that lined their approach, she showed no indication. She pulled at her leash, drawing Mylesâ arm taut, like a bloodhound with its nose to the ground. He had to jog to keep her from dragging him along. A thought flared in a dim corner of his brain: As much as she kept him sane and he kept her safeâfrom raccoons big as boulders, cars barreling through red lights, four-year-old daredevils on scootersâshe was still an animal, with animal instincts. The tension in the leash was a stark reminder of Lunaâs awesome strength. It came to him, perhaps for the very first time, that if he truly needed to control her, he wasnât sure he could. She was over a hundred pounds of pure muscle and confused breeding. They were less than a block away, the crosswalk beckoning them with its solid WALK signal. Coming toward them was a woman in a billowing skirt, tote slung from her shoulder. Myles barely registered her, concentrating as he was on getting Luna home. After they passed, the woman spun, giving them a startled, uncertain look. When Myles returned to this moment later, just as he was slipping down into the dark waters of sleep, he couldnât decide what it was he saw. There were too many variables: it was dusk; he was distracted; they were both walking quickly. Still, he couldnât dispel the uneasy sense that Luna did exactly what he feared she had. Snapped at the womanâs skirt, catching the flapping parachute of fabric between her bared teeth for an instant before letting go. *** The George Floyd protests began in May. Police helicopters boomed over Flatbush, Fort Greene, Barclays, the unmistakable thwup-thwup-thwup of their blades stretching from afternoon into evening. They hovered over the park for hours at a time and Myles began to feel, in a small way, what people in a war zone must feel like. Nora paced the apartment like a caged cat, her outrage compounding with every shaky cell phone video of the NYPD pepper-spraying bystanders, attacking people with their hands up, pulling women down by their hairâundeterred by the presence of journalists and hundreds of smartphones recording their every move. The next morning, she joined Myles at the kitchen island in a Mets baseball cap and running shoes. âI need you to watch Loon today,â she said. âI wonât have my phone with me.â He glanced up from his own phone, from images of last nightâs demonstrations. Police with shields. Young men in beaters galloping down an empty avenue, bandanas knotted over their faces. An overturned, fire-scorched police cruiser on Flatbush. âThereâs another protest today,â she said. Myles hadnât had his morning tea. The world was still coming to him in slow-moving waves. âDo you really think going to a protest isââhe fumbled for the right wordââa good idea? There was looting in Midtown last night. And now thereâs a curfew.â He splashed his spoon into his cereal. âBesides, arenât you working today?â Nora smirked and, in that instant, he glimpsed somethingâa look of such revulsionâyou would have thought he was the one battering protestors with his bike or chasing people down with a billy club. âIâll have my mom write me a note, so I can play hooky. God. Are you for real right now? Do you not see whatâs going on? The world is going up in flames and you want to sit on the sideline!â Lunaâs ears, hearing the anger in Noraâs voice, rolled back, but she didnât move her chin from her paws. âWhat I  see is that weâre in the middle of a global health crisis,â said Myles, surprised by how defensive he sounded. âThereâs civil unrest. The idiot just tweeted heâs ready to deploy the militaryââ Nora and Myles had begun referring to the president exclusively as âthe idiot,â as in âYouâll never believe what the idiot said now.â âBut the economy!â they would cry whenever the idiot did something indefensible, an almost daily occurrence. It had become a shorthand between them, an inside joke they began to use for everything. âI just mean, do you think itâsâsafe? With COVID and everything else?â What he really meant was, did Nora think she would be safe among a writhing, roiling press of angry strangers who might find themselves subjected to tear gas, rubber bullets, and sound cannons? Whose exercise of their constitutional rights could descend into a melee in a matter of seconds? There would be other women there, certainly, but men, too, to say nothing of the officers looking for any opportunity to mete out their brand of justice, regardless of sex or size. âWhat choice do we have?â she asked. âItâll be fine. Iâve been reading message boards. As long as you keep your mask on, the risk of transmission is relatively low.â He guffawed. âWhat about the police ?â âIâve been reading up on that, too. The ACLU says not to bring your phoneâor keep it on airplane mode. And if youâre arrested, not to unlock it.â Myles shrank in his stool. He was awed by Noraâs courage, and his own cowardice. âNo, youâre right,â he sputtered, glancing down into his bowl, unable to meet Noraâs eyes. âBesides, someone should be here, to keep an eye on Loon. And Iâve got work, a big presentation actuallyâ âBesides,â he said, unleashing a grin, âsomeoneâll have to be here to post bail.â Nora lifted her arm, shot back her sleeve. A string of digits were Sharpied to her wrist. The number for the local legal aid office. âDonât worry. If I only get one phone call, it wonât be you.â *** When Myles exited his buildingâs marble lobby with Luna in tow, he discovered a day laden with sunshine. The prospect of an hour or two away from the apartmentâaway from his laptop, away from the ceaseless dinging of new Slack messages and emails about things he really didnât care much aboutâfilled him with a vague sense of promise. True to her word, Nora had left her phone and so he hadnât heard whether sheâd made it to the protest safely, if she still was safe. Nora could take care of herself, he knew. Sheâd be fine, or she wouldnât. There was nothing he could do about it now. After a brutal winter that lingered on through April and into May, the day was shaping up to be one of the nicer ones theyâd enjoyed all year. Luna appeared in agreement: she cantered at his side and they traveled down 7th at a robust clip. It was pleasantly, shockingly warm and, after only a block, he unzipped his sweatshirt. A block later, he took it off altogether, hurling it over his shoulder. He wondered if Nora had thought to bring water, if sheâd remembered to bring sunblock. Myles was sweating beneath his T-shirt and it helped distract him from his guilt, as well as the ugly, unmistakable truth: namely, that Nora was far braver and more principled than he would ever be. He couldnât explain, even to himself, why heâd been so hesitant to join her at the rally. He was afraid, sure. Of the virus. Of the simmering unease and potential for violence. But there was more to it, he felt. Did his hesitancy stem from the fact that he was secretly a bitâŠracist? Not only racist, but the worst kind of racist: the progressive kind? Nora, for her part, believed everyone was racistâJudge Judy, BeyoncĂ©, even her father. In our society, it was impossible not to be. It was what you did  about it that mattered. He supposed, in the final analysis, that he hadnât taken to the streets because he didnât  need to. That alone spoke to his immense privilege, didnât it? Demonstrating in support of anotherâs civil rights was optional, a luxuryânot a matter of life and death, as it was for so many others. Without having meant to, Myles had arrived at the scene of the protest. He heard the rally long before he saw it. There were hundreds of people, perhaps thousandsâmore people than he had seen in any one place in months. The promenade was filled, spilling into the avenue and intersection. Endless bodies, a great roaring of voices. Some people held up signs. Others were chanting. On street corners and in bike lanes, people were drawn in the direction of the crowd, the din rising in the afternoon heat. âDoes anyone need snacks?â someone shouted. âWater? Hand sanitizer?â Myles could feel Luna shrink beside him. He tightened his grip on her leash, keeping to the edge of the crowd. He felt like a lurker, an intruder. All these people whoâd shown up for a cause larger than themselves. It simultaneously flooded him with hope and despair. There were some white people in attendanceâmore than he expectedâbut not enough. Not nearly enough. Myles felt Luna stretch to the very end of her leash, ready to cross the avenue when the light changed, but it didnât matter. There were far too many people in the street for any vehicles or bikes. Instead, Myles turned toward the endless succession of faces and tried to glimpse Noraâa flip of red hair beneath a ball capâtucked into the crowd. He waited, scanning the roiling, seething froth of humanity for her before giving up and heading home. *** Myles was slumped against the headboard, the shoebox where he kept his stash of weed cracked open beside him, when Nora appeared in the doorway, laptop riding on her hip. âYou mind taking Loon out? I forgot Iâm supposed to FaceTime with Nathalie at nine.â âWhat time is it now?â he asked. âLike, eight-fifty. I wonât have time beforeâwait. What are you doing? Were you smoking?â Myles made an exaggerated effort to nod toward the box, but wasnât sure his head moved. Noraâs eyes narrowed to killer slits. âWhat have I told you about doing that in  bed? I hate when you smoke in bed! Our sheets and the duvet smell for, like, a week.â ââŠDo you have my phone?â Myles asked. âYou know what? Never mind. Iâll just take her.â âNo, no,â he said, uncrossing his ankles with forced concentration, then swung his feet to the floor. âIâll do it.â âShe pooped at lunch,â Nora said, her voice already floating down the hall. To Myles, it sounded as if it were coming to him from a distant mountain peak. It took him five minutes to fit Lunaâs harness over her head and another five to figure out how to clip the leash to her harness. Luna stood by the door, waiting and watching him with infinite patience. By the time they got outside, there was a soft blush over the city. That fuzzy time between daylight and nightfall, just light enough that the streetlights havenât come on yet. It felt like a hundred years and no time at all had passed since the night he took Luna to find toilet paper. This was what weed was for, he reminded himself with a giggle. Normal life was like being on speedâhe needed something to come down. These days, a bowl before bed was just about the only way he could get to sleep. But maybe, tonight, heâd overdone it. His head felt impossibly heavy on his shoulders, and every soundâthe single blast of a delivery bike horn, the thunk of a car doorâwas over-heightened, impossibly distinct. He spent such an inordinate amount of time watching a couple stroll, hands held, to their car, then back out, that he couldnât be sure whether Luna had peed or not. So they continued on. Walking was like moving through a waking dream and, in the time it took them to reach the end of 11th, Myles went from highâwhat he would consider a pleasant, three- or four-beer buzzâto out-of-his-mind blitzed. Maybe heâd gotten some bad  bud. This was the last of his stash, the weed he had before the city shut down. His dealer was in TriBeCa. First thing he had to do when he got back to the apartment was find a new dealer. A local one. His thoughts were so loud, he couldnât be sure that he hadnât been speaking them aloud. Where was his phone ? He might need it if something happened. If he needed to call 9-1-1. Fuck. Did he tell Nora where he was going? When heâd be back? Up ahead, a door painted the most mesmerizing blue swung open and a man emerged, descending the steps. All at once, Mylesâ skull felt like a sack of marbles or the ball in one of those snow-globe compasses you stuck to your windshield, spinning dizzily. The man was coming toward them. As he approached, he gave Myles and Luna extra berth. Myles cocked his wrist in a wave, or thought he did. He felt like he was made of bubbles, every square inch of him. âHey, you,â said a voice that both was and wasnât inside Mylesâ head. He turned, slowly. The manâshort, combative-lookingâwas standing ten feet away, his face shining like a spotlight. âWhereâs your mask?â âOh.â Myles reached for his mouth and, in a nightmarish moment of terror, discovered his nose and chin completely exposed. âI said, âWhereâs your mask?ââ the man repeated, his voice rising toward a yell. âSorry, Iââ Talking was an effort. The words turned to gum in Mylesâ mouth. âI forgot it.â Luna had gone rigidâMyles could feel the tension in the leash. He gave her a little tug and started walking. âWhereâs your mask, asshole?â The man was screaming now, his voice carrying down the block. âWHERE IS IT?â The manâs feet clattered behind Myles. âHEY, ASSHOLE! IâM TALKING TO YOU!â The manâs face appeared at his shoulder like a jack-o-lantern. âDONâTâHEY, DONâT YOU DARE  WALK AWAY FROM ME!â The man yanked down his cloth mask, so he could shout directly into Mylesâ face. âTHERE ARE PEOPLE DYING IN THIS CITY! WHEREâS YOUR MASK, HUH? HUH, YOU FUCK ?â Luckily, about halfway down the block, right before the streetlights ignited above them, the man unexpectedly gave up. He was thereâand then goneâso quickly that, for a moment, Myles wondered if heâd simply hallucinated the entire event. Nora glanced up from her laptop when he opened the door. âJust a second, Nath,â she said, removing an earbud. âMyles? Your phoneâs on the counter.â *** Sunday. Myles was up early. After killing an hour thumbing through the news, waiting to see if Nora would wake, he saddled Luna with her harness and pocketed his keys. The parkâs off-leash hours were from five to nine, and to stumble upon the Long Meadow with dogs standing in packs, running this way and that while their owners gathered in small huddles, leashes tucked under their arms, was like stumbling onto a New Yorker  cover. Myles discovered off-leash hours purely by accident; the first two or three times he and Loon participated, he decided against releasing her to run free with the other dogs. What if she bolted like an inmate outside a prison fence, tried to tree a squirrel half a mile away, or, worse, escaped the park entirely, running head-on into a city bus? LOST DOG posters plastered fence posts and light poles ringing the park. The last time he came, however, Myles stood off from the fracas of the dog party and cautiously unclamped her leash. She didnât bolt. She didnât do anything. âGo on,â he encouraged. âGo on. Run, play!â After several minutes, Luna eventually wandered a few paces from Myles and sniffed something in the grass, allowing an energetic border collie who galloped over to them to inspect her sex. There was a fair-sized crowd in the meadow today, though none of the owners were standing together. Nearest them, a labradoodle and an impressively groomed golden retriever were rolling around on the ground. A German shepherd with a stick between its teeth circled the congress of dogs, trying to entice others into chasing him. It was a regular cornucopia of city-dwelling canines: a Dachshund, beagle, several terriers and huskies, a corgi or two, a very rotund bulldog, mutts of all kinds. Their raucous chatterâexcited barks, happy yips and yowlsâechoed across the park. âAll right, all right, Loon,â said Myles, trying to release her leash from the harness. âJust a sec. Okay, go.â Luna made a tentative beeline for the pack and was greeted by two or three dignitariesâa Frenchie and Pekineseâbefore being quickly sniffed and forgotten. After checking to see if he had any messages from Nora, Myles casually inspected the other dog owners. Fifteen feet away stood an aging hipster sporting a Catskills-rustic-meets-Goodwill outfit, his hair knotted in a greasy bun. He intended to keep a close eye on Luna, but was almost immediately distracted by the arrival of another dog owner. A bottle-blonde in a neon-pink sports bra and biking shorts, apparel that left very little to Mylesâ considerable imagination. He let out the mental equivalent of a whistle. She was a bombshell, a real knockout, and he could feel the other menâs gazes stray from their charges or phone screens. A California transplant. Venice Beach or Palm Springs, if Myles were to guess. You didnât get that kind of healthy glow in Omaha or Ames, or an apartment on the park, for that matter. Unless you were up on the roof with a towel every day, and it had been too cold for that. Myles was carefully observing the woman in the neon sports bra, the exquisite curve of her calves, when it happened. One moment, Luna was standing nose-to-nose with a boxer who had circled the crowd of thundering paws and twitching tails to approach her. The next, she launched herself at the newcomer and bit down on the other dogâs neck as if it were a jam-filled doughnut, locking her considerable jaws around the boxerâs throat like the chew toys she normally disdained. The boxerâs ownerâa spindly man in hiking boots and a pine-green Patagonia vestâgave a panicked cry and bounded toward the animals. Myles was only half-aware of what was happening. He felt as if his brain had left his body somewhere below. When he came toâheart frozen in his chest, legs loaded with cementâheâd reached Luna, the boxer, and its owner and threw himself at Luna in a flying tackle, trying to dislodge her jaws from the dogâs neck. âLoonâLuna, stop!â he gasped. âSTOP!â The other dogs and onlookers shrank away, aghast. Myles attempted, with little success, to grab a hold of Lunaâs harness, to get control of her and drag her away from the boxer, but she was so much stronger than he had ever dared imagine. Her teethâthe same teeth she consented to let Nora brush with an oversized toothbrush and cinnamon-scented toothpasteâwere so deep in the boxerâs neck that both animals were flecked with blood and Myles was terrified of what might happen once they removed her jaws. All he could see was the eggshell-white of her eyes. There was nothing in them he recognized. She was all feral animal, locked in a life-or-death struggle. At first, Myles believed the other owner might be bleeding, too, until he saw that his face was shining with snot and tears, not blood. The man wept as he struggled to separate the two animals. Myles managed to swing one leg over Luna, so he was standing astride her like a tiger wrangler, while the boxerâs owner kicked Luna in the chest with his hiking boot, hoping to wedge himself between the dogsâ muzzles. Lunaâs grip on the boxerâs neck tightened with each blow and it occurred to Myles, the thought flashing across the sky of his panic-addled brain, that Luna might very well succeed in killing the other dog. Unless Myles or the other owner did something drastic, and quickly. It was like being caught in a storm, a furious hurricane of snarling teeth, claws, blood, fur. Impossible to get a good grip. âGrab hisâcollar,â the man panted. This was what did it. Myles reached for Lunaâs collar and it was like unzipping a coat. Her jaws came unglued; he felt a bizarre pressure on his hand, his arm transformed into a white-hot bar of agony. The other owner wrapped the boxer in a bear hug, springing the dog free, and staggered a few short steps before collapsing to his knees, shoulders quaking with sobs. The first owners began to approach him. The bottle-blonde was gone. The remaining strength ran out of Mylesâ legs. His sweatshirt and shorts were gloved in blood. He glanced down at his hand, inspecting it for damage, and felt a terrible, wet warmth. Luna, still without her leash, had gone off to stand by herself, like a pariah, head low, blood and saliva hanging in ribbons from her muzzle. Although he was in shock, Myles was able to wobble to his feet. He stumbled-shuffled toward Luna, who didnât move, and snapped her leash onto her harness, unsure what he would have done if she chose to attack him or run. To his amazement, no one said anything to him as he trudged away, blood running in a torrent from his wounded hand, Lunaâs leash lassoed around his good arm. Everyone was too shocked, too cowed, by the sudden, casual violence they had all just been witness to. He didnât think about what heâd have to do. He wasnât thinking at all. Only when he arrived outside his building and stupidly patted his pockets did he realize heâd lost his keys in the scrum. âOh, my godâoh, my god! Youâre bleeding!â Nora cried once she buzzed him in. Her face went white as bone. âYouâve got blood everywhere!â She darted down the hall and returned with a dish towel. âJesus fuck. What happened ?â âThere was aâa fight. With another dog.â His back and arms were one solid ache. Now that it was over, that all the adrenaline had drained from his body, he was utterly spent. âHere, here.â She took his wrist. âHold it up. Elevate it. Weâve gottaâfuckâgo to the hospital. Another dog bit you?â âNoânot exactly.â Nora stopped, took a step back from him as if he were infectious. Did his mask come off? Had he put it on? He couldnât remember. â She  bit you?â âI wasânoâshe attacked another dog, and I was trying to separate them. I donât think she realized what she was doingââ Nora placed a hand to her forehead, her color starting to return. âLuna bit you,â she said slowly. âNoââMyles felt as if he never expressed anything the right wayââit was an accident.â âAn accident ? Dogs donât accidentally bite someone! What about the other dog? The other owner?â âIâI donât know.â Myles hand had soaked the dish towel and was dripping on the floor. âYou left and didnâtâ? Oh, god.â Nora turned in a small circle, her hand still pressed to her forehead. âOh, god. They could sue  us. Oh, oh, thatâs it! Sheâs going back to the shelter. Today.â Myles said the word so gently, he wasnât even sure it came from him. âNo? No, what?â âNo, weâre notâwe canât bring her back.â Noraâs eyes bulged. âLook what she did to you! To your hand! Youâre probably going to need stitches.â Nora walked one direction, then immediately back the other. âNo. No, Myles. Absolutely not. I am not living with thatâthat thing âthat dangerous animal in my house. No. You hear me?â Luna was standing in the living room, ears back, alert, as if she knew they were discussing her. Her leash hung from her harness. Nora moved slowly toward her and picked up the leash as if it were poisonous. âItâs me or the dog.â âNo, no. Youâre right,â Myles mumbled, the whole awful messâtheir entire predicamentâcrashing down on him like a load of cement. She was right. Of course, she was right. In fact, he felt stupid for not having seen it before. âCome on,â she said, herding Luna toward the bathroom. She complied, her nails clicking on the floor, tail tucked between her muscular haunches. âItâs okay. Itâs okay,â she cooed. âEverythingâs gonna be all right.â Once Luna was inside, Nora closed the door. Lunaâs glistening black nose floated in the doorjamb, then vanished. While they waited for the Uber, Myles realized he wasnât sure whether Nora had been talking to him or the dog. *** Later that summerâafter everyone who fled the city has returnedâMyles is walking along Van Brunt when he glimpses a halo of red hair beneath a Mets cap. No, he thinks, that canât be Nora. Can it? Sheâs sitting outside a restaurant. She spots Luna first, then Myles, attached to her leash. âMy god, Myles!â she cries, her face opening with surprise. âHow are you?â She sets her margarita down and Myles suffers a strange sense of dĂ©jĂ vu, as if he is living a scene from his old life. Nora here, in his neighborhood. She asks how heâs been, her friendâs eyesâNathalie, he remembers suddenlyâflashing between the top of her Ray-Bans and the rim of her straw sunhat. âHave you been back? To the park, I mean?â Nora is wearing a navy jumper with pink flowers he hasnât seen before. It looks good on her, he thinks. She  looks good. âHowâs your hand?â âOhâbetter,â he says, twisting it around for his own inspection. Although itâs been a month, the bruises on his arms and chestâcontinents of purple, ringed by yellowâhavenât fully faded. Luna pants in the heat. Once it becomes clear they wonât be continuing their walk, she drops her head onto her paws. âDoes she have to wear that thing all the time?â she asks with a jut of her chin. âOnly âround other dogs.â He wedges a finger beneath the nylon muzzle and gives Luna a scratch. âHow about you? Howâve you been? Seeing anyone?â Noraâs cheeks pinken. Sheâs been on a few datesâoutdoors, of course, or on Zoomâbut nothing serious. âGood for you,â he says, and means it. He has never felt all one way about their breakup. His feelings are a miasma, a confusing swirl of remorse, guilt, relief. âHowâs work?â she asks cheerfully. The horn from the ferry carries over the row houses, the rusted, rambling warehouses several blocks distant. âHave you been back to the city?â âNo. Quit, actually. Iâm teaching now.â âTeaching? Really?â she says, unable to hide her surprise. âI never knew you wanted to teach. What subject?â âESL,â he says with a long, embarrassed look at the ground. âPays practically nothing, butâŠâ âLong as it makes you happy,â Nora says. A dial of sunlight glints off a passing bus. For a single instant, everythingâthe sidewalk, Nora and Nathalie, Luna and Myles, the city, and everyone in itâseems new and sweet, etched in stark relief. âYeah. Yeah, I think it does.â Joseph Pfier is a graduate of the University of Wisconsin-Madison and holds an MFA in Writing from Sarah Lawrence College. He teaches fiction at Brooklyn Brainery and is the fiction editor at The Boiler Journal.  His work has appeared in publications such as Oyster River Pages, PANK, Juked,  and X-R-A-Y.
- "The Winningest Cheerleader" by R. C. Barajas
Remember Charlie Bischman? Ponytail science geek, used to watch us from the bleachers? Well, Stacie, guess who drunk-dialed me in August? And know whatâs weird? I thought he was dead! Didnât someone tell us that? Drove his Vespa off a cliff or into a tree or something? Anyway, itâs like 3 a.m. and Iâm thinking Iâm talking to a ghost, saying, Wow, Charlie , how are you? and heâs like, Stacey I â ve worshipped you since high school even though you were so cruel to me - and heâs completely wasted, right? And then he says, So would you, like, have my baby? I had to teach a Comp. Lit. section at 9 a.m., so I say, Gosh Charlie, that â s sweetâlet â s sleep on it and you call me sometime, âK? Next night he actually calls backâtotally soberâand gives me this crazy pitch! Turns out little not-so-dead Charlie is doing quite well for himself, and he says if I go through with this, I get a hundred and fifty grand plus medical expenses, no strings. So now Iâm listening, right? Heâs going on about options and contingencies, and Iâm Googling him to see if heâs for real. No kidding, Charlie Bischman is totally famous! He patented these robotic surgical micro-tweezer things and now the guyâs loaded! I know! And how â re you planning to explain to people how you suddenly have a baby?  I say, kinda stalling for time âcuz my mind is really jammed up over this. And all business-casual, like heâs already thought of everything, he says, Oh, I â ll say I hooked up with a beautiful mysterious lady at a bar, we had consensual sex, and unbeknownst to me she got pregnant. One day I go out to my Tesla and there â s this baby strapped in the passenger seat, with a note, and so of course I do the right thing and raise it as my own.  Smart, right? And I tell you, it started making senseâlike, dollars and sense, you know? Hey, my thesis is totally stalled outâmy advisor barely remembers my name, and how am I supposed to get a teaching job without his stupid recommendation? A hundred and fifty grand could even shut my parents up; What â s that Dad? What was I doing all year? I was growing a rich man â s child in my womb, Dad, that â s what! Two nights later weâre having dinner at Charlieâs mansion, drinking this really nice merlot, and next thing I know weâre going at it in his ginormous bed! He looks so much better, by the wayâthe ponytail kind of suits him nowâvery entrepreneurial. And he definitely  got a personal trainer. And those teeth of his? Theyâre like, perfect now. Fertile Myrtle here gets knocked up on the first round! Then a couple of weeks ago, at my eight-month check-up with the OB Charlieâs having me go to, who waddles into the waiting room but the rest of the Cooperville cheerleading squad! I hadnât seen them in like twelve years, and suddenly thereâs Marnie, Brenda, Haley and Francie, coming at me like a bunch of Bosu Balls, and weâre all, What the fuck? The receptionist hands out fat new legal contractsâthe original ones were just downloaded from LegalZoom, apparentlyâand takes us to this room where Charlieâs Zooming in on this huge screen. He reveals heâs making us each the same deal: the hundred and fifty grand tax free, but only one of the babies gets to be his heir. Heâll choose based on its Apgar score, cuteness potential and his own âvisceral reactionâ to its cry. The mom of the chosen kid gets a bonus hundred grand, a fat monthly stipend, and the suggested option of becoming Mrs. Charlie Bischman. Losers keep the babies, and a consolation trust fund, unless they opt for the lump sum buyout. So Iâm super pumped, because Marnie just had these scrawny little twins, which disqualified her (the contract excludes multiples-duh), and honestly, Brenda and Haleyâs babies were pretty, well, meh. Francie is due any day, but with her weight gain, itâs gonna come stomping outta her like Big Foot. So Iâm thinking Iâm about to be a gazillionaire, and both Dad and my advisor can bite me. And honestly, Stacie, I donât know if Iâll marry Charlie. I mean, get realâ heâs such a geeky little twerp, right? I do have standards for fuckâs sake. R. C. Barajasâ writing and photography have appeared in such places as The Washington Post, Cleaver Magazine, Fatal Flaw, and Hole in the Head Review. She was thrilled to be a finalist in the Not Quite Write and Bath Flash Fiction contests. One of her favorite places on earth is a darkroom. But she likes the ocean, too. Especially the Pacific. R. C. is a Californian by birth and temperament, and a Virginian through transplant. She lives with her husband and two loopy dogs.
- "Racing Airplanes" by Becs Tetley
Iâm five, holding my scooter in position at the front of our house. Iâm staring down the driveway that stretches to the gate near the street when I hear the boom buzz of an airplane taking off. A new race begins. I push off the concrete and go, go, go . The wheels rumble over crackling leaves as the wind sends my hair flying behind me like a cape. I scream past scarlet flowers as I look up at the sky then back at the pavement â Iâve still got the lead. Push, breathe, push, breathe . Iâm more than halfway when I glance up and watch the plane soar past me and I know Iâve lost. I screech to a stop. My heart kicks as I gulp down air. Then I turn around, walk the scooter back to the house, and ready myself for the next round. I will never tire of this game, even though Iâll never win. * Iâm forty-one, sitting at my computer as I type the street name into Google Maps. I find Santa Monica Airport and I know Iâm in the right area. I scroll left and right searching the virtual neighborhood until I find the fairytale house we all bought into. The Tudor construction of pointy roofs, dark frames, and white panels. The turreted column of windows along one side that spanned three stories â the mysterious attic at the top I was never allowed into, the second-floor bedroom where my parents slept next to an altar to foreign gurus, and the downstairs living room where my father sat in his cloth-bound recliner, a brown hooded robe draped around his body as he wolfed down the business section before work. I think of other memories. When I got a packet of carrot seeds in my McDonaldâs Happy Meal and poured all of them into one hole Iâd dug into the grass. I wondered for weeks why nothing ever sprouted. Or when I got roller skates from Santa, but spent most of the time breaking in my wrist guards as I crashed onto the pavement over and over. Or the evening Mom asked me to collect flowers for the dinner table, and I clipped some fuchsia blossoms from the bougainvillea bush that turned out to be all color but no fragrance. Iâm trying to make this house about something other than that morning in March when Mom and I carried our suitcases down the driveway after a weekend trip up north. We opened the front door to a hollow echo. Stay here , Mom said in the entryway as she flicked on the lights one by one, the clack of her boots and swoosh of her skirt the only sounds piercing the thick quiet of the house. I remained frozen as instructed, but curiosity lured my eyes left into the living room. Thatâs when I noticed things were missing: the rosewood coffee table where I ate cereal before school, the Persian rug where I cuddled our Siamese cat until she was hissing to get away. And in the far corner, by the window next to the lamp, four tiny carpet indentations marked the place where my fatherâs recliner no longer stood. * I toggle back and forth around the front gate on the screen. I canât access an angle to view the driveway. But in my mind I see the stretch of pavement, the curve right and then left, the side-lawn of flowers with no scent. And I imagine Iâm there skating in circles and pulling up carrots because we didnât move out in May, and my father stayed, and I won the race against the planes. Becs Tetley is a nonfiction writer and editor in Wellington, New Zealand. Her personal essays have appeared in The Spinoff, Reckon Review, Vagabond City Lit, Headland, and elsewhere. She is a member of the New Zealand Society of Authors and holds an MA in Creative Writing from Auckland University of Technology. She can be found online: @BecsTetley.
- "Rag Doll Heart" by Robert Firpo-Cappiello
Iâm eleven. Kneeling beside my bed, hands clasped. âUncle Brendan? Are you up there? Sister Claire says now that youâre in heaven you can be my guardian angel.â Iâm pretty sure it was drunk driving that sent Uncle Brendan to heaven, but I did not tell Sister Claire that part. I go, âSister Claire says you can look down and see all.â Which I think about every time I go to the bathroom. âI have a birthday coming up. Iâve been pretty good lately. You may have noticed last Christmas I let the poor kids have the toys I didnât want anymore.â I unclasp my hands. I get up off my knees. I suspect the angels, drunk or otherwise, never hear the likes of me. I yell downstairs, âPop! Pop! For my birthdayâŠ? Do you think Iâll get a new G.I. Joe? With lifelike fuzzy hair?â Pop yells upstairs, âItâs nice to want things. Now go to bed, Bobby.â Itâs nice  to want  things? *** For my birthday, I get, a slinky. A spaldeen. A board game called Diplomacy. Diplomacy ? You know what I think? I think we should give this  crap to the poor kids. Ma and Pop study my face. For reasons I cannot fathom, they did not expect me to be disappointed. I say, âBut what about the new G.I. Joe? With lifelike fuzzy hairâŠ? and a beardâŠ? and kung fu grip?â Ma says, âG.I. Joe glorifies war.â âBut on the box at Royâs Toyland, it says G.I. Joe can go on scuba missions, jungle missions, he can climb the mountains of Nepal.â I pronounce it Nepple. â âIt also says only four dollars and ninety-nine cents.â Pop says, âIf you really, really want oneâŠâ If ? â⊠you can earn  it.â Earn it? I know what that  meansâŠÂ *** Scrubbing the toilet. Ma hands me a big fuzzy brush. Iâm scrubbing that toilet bowl good when my little sister Maggie sticks her head into the bathroom. She goes, âI wanna help!â âScrubbing the toilet is for smart  people!â âIâm smart!â âScrubbing the toilet is for big  people!â âIâm big!â âNo, you are not ! I will always  be bigger than you and you will never be a man !â *** Two weeks later. I got a pocketful of quarters. Royâs Toyland opens at 9. G.I. Joe waits on the shelf. Lifelike fuzzy hair. And a beard. So he cannot possibly be mistaken for Ken. I grab the box and float up the aisle to the register, Roy accepts my pile of quarters, and I float back home, the boy who invented the world. That morning is a blur of scuba missions, jungle missions⊠kung fu grip⊠A quick break for Fluffernutters⊠But after Fluffernutters⊠I look for G.I. Joe. Heâs not on top of my dresser, heâs not anywhere in my room, heâs not anywhere upstairs, heâs not anywhere downstairsâŠÂ âMaggie! Maggie!â She hollers, âIâm doing my chore!â âWhere?â âThe bathroom!â I walk down the stairs and down the hall and the closer I get to the bathroomâŠÂ I hear scrubbing. I hear Maggie singing, âHeâs got the whole world in his handsâŠâ Sheâs on her knees in front of that filthy toilet. âHeâs got the whole world in his handsâŠâ Sheâs scrubbing. âHeâs got the whole worldâŠâ Sheâs clutching G.I. Joe by his legs, scrubbing the toilet bowl with G.I. Joeâs lifelike fuzzy hair. I reach for G.I. Joe. and I guess I scream because now Iâm being restrained and Ma tries to pry G.I. Joe out of my kung fu grip and then Iâm writhing on the bathroom floor watching Ma deposit my beautiful brand-new hard-earned shit-covered G.I. Joe into the garbage. I go, âMa? I think Iâm having a nightmare. Like that time I dreamed my dead turtle rose from the grave and tried to bite off my tinkle?â Maggie stands there looking down at me. I go, âMaggie? I want you to know something. My life was much better before you were born. Every Saturday morning Pop used to walk me to the bakery to buy crumb buns. The day you entered this world, the crumb bun buying came to an end.â It crosses my mind that Uncle Brendan may be seeing all. But if Uncle Brendan has the power to intervene in human affairs, heâs clearly chosen not to. I open the garbage can, and take one last look. The lid slams shut. *** Ma says, âBobby? We have a surprise for you!â âA surprise?â âYour godmother is here to sit for you. You always have fun with fun Cousin Mamie.â My godmother is anywheres between thirty-five and sixty. Fun ? I go, âI thought Cousin Mamie got married.â Ma says, âHush now, Bobby.â âI thought Cousin Mamie sailed to Ireland.â â Hush  now.â âI saw  Cousin Mamie get on a ship and sail away. We waved goodbye to her.â âWe donât talk  about that.â Now my godmother appears. She bellows, âRaaaaaahbitâŠâ Donât ask me why but thatâs how she pronounces Robert . âRemember me? Fun Cousin Mamie?â We especially donât talk about the fact that ever since fun Cousin Mamie sailed back  from Ireland, her head tilts all the way to one side. She says, âYour mommy says you lost your wee dollie.â I go, âHe was more of an action figureâŠâ âWell, you are lucky your godmother is here.â Sheâs got a big bag slung over her shoulder. She slaps that bag. âWe are going to make  a wee dollie.â âThatâs really  not necessary.â But now Cousin Mamie is sitting cross legged on the living room carpet, unpacking her bag. What can I do? I join her. Yarn. âCousin Mamie, did you happen to bring this yarn back from Ireland?â âWho says Iâve been to Ireland?â âNobody. Actually everybody . Scissors. âCousin Mamie, did you get married? âWhoâd marry me ?â Thread. âWhat happened to your neck?â âNever mind my neck. My neckâs always been like this.â âNo it has not . Why would you even say that?â Scraps of cloth. After a while, she says, âNow I  have a question for you . Do you know how to handle a bully?â âDo I know how to handle a bully?â âIâll tell you how to handle a bully.â Stuffing. âHow do you handle a bully? âKick him in the hiney.â âKick him in the hiney?â âIn the hiney. Fast. And hard. They never see it coming. And it can do a great deal of damage. Never forget that.â I will never  forget that. Between the two of us, me being eleven and Cousin Mamie with her crooked neck, itâs a miracle my rag doll looks anything remotely like a human being. Buttons for eyes. Paint. Cousin Mamie paints my rag doll a little smile. She paints a heart on his chest. She says, âWhen you see that rag doll heart, youâll always think of your godmother. And youâll always remember the best  day.â The best day? She says, âBobby? What shall we call him?â âWhatever.â She raises the rag dollâs arm, like heâs saluting. She says, âG.I. Patrick, reporting for duty.â *** I take the ugly thing outside. And God forbid any boy in the neighborhood walks by our front yard to witness this. G.I. Patrick. Climbing the mountains of Nepal on the front stoop. After a while, Cousin Mamie calls, âRaaaaaahbitâŠ? Soda bread fresh out of the oven!â I bolt up the stoop to the kitchen and demolish a plate of warm buttered soda bread that Cousin Mamie may  have learned to bake from the family of her apparently vicious ex-husband in Ireland but thatâs pure conjecture. But when I get back outside, here comes this older boy up the block. Heâs got a long, pointy stick. He gets to our mailbox and smacks it a good one, then he stops. He spies G.I. Patrick lying in the front yard. Then he does something so strange that I still think about it. He takes that stick and stabs G.I. Patrick through his heart. He picks up G.I. Patrick and parades up the block, my rag doll on the end of a stick. When Iâm pretty sure heâs out of earshot, I holler, âYouâre a rat!â Cousin Mamie steps out on the stoop. âRobert, what are you screaming about?â âAn older boy stoled my rag doll and he stabbed him through the heart with a stick and walked away with him and he is a rat !â âAn older boy? Who was it?â I think about that. âRaahbit? Who was it?â âI think it wasâŠâ âWho?â âI think it was Jimmy Gannon.â Cousin Mamie whistles like Pop whistles when I tell him the Mets are down ten to nothing in the bottom of the ninth. âJimmy Gannon? Of the thick-headed omadhaun Gannons up the block? Robert, are you sure?â Am  I sure? Word around the neighborhood is donât mess with Jimmy Gannon. I go, âYes.â Now Cousin Mamie is strutting up the block. Apparently sheâs gonna mess with Jimmy Gannon. *** By the time I reach Jimmy Gannonâs house, Cousin Mamie is having a little chat with Mr. Gannon. Mr. Gannon goes, âYou mean to sayâŠâ Cousin Mamie goes, âI donât mean  to say. Iâm telling  you what your Jimmy did.â âJimmy donât steal little boysâ dollies. Your little boyâs got a sweet little imagination.â Cousin Mamie is waving a fist in Mr. Gannonâs face. âIâll show you  a sweet little imagination.â âItâs threats, is it?â âItâs promises.â Mr. Gannon hollers, âJimmy! Get over here!â Jimmy Gannon appears out of nowhere. Jimmy goes, âYo, whatâs up?â Mr. Gannon says, âLemme ask you something. What did you do with this little boyâs dollie?â Jimmyâs looking at me. He goes, âBobbyâs dollie?â I go, âIt was my sisterâs  doll, Jimmy. It was my sisterâs  doll.â Jimmy goes, âBobby, what are you talking about?â Cousin Mamie is waving that fist again. âWhat did you do with the wee dollie, you thick-headed omadhaun?â Jimmyâs all cool. âI didnât do nothing. I donât even know what youâre talking about.â Now Mr. Gannon is waving a fist. âJimmy, if youâre lyingâŠâ âWhy would I lie about something so stupid? Word around the neighborhood is donât mess with me. I donât need to steal little girlsâ dollies.â I go, âJimmy, you know what you did.â âI donât  know what I did. I swear to God, Bobby. I didnât do nothing .â âYouâll go to hell for this.â I wish my voice wasnât trembling. Mr. Gannon comes for me with that fist in the air. âDonât be prancing around my house saying my Jimmy is gonna go to⊠Uuuuuuuugh. â Mr. Gannon drops to the sidewalk. Apparently Cousin Mamie kicked Mr. Gannon in the hiney. Heâs lying on the pavement. â Uuuuuuuugh. â Mr. Gannon stands up, slow, Jimmy hauling on his arm, Mr. Gannon all hunched over. He limps up the front stoop into the house. â Uuuuuuuugh. â Jimmy gives me a look. The walk back to my house is ridiculous. I look for my rag doll on the sidewalk, in the gutters, in everybodyâs front yards, I open garbage cans. He isnât anywhere . Cousin Mamie says, âRaahbit, are you sure it was Jimmy Gannon?â Then Iâm not  sure. I see the older boyâs face and it isnât Jimmy. Itâs some other boy stabbing my rag doll. *** That night. Kneeling beside my bed, hands clasped. âUncle Brendan? Are you still drunk driving up there?â I climb into bed, close my eyes. But all night long, rag doll commandos invade my room â they pour through the window, march across my floor, scale the side of my bed, whisper in my ear, âIt was my sisterâs  doll, Jimmy. It was my sisterâs  doll.â *** Morning. I know what I have to do. Even if it means getting punched in the face, which it probably will. I walk to Jimmy Gannonâs house. Hereâs Jimmy sitting on the front stoop, like heâs waiting for me. But when I get closer, I see Jimmyâs cheeks are wet. He goes, âIâm gonna kill  you!â âJimmy, whatâs the matter?â âMy mommy and daddy just left in an ambulance. Itâs my daddyâs hiney. He canât stand up straight.â Jimmy reaches into his pocket. Now heâs got something in his hand. âJimmy, whereâd you get a switchblade ?â âWhat? Why wouldnât  I have a switchblade? You think I donât know switchblade people?â âI was just making polite conversation.â ââJimmy, whereâd you get a switchblade?â is polite conversation? You think Iâm a thick-headed omadhaun?â The blade flicks open. âNo, Jimmy. Only an omadhaun would be a big enough omadhaun to call another omadhaun an omadhaun.â âThat sentence had the word omadhaun  in it like five times.â âActually, I think it was more like four.â âThat lady who kicked my daddy in the hiney called me a thick-headed omadhaun.â âJimmy, thatâs actually why Iâm here. I want to apologize. For three things. And number three is the most important.â âOkay. Number one?â âNumber one. Iâm sorry I accused you of stealing. I know you didnât take the doll.â âThank you, Bobby. I swear to God I didnât. Number two?â âNumber two. Who wouldâve thought somebody as little as Cousin Mamie could kick somebody as big as your daddy in the hiney so hard heâd have to go to the hospital?â âIs that an apology?â âYes. People canât be going around kicking other people in their hineys.â âThank you, Bobby.â âNo problem.â I start backing away. âYo, Jimmy, Iâll say a novena for your daddy.â âYou said there were three  things.â âNo, just two.â âYou said number three was the most important.â âWell. If you must know. Number three. It wasnât Maggieâs rag doll. It wasâŠâ I sniff the air. âJimmy, do you smell something?â âI donât smell anything. Whatâs number three?â âNumber three. It wasnât Maggieâs rag doll. It wasâŠâ I sniff. I sniff again. ByâJimmy, are you sure you donât smell something?â âI donât smell anything.â âI think I smell smoke. I think I smell smoke coming from your backyard.â We run around back, and hereâs the Gannon familyâs rusty old barbecue. My rag doll lying on the grill. Smoke. Flames. âJimmy. What. TheâŠâ He goes, âI want my daddy  back!â That switchblade glistening in the morning sun. He goes, âI want  my daddy  back!â Our eyes meet. We stand there. I go, âJimmy, sometimes, when Iâm having a bad day, I remember something Pop once said to me. Itâs nice to want  things.â âWhat did you just say to me?â âI said, sometimes, when Iâm having a bad dayââ âNo! Not that  part. I heard that  part. The part at the end.â âItâs nice to want things, Jimmy. Itâs nice  to want  things.â We stand there. Jimmy wipes a tear from his cheek. âThank you, Bobby. It is  nice to want things, isnât it?â Jimmy flicks his switchblade shut. âYes, Jimmy. It is  nice to want things.â We stand there for a long time watching the smoldering remains of G.I. Patrick. Button eyes. Painted smile. Rag doll heart. Smoke curls up, up, up into the morning sky. Robert Firpo-Cappiello (@RobFirpCapp) is a two-time Emmy nominee (for Outstanding Achievement in Music Direction and Composition for a Drama Series) and a Folio-award-winning magazine editor focusing on travel, hospitality, and health. His creative writing has appeared in Roi FainĂ©ant and Cowboy Jamboree Press, and he has performed his short stories, novels, and songs at Rockwood Music Hall, St Lou Fringe, Dixon Place, Irvington Theater, Spark Theatre Festival NYC, Urban Stages, and Bad Theater Fest. Robert holds a Master of Music degree in composition from the San Francisco Conservatory, a BA in English from Colgate University (where his mentor was novelist Frederick Busch), and he made his show-business debut at the age of five on WOR-TVâs Romper Room. Robert is represented by Jill Marr, at Sandra Dijkstra Literary Agency.
- "Tulips on Mars" & "Uncommon Toil" by September Woods Garland
Tulips on Mars I. Closing Me and Kiefer were closing the shop when Bossman called to say we better clean up extra good since Aero Puffs was coming in for a promo the next day. âNo fingerprints on the bong case,â he said. âAnd set up a dabbing station.â Usually, I would be annoyed with his tone, but we were all stoked to host the hip-hop legend. Everything needed to be just right. When we finished cleaning and counting the tills and drooling over top-shelf tulips, we locked up and hopped the Mars rail to the barracks. I shared a B-Pod with a couple of sanitation workers and was pretty sure theyâd still be up drinking, so I took a detour and stopped off at the view park. I sat on a patch of AstroTurf and looked out into space, homesickness waxing with each breath of pumped-in air. A lot of us working-class colonists tried to forget about Earth. About our choice to settle. I smoked a gram-joint of Purple Peony, my go-to strain for spacing out to the nothingness, Aero Puffs lyrics running through my mind: T-t-t-tip toe, Tulips on Mars So high, so far Iâm t-t-t-tip toeinâ Tulips on Mars II. Opening Even though it meant I couldnât sleep in, I signed up for the opening shift so I could be here when Aero Puffs came in. I put on my collared shirt with the zig-zag pattern of tulip buds and glittery smoke tendrils, the shopâs Tulip Town logo embroidered over my heart like a badge of honor. Besides all the colonial brainwashing, slinging Martian Tulips was a decent gig. Iâd been a weed head back on Earth and had more than a passing appreciation for these space hallucinogens. I felt like I was doing some good out here. When Aeroâs new single dropped it went double-platinum on Earth and was on repeat throughout the colony. Across the forty-acre settlement, colonists were humming the catchy hook and attempting the overly-auto-tuned effect on the chorus. It was like free advertising. I got to the shop ten minutes early, enough time to spark up with Kiefer. He was wearing the same shirt as me, but he had put his lip ring back in. âDude,â I said. âBossmanâs going to make you take that out.â âNah,â said Keifer, passing me the jay. âNot on Aero Puffs Day.â Maybe he was right, I was thinking. Maybe the song had some truth to it: F-f-f-freedom on Mars High among the stars No earthly bounds Just that sweet sound Freedom on Mars III. Meeting Your Heroes It got time for my lunch break and we were still waiting for Aero Puffs. I ate my colonial-issued box meal and hurried back to my station, not wanting to miss out. Customers kept asking stupid questions. Not that I wasnât used to answering them, itâs just that the visitors to Tulip Town were out of touch with Tulip culture and reality itself. A middle-aged woman in head-to-toe gold lamĂ© wanted to know if she could over-night a dozen Tulips to her daughter in Jersey. And a spoiled man-boy insisted on sampling thirteen different strains before deciding he would rather have a Space Beer down the street. Someone I thought was Aero Puffs turned out to be a tourist who was only here to snap a photo as proof he had been to the first and only Tulip dispensary on Mars. Everything on Mars is the first and only , I was thinking. What is the point? Even though Aero Puffs was running late, the store stayed busy. I felt comforted by the shopâs four walls and the bright buds glowing behind the glass case. I marveled at the variety of Martian Tulip products, all priced for the uber-wealthy space tourists. Without my employee discount, I couldnât afford a measly gram of the stuff. âNever meet your heroes,â Keifer was saying under his breath as he walked by with an armload of Martian Garden edibles. I saw him then: Aero Puffs. Walking through the front door, decked in designer labels and flashing a diamond-encrusted grill. Folks swarmed the star, arms outstretched for a touch. I kept my cool with the aid of the Peonies, my mind mellow and my pulse regulated. When Aero came around the counter, I thought he smiled at me, so I smiled back, offered my hand. He must have been distracted by all the fanfare. He barreled past me and into the breakroom, his voice booming above his own hit single pumping overhead. âYo, Iâm about done with this space schtick,â he was saying. âSomebody get me a blunt of that good old Earth Weed.â I must have been up here too long by that point. Must have been as disillusioned as Kiefer even though I didnât know until that moment. All I could think when I saw the living legend was that he wasnât all that special. So what if he wrote the line: Rags to riches, Bitches and cars, Gonna get me as far as Tulips on Mars. Uncommon Toil As he prepared for the hunt that morning, he thought of the way his family looked at him each time he came home tired with nothing to show, and he resolved not to return empty-handed again. He had woken before the sun or his children had risen, but not before his wife. She was sitting in the rocking chair on the porch. Every morning she bid him farewell with a smile. âGood luck,â she said. âI believe in you.â He reached the forest by sunup. Heâd been tracking the beastâs movements for months and would follow his worn trail as far as the birch grove where he planned to veer north. There had been nothing toward the south but a set of fading footprints that led to an abandoned den and bovine bones. Reaching the birch grove, he was emboldened by a new feeling of hope. The patchy white trunks were a break from the blur of green. He sat on a nurse log, host to a clump of huckleberry bushes, and set his satchel on the forest floor amid crawling insects and banana slugs. His wife had been teaching the children her ways of making strained resources go further and ingredients stretch and had packed baked goods for his journey. He had grown used to odd combinations: rosemary-mint rolls, apple-potato fritters. Todayâs savory morsel was his daughterâs invention. She had leapt toward him the night before, carrying a basketful of hand pies, her cheeks rosy and hair tousled from a day of culinary play.  âFor you, Daddy,â she had proclaimed. As he chewed, he swelled with her love and yearned to return the favor. The feeling of being loved through being provided for. Guilt crept up his throat at the thought. What kind of father could not catch a beast for his familyâs well-being? He had brought the bow and poisoned arrows, doses strong enough to stun a black bear. This beastâhe had seen it beforeâstood eight feet tall and weighed four-fifty; a single shot could do the trick. His colleagues laughed when he shared his plan. Their full bellies rippled with amusement. None believed he would succeed as none believed in the very beast he sought. Spend your time working, theyâd said. Not chasing this so-called beast. No one can subsist on imaginary meat. He had tried to explain that he did not plan to eat the beast. But the concept was one they could not comprehend, their imaginations gone dormant from the dullness of common toil. For the men who worked their lives away for othersâbodies laboring in fieldsâthere was no understanding his impossible dream. He kept an image of the beast in his mindâs eye as he trekked onward. The trail gained in elevation, switching back through old growth and fernery. Flickers chattered overhead as though reporting the manâs advancement through the woods. He spotted a grouping of bent-over saplings and picked up speed, his heart thumping with hope. A musky, overpowering odor traveled the breeze, coming from the northâhe was right to have changed direction. A rock flew across his path, eye-level. Then another. He pulled his collar up around his neck, as though it were a viable defense, and yelled out. It was a yell heâd practicedâa beast callâto the shock of neighbors and his own wife, who, though she supported his endeavors, did have limits. That howl was beyond them. He had felt bad that day months back when he came into the house from the yard after having nailed the call perfectly. She had dropped their dinner on the linoleum floor, the dog licking up the labored-over meal of potatoes and carrots and a roast of whatever meat sheâd managed to talk the butcher into giving her at half-priceâher husband was a hero after all, sacrificing for the community to achieve this discovery. To solve the mystery of the murdered cattle. A rock thudded against his shoulder, the sound a satisfaction, the pain a promise. He sped toward the rockâs origin. A squirrel scurried above, and fir needles rained down like natureâs confetti. His mind was racing with scenes of triumph. Of vindication for the naysaying heâd endured. He pumped his aging knees, creaking with every lunge as he navigated the forest floor, avoiding roots and rocks, leaping over logs. He readied his bow and arrow, anticipating that magic moment of opportunity. He wasnât looking where he was going; he didnât have to. Heâd been plodding toward that destination his entire life. Now, here he was, about to achieve his dream of capturing the beast. He tripped on a root then, tumbling to the ground. He felt a sharp stab in his side as an arrow pierced his body, poison rushing into his veins. The sleepiness was instant. His reflexes dulled, then ceased, and though he saw the ledge approaching, there was nothing he could do to stop the force of inertia, the weight of gravity. His limp body fell into the ravine, landing with an underwhelming thud. The beast hovered over him, all matted fur and cow-flesh-breath for no one to witness. For no one to capture. Perhaps the beast felt guilty then for the manâs unnecessary death. There wasnât all that much difference between them, but for the hairlessness and weaker constitution. What a soft species , the beast thought. Hiding behind walls and fearing lifeâs meaning . Still, he would honor the man. He would carry the body home and find his own vindication among the other beasts in the forest. They would forget about the night he found the cows but left his footprints for the man to discover. They would forget his failures and call him the pejorative Bigfoot  no more. September Woods Garland hails from the Pacific Northwest where she enjoys taking long, romantic walks through haunted houses and feeding Bigfoot peanut butter & seaweed sandwiches. She works as a freelance book editor and serves as editor-in-chief at Weird Lit Magazine. Septemberâs work has appeared in The Sprawl Mag, Idle Ink, Black Sheep Magazine, and elsewhere. www.septemberwoodsgarland.com
- "The first time Audrey flies a kite", âLast nightâ, & "The first time your first child bleeds" by Brian Baker
The first time Audrey flies a kite    from a tweet by Audrey Burges                                Across a tract of wireless sky she and her son have lofted it together. Itâs like walking a dog who flies! he says, offering up this brilliant, seedling truth there along the shifting edge of land and sea. In its jig of freedom and restraint the kite throws itself against the concave clouds. She grasps its cord, feels it tug against her, can almost hear it, crying free me, set me loose, letâs find out how much farther we can be apart from each other She holds tight, the sun comes down to earth and is polarized, the blowing sand drifts around plastic pails and lifeguard stands, flies out over the ocean. Face framed between her hairâs wind-whipped strands, Audrey looks high up into the lenticular sky and she is as unprepared as we all were for the joy. Last night                                                                              when she fell asleep she lay there with her thumb traced up against the line of my jaw with her fingers resting across my throat, like they would on a trumpetâs valves, rising and falling with my every swallow and breath. And then the hooded cat is there, throaty, insistent, pawing at my hip until I reach across to take her head in my palm, cup her ears, mold my fist almost all the way around her neck, so that then we were three of us, grappling there in the slender light. The first time your first child bleeds                                        End of the day, and the thin strip of hallway light has fallen across his closed lids. Underneath them, though, the restlessness in his eyes has become mine, remembering again that he bled today. Blood, thin, trickling line of it, from the lip, thought I was so familiar with his each and every small trauma, everything Iâd prepared myself for, but not this. Bled, and I was partner in something that could actually bleed. Bled, and the flow was like my own, that I had to stem, bleeding from across the room, I have never bled this way before. Brian Baker (he/him) is a London, Ontario poet who began writing back in the late eighties, publishing in such literary print journals as The Lyric, Canadian Author & Bookman, the University of Windsor Review, Dandelion, and The Antigonish Review. Now, in his first re-imagining, he is back to writing, with work published or forthcoming in such online and print journals as Cathexis Northwest Press, Synaeresis, Sledgehammer Lit, High Shelf Press, Roi FainĂ©ant Press, Vast Chasm Magazine, and Stanchion Zine. As well, he is a two-time winner of the Antler River Poetry (fka Poetry London) Contest.
- "@VanlifewithJosh&Siobhan" by Bob Armstrong
Wes Andersonâs leaning forlornly at the edge of a deserted gravel road, but instead of doing anything about it, Josh is getting his drone ready to fly. Iâm fixing my hair and refreshing my makeup. Dark clouds are building and one of our sponsors gave me some waterproof mascara. This might be a good time for a Josh & Siobhan Sponsor Showcase. Josh calls out over his shoulder: âMaybe get those new Arcâteryx jackets. Looks like a chance to give them a plug.â Great minds, right? On the one hand, this is the challenge of travel vlogging. Itâs bad enough that youâre stuck with a flat tire in the emptiest part of Saskatchewan when youâd expected to be soaking in the vibes on a butte in Grasslands National Park. But before you can fix the tire, you have to record it all for the vlog. Hence the drone, which admittedly does add a certain high-production-value gloss to our content. That shot of poor, disabled Wes Anderson surrounded by a sea of grass will look great. Mind you, if Josh hadnât bought the drone we could have picked up a set of new tires. Or maybe bought a better van than a 20-year-old Westfalia, which Josh named for his favourite director. As Iâm digging out the new rain jackets, Josh climbs inside. Heâs got the drone airborne, and heâs getting some establishing shots of the stranded van and the lonesome prairie as the drone circles like a vulture. âDo you think maybe youâve got enough? You can start changing the flat?â Heâs focused on landing the drone. âBe better if you  changed it.â âWhat?â He turns to me. âItâd be more on-brand for you. Female empowerment.â Sure, I talk about empowerment on our vlog, but usually, when Iâm doing yoga at some carefully selected scenic viewpoint. I consider refusing, but I realize that Iâm not certain that Josh knows how to change a flat. I put my hair in a ponytail and step outside while Josh digs out the jack and tools. He places them by the flat and peers underneath the back bumper. I donât like the puzzled look on his face. âYou donât know where the spare is?â âIâll look it up.â He pulls out his phone to reveal what I already knew â thereâs no service here. âIâm sure they said it was under the van.â He checks under the front and calls out in triumph. âBingo! Over here.â I get there and he hands me a wrench. âYou just loosen a couple of bolts and the spare drops down. Iâll get the camera.â Iâm not going to lie on my back on gravel just so he can capture all the excitement for our followers. I tell him Iâll change the tire, but crawling underneath the van is his job. He replies that we want to show a strong, resourceful woman who can do things for herself. It would be dishonest for him to do part of the job. And he refuses to be a dishonest filmmaker. I point out that heâs a vlogger, not a filmmaker. Then I remind him of the times we arrived at a destination too late for sunset, so we just shot at dawn and pretended the sun was going down. So donât give me that âhonesty in filmmakingâ crap. Once again, weâre beset by artistic differences. With a mighty sigh, he hands me the camera. He rolls onto his back and I hear grunts and heavy breathing and the sound of metal on metal and Josh cursing Wes Anderson and the German factory workers who built him and the engineers who designed the spare tire assembly. But eventually, he eases out from underneath, and I see that heâs managed to free the spare. He holds his hands out to show me a thin trickle of blood, and I realize Iâm expected to play nurse. I get out the first aid kit and take an alcohol wipe to the cut. Itâs more of a scrape, really, along his knuckles. âIs my tetanus shot up to date?â I hope this is a rhetorical question. Weâre not at the keeping-track-of-one-anotherâs-vaccinations stage of this relationship. After I wrap a bandage around his hand, Josh tentatively practises opening and closing his fingers and I notice that weâve got company. A pickup with a truck camper is approaching, and in the cloud of dust it throws up, I can see at least one other vehicle. As they pull over about ten metres from Wes Anderson, I notice Quebec licence plates. âThis is great,â I tell Josh. âMaybe they can help.â âWhat about empowerment?â âSometimes, Josh, expressing your vulnerability is the greatest form of empowerment.â I think thatâs from BrenĂ© Brown; Josh said I should quote her on the vlog to boost engagement. I wave as the first driver steps out of his truck. âIs everything okay?â he asks. âWe had a blowout,â I say. âI think we hit a pothole too fast.â In a chorus of door openings and closings, the first driver is joined by two others. They all approach the right rear tire, and the first driver squats to get a closer look. âSheâs dead, this one,â he says, working a finger into the rip in the rubber. The others agree that itâs beyond patching. âYou have a spare tire?â âWe were just going to put it on,â Josh says, launching into a long explanation about capturing all the experiences of travel, the good and the bad, on our vlog. âVuh-log?â one of the men says. Josh starts to explain, but theyâre not listening. One of the three brings the spare over, while another places the jack in front of the flat tire and begins to turn the handle. âGet in there, Siobhan,â Josh says, placing the camera to his eye. As the other two get started, the first driver introduces himself and his group. Theyâre brothers travelling with their wives on a cross-Canada trip to see the mountains and the Pacific. I look back at their vehicles and see three women setting up lawn chairs. They smile and wave, and I wave back. âI said last Christmas, Helene and me, we go west this summer and Marc says he want to go too. And then Gaetan says âme too!ââ Gaetan, the brother with the jack, turns his head at this and smiles. âI work on the oil rigs a long time ago. I tell AndrĂ© and Marc I want to see the mountains again. So we do a big family trip.â Gaetan gestures for me to watch what heâs doing. âSee where I put the jack? So itâs lifting the van by the frame, eh? Remember that. Now, you turn the handle; feel how the jack helps you lift.â I give it a few turns. Itâs surprisingly satisfying. âOkay. Now before we get the tire off the ground, we loosen the bolts. Here, you try. It might be hard.â I place the tire iron on one of the bolts and turn. Nothing happens. I put more weight into it. Still nothing. âSheâs tight,â AndrĂ© observes from above us. Gaetan takes a turn. I see his muscles flex and the cords of his neck stand out with the effort. He puts the iron down and heads off toward the convoy of Quebecois vehicles. Marc picks up the iron. âMaybe he loosen it for me,â he says, with a wink. It doesnât budge for Marc either. AndrĂ© turns his attention to Josh. âWhen is the last time you change the tires?â âThese tires were already on when I got it in the spring.â âYou want maybe a whole new set.â He puts a hand on Joshâs shoulder and leads him on an inspection tour of the other three. Gaetan comes back with a bottle, which he explains contains penetrating oil. He sprays it on all the nuts. âNow we wait.â He rises and wipes the dust from his pants. âCome, I introduce you to my wife.â Gaetan, Marc and I walk back to the convoy. I notice that the women have set up a table with cheese and crackers and one of them is pouring wine. As Gaetan and Marc are introducing their wives â Jocelyn and Nathalie â a plastic goblet is placed in my hand by the third woman. âAnd Iâm Helene, AndrĂ©âs wife. I look at all the work youâre doing, and I think you might need a drink.â Gaetan and Marc leave us and head over to the back of the pickup truck. The women tell me in brief about their trip west and their lives and grown children. They ask about me and Josh, and I tell them weâve been together for two years, and this year when I started to tell him I wanted to break up, he told me he had bought a van and wanted to take me on the road for a new adventurous life where weâd live fully every moment. Itâs more than I intend to say. I insist that I enjoy making videos about our travels and finish my wine as Marc and Gaetan return, heavily loaded with tools. Marc has a four-foot metal rod in his hand. âIn case the oil doesnât work, eh?â Soon, Iâm down on my knees beside Gaetan, holding a long-handled socket wrench in place on the rusted nut while Marc slips the extension rod on the end. The more exertion it takes, the more Quebecois the brothers sound. As Gaetan struggles to hold the socket wrench in place, I hear a âtabarnacâ slip from his lips. Itâs still not budging, so AndrĂ© helps Marc balance on the extension rod to put his body weight into the task. Marc looks worried, as if any moment heâll snap the bolt right off and plummet to the ground. âEsti de calice de marde,â he grunts. Finally, with a blast like an out-of-tune trumpet, the nut moves a half turn. I squirt another shot of penetrating oil on that nut, and the guys repeat the procedure with one of the others. By this point, Iâve realized Iâm just getting in the way. They get each nut moving, then hand the tire iron back to me to finish the job. Under Gaetanâs guidance, I remove the old tire and slip the spare into place, tighten the nuts until theyâre all snug and lower the jack. The brothers are laughing and patting me on the back when Josh interrupts to ask them to sign waivers so that we can use the video heâs shot. âItâs going to look great,â he says. Gaetan looks at me, and I say, âplease, if you donât mindâ and he shrugs, and the three of them sign. The wives are packing up their picnic and I accompany the men to say my farewells. âIâm sorry about interrupting your travel today. I hope you arenât too delayed.â âThe boys had fun,â Jocelyn says. âThey all get a little nervous without tools in their hands.â They all kiss me on the cheek and wish me well. Helene writes down our website address and Twitter handle and promises to watch. I wave as they depart and Josh keeps shooting as they disappear in a cloud of dust. âDamn. Wish Iâd got the drone back up for that exit.â We continue to Grasslands and drive straight to a hiking trail so I can walk up a hill and do tree pose while the evening sun sets the grass on fire. Iâve been standing on one leg for a couple of minutes when Josh comes in for a close-up. âWhatâs a pose that says gratitude?â he asks. âWhat?â âLike maybe, the lesson should be about gratitude, not empowerment. So, whatâs a gratitude pose?â I try sitting with my eyes closed and my hands together at heart centre and I hear Josh say âperfect.â I hear the wind in the grass and prairie birds call and the sound of Josh walking around me to do a 360-degree pan and then he breaks into a closing narration. âWhen youâre living on the road, youâre living off the goodwill of others. You have to learn to accept gifts of food or drink, of information or assistance. In a spirit of humility, you accept the gifts bestowed on you by the universe. Today, three beautiful souls from Quebec helped us get to Grasslands National Park in time for this spectacular sunset. We joyfully accept and honour their generosity. And who knows, maybe tomorrow we can give back to somebody else. Keep watching Vanlife with Josh and Siobhan to find out.â He lets out a breath that tells me heâs finished. I open my eyes. Weâre losing the light. âTomorrow weâre buying a replacement spare,â I say. âWhat?â âYou said we might do something generous tomorrow for somebody else. Tomorrow we need to find a tire shop where we can get a new spare â otherwise, if we blow another tire, weâre fucked.â âIâve got a better idea,â Josh says, packing up his camera and tripod. âTomorrow, we find a place with cell service, and I find us a tire company as a sponsor and we get a set of all-season radials.â We head to the campground and cook up Kraft Dinner with salami chunks. The fridge has been acting up, so we donât chance it with anything that needs to be kept cool. The rain that was threatening on the road hits so we have to eat in the van, windows shut tight. Six weeks of van life and Wes Anderson is getting pretty stinky. What Wes will be like when we get to our wintering grounds in Southern California, I donât want to know. Itâs raining too hard to go to the washroom, so before bed I make Josh turn his back and I use my pee bucket. Something else the video never captures. Itâs been a long and exhausting day, and Josh is soon snoring beside me, but I canât sleep. Iâm thinking of Joshâs meditation on gratitude. Then it dawns me. I nudge Joshâs shoulder. When that doesnât wake him, I elbow him in the back. âHuh? Wha?â âThe three guys today, what were their names?â âTheir names?â âTheir names.â âAndrĂ©.â I nod. Thatâs one. âRenĂ©? Pierre?â I roll over and close my eyes. Josh is asking if heâs close. âCan you give me a hint? Do they share names with politicians? Hockey players?â I make a mental checklist for the next few days. Tomorrow, we get a new spare tire. If itâs sunny, we set up a clothesline and air everything out. We buy ice for the cooler, so we can eat something other than Kraft Dinner. And we get data service somewhere so Josh can look for a tire sponsor and I can check flights home.  Bob Armstrong is a novelist, speechwriter and occasional comedian from Winnipeg, Canada. His novel Prodigies (Five Star/Gale) won the Margaret Laurence Prize for Fiction in the 2022 Manitoba Book Awards. Find his travel misadventures on Substack @wanderingwriterbobarmstrong.
- "English Painting" by E.P. Lande
When we arrived in Paris, and before driving to our home in Saint Jeannet on the CĂŽte dâAzur, I thought we would enjoy a couple of days in the city, as I wanted to see the Francis Bacon exhibition at the Grand Palais. âSince when do you like his work?â Jane asked. âI believe we should expose ourselves ....â âEven if we don't particularly like Bacon?â âYes, Jane. I hadn't thought much about Rothko before I accompanied Robert in the MoMA.â âAnd, did that exposure convert you?â âNo, but at least I have a basis for whatever opinion I now have about his work. So, I say we should go.â The following day we went to the Grand Palais to view the retrospective exhibition of the paintings of Francis Bacon. âI canât say I really like his work,â Jane said when we were standing in front of a large canvas whose subject was Pope Innocent X. âIt says here in the catalogue that Bacon painted the portrait after one by VelĂĄzquez. Look, Jane, thereâs an illustration of the one painted by VelĂĄzquez,â and I handed the catalogue to Jane. âI donât like it either,â Jane said, handing the catalogue back. âI donât understand what Bacon is doing. Why the distortion? To me, it doesnât make any sense.â âIâll read you from the catalogue. âAt the time (when Bacon was painting the portrait) Bacon was coming to terms with the death of a cold, disciplinarian father, his early illicit sexual encounters, and a very destructive sadomasochistic approach to sex.â â âAnd that is supposed to explain why he painted the pope the way he did? Perhaps he should have seen a psychoanalyst first, and then painted the pope.â âHad he, we probably wouldnât be standing in front of this painting,â I told her. âI have learned â and not from our friend Irmgard who would probably disagree with what I am about to say â is that in all the arts â writing, music, architecture, as well as painting and sculpture â one should separate the artist from the work, and not judge the work prejudiced by oneâs knowledge of the personal life of the artist.â âAre you saying that what you just read to me from the catalogue should not influence my opinion of Baconâs paintings, like this one here?â âYes. Forget about what I just read, and look at the painting itself. Then decide whether or not you like it and ask yourself, why?â âEric, I said I disliked it before you told me about Baconâs personal life ⊠and I still dislike it. To me, itâs a distortion of reality that I donât understand nor appreciate.â       *** As we were driving down A7, Jane turned to me. âWhy don't we stop at Beau Rivage, in Condrieu?â The restaurant/hotel was part of the Relais et ChĂąteaux association, and whenever possible, we stayed â and ate â at hotels in the group. âDid you enjoy the exhibition?â Jane asked when we were seated at a table on the terrace overlooking the river flowing by. For dinner, we both ordered grilled loup de mer and drank a local wine from the vineyards surrounding the town. âYes and no,â I told her. âBacon's technique is unusual and unique, and I can appreciate the mental activity going on to paint the way he does ....â âBut?â â... but they remind me of looking out of an eye affected by wet macular degeneration, and do I want to see the world blurred and distorted?â âHow do  you want to see the world?â âYou mean, which contemporary artists' vision excites me and makes my heart beat faster? The Fauves, for the most part. Remember the Derain view of the Parliament buildings in London?â âAnd his other London paintings. It was as though the paint came off the canvasses. They were pulsating.â âThat's what I mean. A painting can't be simply unique or different ....â âChagall is different,â Jane said. âYes, but he's also possibly the foremost colorist since the Fauves, and his subjects take you into the supernatural. Whenever we go to their home, I hope Vava asks to sit on the couch under his painting Les Maries de la Tour Eiffel , because as I enter their living room, I feel my eyes glued to that painting, so by sitting under it, it canât distract me and I can partake of the conversation.â I smiled when saying this. âI never tire of looking at a Chagall.â       *** âBonjour, bonjour,â Vava greeted us at the door of La Colline. âMarc will join us in a few moments,â and she led us into the now familiar living room. âYou've been in Paris?â she asked. âMarc will be interested to know what you did. Ah, here he is now.â âBonjour, mes enfants,â the artist smiled as he walked in from his studio. âJane, assois-toi ici,â and he took Jane by the arm and brought her to sit beside him on the couch. âEt bien, tu Ă©tais Ă Paris? Qu'est ce que tu as vu lĂ -bas?â Jane told him we had been to the Francis Bacon exhibition at the Grand Palais. Chagall's expression, on hearing the name of the artist, resembled a question mark: arched eyebrows, mouth turned down. He did not look at all interested. He shrugged his shoulders, and finally said, âEnglish painting.â E.P. Lande was born in Montreal, but has lived most of his life in the south of France and Vermont, where he now lives with his partner, writing and caring for more than 100 animals, many of which are rescues. Previously, he taught at lâUniversitĂ© dâOttawa where he served as Vice-Dean of his faculty, and he has owned and managed country inns and free-standing restaurants. Since submitting less than two years ago, 48 of his stories have been accepted by publications in countries on five continents.
- "Mother Feathers" by Lisa Alletson
You wake to your husbandâs fingernails digging into your shoulder blade. Swallow a wince as Jimmy squeezes the skin on your back. He grunts, pinching harder, before flourishing a black and white feather in your face. Lays it on top of the pillows stacked between you in bed. As you stare at the feather, the alarm clock starts to scream and scream until the baby wails from her crib and the kids bang at your bedroom door begging you to turn it all off.  What the fuck , Jimmy says . You grew another penguin feather. Same like the one I pulled out yesterday. Gross. You twist your arm behind your back. Rub your fingers against your shoulder blades. But you canât feel any feathers growing in your skin.  Donât joke, Jimmy. Jimmy shrugs. He slaps the pillow hard.  The penguin feather rises into a high patch of sunlight just out of your reach. Floats down to land on your belly. Jimmyâs been throwing What the fucks  at your outfits, your cooking, your books, more than usual. Ever since he tagged along with you and the baby on last monthâs trip to Costco. As youâd lifted the carton of 48 Great Value Skipjack Chunk Tuna  onto the check-out counter, the cashier winked at you. Hey! Howâs it going? Still enjoying that tuna, I see.  What the fuck ? Thatâs my wife , Jimmy told the cashier, his words six icicles. When the young man's eyes dropped to the floor, you picked them u p. Sorry , you whispered as you leaned across the counter to slip him his eyes before Jimmy noticed. On the car ride home, Jimmyâs tone was accusing. Dude was staring at your boobs. They look ginormous in that breastfeeding shirt. Jimmy turns off the alarm clock on your side-table. Your phone rings softly. Itâs your old school-friend Violet calling again. The only one who still does. You canât answer. Not since Violet had come to the house while you were out to try to sleep with Jimmy, stripping down to a pink thong in the living room, telling Jimmy she wanted to fuck him. Jimmy of course kicked her ass to the curb. Says heâs known plenty of women like Violet. Itâs hard to believe your best friend would do that. You thought Violet hated Jimmy. Tried to convince you to leave him last year. But sheâs been going through her own stuff since her husband got sick. Maybe sheâs lonely. Jimmyâs always been easy on the eyes. Fighting off the ladies all night again , he laughs when he rolls in from The Crafty Drake every Saturday at 2am. The kids are outside the bedroom door whining for their morning cuddles. Jimmy heaves up to unlock the door and let them in. Waggling his eyebrows, he shows them the penguin feather he plucked from your back. Gets them to line up so they can run their fingers over its smoothness. Their eyes widen when he shows them a speckle of pink at the featherâs base. Thatâs  Mommyâs blood , he tells them. I had to yank like crazy to get that sucker out. The baby starts crying again and you want to escape with her for some fresh air but you stopped going for strolls when Jimmy said the neighbors were complaining. They say you look like a homeless person , waddling around. Theyâre such snobs with their precious manicured lawns . Jimmy is trying to help. Explains itâs not your fault you havenât lost the baby weight. Or that you smell like sour milk and sweat because thereâs barely time to shower. He still loves you and doesnât care if youâre fat and stinky. Says donât worry what the stupid fucking nosey neighbors say. To just stay inside from now on. Stop accepting meal drop-offs from your so-called friends.  Jimmy gets the baby from her crib and gently places her on your breast where she stops crying. The other kids pile onto the bed. Jimmy stands at the foot of the bed grinning and clapping to get attention. Throws his arms up like a circus master, startling the baby off her latch to stare up at him. Guess  what kids.  Mommyâs turning intoâŠ.a penguin! , he announces, as if surprising them with a trip to Disney World. Weâll move to that Galapagos place with the other penguins. Just our family.  No-one will laugh at us there . Iâm so goddamn sick of everyone judging us . You know you canât be a penguin. But the baby hormones are messing up your brain. Sometimes you canât tell if youâre dreaming or awake. Youâve been scratching yourself raw ever since Jimmy told you that Violet tried to sleep with him. Thereâs a stirring beneath your skin, like an egg cracking open and spilling through your blood. The kids giggle at Jimmyâs words and the oldest boy leads the others in a chant, Penguin Mama ! Penguin Mama ! He pumps his fist in the air as he chants and the others follow along, pointing at you. Jimmy joins in. Their laughter rises into the storm clouds forming in the bedroom. Freezes into hailstones. Falls hard, piercing your skin. Jimmy opens the window and a gust of icy wind blows in. You gather up the downy bed blankets. Pull them around your shoulders like a cloak of feathers. Hunching over your penguin chick, you use your body to shield her from the sudden cold. Lisa Alletson was raised in South Africa and the UK, and now lives in Canada. Her writing is published in Roi FainĂ©ant Press, New Ohio Review, Gone Lawn, Atticus Review, Pithead Chapel, Gone Lawn, Bending Genres, Milk Candy Review, among other journals She has been nominated for the Pushcart Prize, Best Small Fictions, Best of the Net, and Best MicroFiction, and appeared on the Wigleaf Top 50 Longest. Her debut chapbook, Good Mother Lizard, won the 2022 Headlight Review poetry contest. Sheâs on Twitter @LotusTongue  and Bluesky @LisaAlletson . You can find her published work at www.lisaalletson.com .
- "Shadows Of Chinar" by Harshita Nanda
Rough grass tickled the backs of her bare legs as Naseem lay on her back, watching the chinar leaves dance in the zephyr. Aslam lay next to her, whistling tunelessly. Suddenly, Aslam said, âClose your eyes!â âWhy?â âI want to give you something.â âWhat?â âClose your eyes first!â Smiling, Naseem followed Aslam's instructions. Lifting her hand, Aslam placed something round and cold on her palm. Naseem opened her eyes to see a polished black stone. Answering her look of surprise, Aslam gave her a gap-toothed grin.  âSo that you never forget me,â he said. Naseem rolled her eyes. âWhere are you going? You are my brother. We will always be together, lying under the chinar tree, watching the leaves dance.â ****  Naseem carefully wrapped the hijab around her head, making sure no wisps of hair were visible. Securing the loose end with a pin, she stepped back to check her reflection. A shapeless form covered from head to toe in black blinked back. She turned away to pick up her bag when her eyes fell on the black, polished stone on the windowsill. Her eyes lingered on the stone for a few minutes before she walked out of the room into the living room. The bright threads of Kashida embroidery cushions contrasted with the dark of the walnut wood walls. But Naseem was oblivious to the beauty of the room. Her eyes were on the woman. Wearing a brown wollen pheran , her grey hair covered with a daejj , the woman knelt on the cushions, staring out of the bank of windows that covered one wall. How many women like her , Naseem wondered, stare out of windows in Kashmir, waiting eternally? Naseem walked across the room on the floor covered with soft, woolen carpet. She lightly touched the shoulder of the woman and waited as the woman turned away from the window. The woman's eyes slowly lost their faraway look as they focussed on Naseem.  âNaseem?â she asked, her voice soft. Naseem nodded. Once, Zeenat had been a strapping, ruddy-cheeked woman whose laughter had boomed through the house. Now, a shadow of her former self, like a waif, she would spend hours staring out the window, waiting for Aslam. Some days, even the fact that Naseem was her daughter would slip from her mind. âI am leaving for school. There is haak  and rice in the kitchen for lunch. I will be back by four.â Zeenat gave a slight smile, acknowledging she had heard Naseem before turning back to the window. Dropping a kiss on Zeenatâs head, Naseem walked away. Locking the front door from outside, she walked down the narrow stairs to hand over the keys to Khan Chacha, the owner of the kandur downstairs. âBeti, I think you should hire a caretaker for Zeenat Bibi,â Khan Chacha advised, taking the keys. âChacha, you know how difficult it was to get this job. The salary is barely enough for necessities. A caretaker is beyond my pocket. But after last week, when Ammi wandered off into the forest looking for Aslam, I canât take another chance and leave her alone,â replied Naseem. He sighed in reply. âAslam should not have taken the wrong path, putting all the burden on your shoulders.â Naseem flushed at the censure and pity in Khan Chacha's words. Without replying, she walked towards the taxi stand. Boarding the shared taxi to Lal Chowk, she swallowed a sob as memories of Aslam, which she kept caged in a box in her heart, threatened to break free. Aslam, with his cheeky grin and a permanent twinkle in the eye. Aslam, with an idealistic streak everyone had been unaware of. Aslam who, unable to understand why his beloved valley was changing, slowly grew morose. Aslam, who one day disappeared from their lives forever. Later that afternoon, Naseem walked through Lal Chowk to board the taxi back home, lethargy making her steps slow. She was exhausted after struggling with high school students the whole day. Today, once again, more than half of the children were absent. The ones who did come to school were angry and uninterested. They did not want to learn about Shakespeare when there was no future to look forward to. Jostling for space inside the taxi, she wondered if the children of the valley would ever have a normal adolescence. As the taxi careened past Nishat Bagh towards home, Naseem remembered the simpler times when the whole family would go for picnics there. Laughter was a constant in those days. Like how fear was now. Lost in her thoughts, Naseem didnât notice the taxi slowing down before coming to a stop. A soldier was dragging a roll of barbed wire to block the road. Murmurs of dismay filled the vehicle as Naseem felt her heartbeat grow faster. One would have imagined that after so many years surrounded by violence, guns and barbed wires, she would be used to seeing soldiers in army fatigues. But who gets used to violence and bloodshed? An army officer came to talk to the driver. Naseem, seated just behind the driver, leaned forward. A roadblock could mean a delay of a few minutes or hours. Worried about Zeenat locked alone in the house, she tried to eavesdrop on their conversation. Noticing her actions, the officer raised an eyebrow. Flushing, Naseem looked away. She knew officers usually had a short fuse. She couldnât afford to get into trouble with them. She had to think of Zeenat first. Always. The officer stood by the taxi as a convoy of army trucks passed them on the other side of the road. Full of soldiers dressed in fatigues, they looked menacing with machine guns cradled in their arms, their eyes expressionless. When the last of the trucks had passed, the officer walked away. Noticing his swagger, Naseem couldnât help but feel a spark of resentment. How would it feel to have power? she wondered, before chuckling to herself. As a Kashmiri woman, power and peace were two things she had no experience of. The taxi moved again, and everyone sighed in relief. âThank God, it was a brief delay,â said a young woman, bouncing a plump baby in her lap. âThis one is going to get hungry soon,â she said, grinning at Naseem. Naseem gave a polite smile in reply. After so many years of fending for herself, she had forgotten the art of making inane conversation. The clock hands showed six when Naseem unlocked the door to the house. Zeenat was still sitting on the same cushion, looking out from the window on the darkening street below. âAmmi, I am back,â she called out, bolting the door and sliding the safety chain in. There was no answer or movement from Zeenat. She continued to look out, softly humming to herself. Naseem sighed. Sometimes she wondered how Zeenat would have behaved if instead of Aslam, Naseem had disappeared. She scoffed. What a fanciful thought. Where would Naseem disappear? Her dream had been to marry and raise children. She had no wars to fight. War was for men, who had the freedom and luxury to fight for ideals. For women, surviving was more important. Her musings were interrupted by a knock on the door. Naseem frowned. It was too late for someone to be visiting them. Feeling uneasy, she peeked through the peephole. It was Aslamâs former best friend, Afroz.  **** â Kahwa ?â she said, offering a cup to Afroz, who sat next to Zeenat, trying to converse with her. Zeenat continued to ignore him. â Shukriya ,â he replied, his hands brushing against Naseemâs. Looking him, she realised that the touch had been deliberate. She fought the urge to wipe away her hand as she sat as far away as possible from him. âI am glad you followed my advice about hijab,â Afroz said, his eyes lingering on her. Seeing the blatant desire in his eyes, Naseem nodded despite the shiver of revulsion. âHow are you, Naseem? I came to check on Zeenat Khala ,â he said. Naseem noted he no longer added aapa  after her name as he used to when they were young. Naseem shrugged. âShe has good days and bad.â âI heard about her being lost in the forest. I wish you would stop being stubborn and take help from us. She needs a caretaker,â Afroz said. Naseem wanted to scream, âShe deserves the son she doted on. But you filled poison in Aslam's mind by showing him videos and giving him incendiary literature. You subtly pressurized my sensitive brother to join the rebels. You are the reason she is alone in her old age. You are the one responsible for our suffering.â But she didnât. Lowering her eyes, she sipped her kahwa. âShe is the mother of a shaheed . You know we want to help,â he insisted. Trying to keep her tone even, she prevaricated, âAslamâs actions made it very difficult for us to survive. I got a government schoolteacher job only because the principal was Babaâs friend. If I take help from you, the government will suspect me.â âAslam gave his life for the cause. Please donât be called a collaborator,â Afroz replied. Naseem felt fear run up her spine when she heard the underlying menace in Afroz's words. She glanced towards him. His eyes reminded her of the snake she had seen once in the forest. Hooded, they were waiting for the correct moment to strike. Naseem knew she couldnât afford to make an enemy out of him, not if she wanted to survive in Kashmir. She nodded once before bowing her head again. âI will ask if we need anything,â she said softly, hoping her submissive action would placate Afroz.  âArenât you Afroz, Aslamâs friend? Is Aslam at your home? Tell him I am waiting for him,â Zeenat spoke, startling them both. Naseem rushed to Zeenatâs side. âNo, Ammi, Aslam is not there. He will come in the morning,â she soothed. Realising further conversation with Naseem was not possible with Zeenat in this state, Afroz left. Re-bolting the door, Naseem felt her shoulders slump. The roadblock and mental games with Afroz had exhausted her. She lay down on the cushion next to Zeenat, who had turned back to look out of the window into the darkness again. She waited a long time for Zeenatâs hand to caress her hair like she used to when Naseem was a young girl. When a caress from Zeenat's hand would make her troubles disappear. But Zeenat kept whispering, âAslam, Aslam.â Naseem swallowed a sob, her chest threatening to burst with unshed tears. Slowly, Naseem got up and walked to her room. Taking off the abaya, she threw it on the floor, resisting the urge to stamp on it. She started unwinding the hijab, her chestnut tresses sighing in relief at the freedom. With her fingertips she massaged her scalp, hoping to soothe the headache that had started throbbing between her eyebrows, when her eyes once again, fell on the polished stone. She picked it up. It felt heavy and cold in her hand, just like her heart. She wanted to scream and hurl it through the window. But she did neither. She placed it back on the windowsill. Turning she bent down to pick up the abaya from the floor where she had flung it when the sounds of boots stomping on the cobbled streets reached her. She rushed to the window to see soldiers marching into their street. No! Not today!  Her mind screamed. She just wasn't strong enough today. A few minutes later, there was a peremptory knock on the door. Hastily re-draping the hijab, Naseem ran to unbolt the door. A group of men in army fatigues stood outside. âPlease be seated for search operations,â a soldier instructed, gesturing for Naseem to sit next to Zeenat on the cushions. Zeenat looked wide-eyed at the men who filled their small room as they rifled through closets, emptied tins, and upended mattresses. None of this was new. As Kashmiris, they were used to such violations of their privacy. But Afrozâs visit had agitated Zeenat. She stared at the soldiers, muttering under her breath. Naseem rubbed Zeenatâs back, trying to calm her, but it was futile. Seeing a soldier, lift and throw the floor cushions, Zeenat shouted. She started raining curses on the soldiers. Pointing to their muddy boots on the carpet, she demanded if their mother hadnât taught them shoes had to be removed before walking indoors. Naseem wrapped her arms around Zeenat trying to control her. But fueled by fury, Zeenat wrenched herself free. She launched herself at a soldier, her frail hands beating a tattoo on his chest as she called him Aslam's murderer. âNo!â shouted Naseem, trying to help Zeenat, but another soldier held her back. The first soldier caught hold of Zeenatâs wrists in one hand, raising his arm to control her. âPlease,â Naseem pleaded, struggling to break free from the soldier who held her. âShe is mentally not well.â Oblivious to the surrounding drama, Zeenat continued to rain curses. Finally, just as suddenly, her energy ran out. âAslamâs murderer!â she shouted one last time before her eyes rolled back, and she slumped on the floor. Her breath coming in shallow pants, Naseem stared at the soldier as he picked up Zeenatâs frail body and placed her on the cushions. He stood staring at her impassively before his body softened infinitesimally. His finger touched Zeenat's cheek before he looked towards Naseem who stared at him, fear burning in her eyes. He gave her a curt nod, half-raising his hand in salaam before gesturing to the other soldiers. The wooden floor thundered as the soldiers marched out of the house, leaving a stunned Naseem alone with Zeenat. Amidst their belongings strewn throughout the room, Naseem kept a vigil through the long night, whispering duaâs  for God to spare Zeenatâs life. The sky was turning orange when Zeenatâs eyelids fluttered open. She looked around the devastated room and then at Naseem. âNaseem?â she asked, her voice hoarse. âYes Ammi,â said Naseem, kissing Zeenatâs hand. âCan I have some chai  and roth ? I am hungry.â Naseem gave tremulous smile. Later, as she sipped her tea, Zeenat asked, âWhy is the room messy? Did Aslam come home?â Naseem ignored the pain in her heart as she replied, âNo ammi .â âMaybe he is studying in the library. That boy loves his books,â she said, taking a delicate bite of the roth . Ignoring Zeenat's words, Naseem asked, âWould you like to go for a picnic to Nishat Bagh?â Without replying, Zeenat turned to look out of the window. Naseem felt the clouds gather around her again. Shoulders slumped, she gathered the teacups. She had almost reached the kitchen when Zeenat said, âI want to wear my red pheran  for Nishat Bagh.â Naseem smiled. **** The rough grass tickled their bare feet as Zeenat and Naseem lay next to each other under a chinar tree. Naseem lightly held Zeenatâs hand in her right hand. Clutched in the left hand was the polished black stone, its smoothness contrasting with the fragility of Zeenatâs skin. Nearby, a teenager strummed his guitar, crooning, âashtyan any ti gatshun gatsey Pakun gatshey dyanm kyov raath.â (Ceaselessly we come to ceaselessly go, Relentlessly moving on is all we can do. )* Naseem let out a soft sigh. Naseem was a simple woman caught, between two sides of a conflict, trying to survive each day in a world full of senseless violence. But today, under the chinar tree, with Zeenat by her side and the stone clasped in her hand, watching the Chinar leaves dance in the zephyr, for a few minutes, Naseem was at peace.   ***** Glossary  Pheran:  A long dress, like a kameez worn by Kashmiris Kashida: Kashmiri embroidery Daejj: A plain white headscarf Haak: Collard greens Kandur : Bakery Shukriy a: Thank you Khala : Aunt Aapa : Sister Shaheed : Martyr Dua : Blessing/Prayer Kahwa and Chai: Traditional Kashmiri teas Roth: Sweet Bread  * A verse by Lalla Dyad ( Lal Ded), fifteenth century Kashmiri Sufi and mystic. The translation has been taken from âLalla Dyad, The Mystic Kashmiri Poetessâ, By Shafi Shauq. Harshita Nanda is an author, blogger and book reviewer based in Dubai, UAE. She trained as an engineer before changing tracks to become a full-time writer. Her stories have a strong emotional quotient with a streak of feminism. Avoiding unnecessary drama, she focuses on the universal appeal of human emotions. Her stories, Rain and Anoymous were a part of the flash flood in 2023 and 2024.
- "Waiting on the train" & "Saudade" by Arlo Arctia
waiting on the train. i missed my stop on the metro about five exits ago, somewhere between Pentagon City and King St., but i have no desire to return home. iâve been finding companionship in the proximity of strangers recently. people who will never know me or recall me- yet will live inside me, momentarily, as emotional relief. i can just stay here. let the stations greet me, and wave goodbye- and in gentle warmth, i can let myself relax into the scenery- submerge into the cushions as if iâve always been part of them, tuck myself- in inner silenceâ i imagine on the train, i am the passerby of many lifetimes, including, my own. like a loose shadow, blended, but not yet faded, i spectate the fleeting guests, the quick sights of the underground, their muddy textures, rocky linesâ but if i look too long, mindlessly stay, i risk every station, feeling the same- iâll lose track of where iâm going, and the distances too- iâve begun to learn, absence doesnât feel the same as escape, and often, the clock can make the distance and reality conflate. though, it still tends to lapse on the train, and in my mind, iâm always timelines away- head rested upon the windowsill, eyes, hauntingly returning my gaze, still conscious enough for comfort, but far enough way, to teeter the lines- of rumination and introspection. i often sit and think, itâs somewhat counterintuitive to find solace on a bustling train- a train decorated with seats discolored like flour-stained Tâs, tracks as loud as locusts, and rides against airs with the pressures, of neptunian winds. but the noise, is much better, than the intrusiveness of loneliness. i canât bear the quiet. these days iâm not sure if the silence is talking to me, or if i have begun talking to it. the travel allows me to escape- and on the metro, i look with certainty, thereâs someone here who feels the sameâ someone who has probably sat through just as many stops, passed by just as many people, found just as much solace, confronted just as much pain. just one more stop, and iâll pen this day. i was lonely until i felt your warmth beside me, and i donât know when iâll ever find my comfort being alone, but until then, i will hold on, to those distant faces passing torches to their replacements as they go home. ââ- saudade. city lights cascade the night, strong aromas of booze savor the winds as they drift away- but soon, they resurrect from our breaths- our mouths vials of liquid poisons- parties behind alleys, bleached blonde brows, cat eyes, glitter streaks, studded boots, and sweat like moisturizer glossing each face- raves in backyards, flashing strobe lights, a rainbow collecting souls, and we dissect, into rows of ultraviolet rays- - thereâs a boy, lit in indigo- peering towards me- distant, but close. he reminds me of him . his manners reminiscent- and in a dance, bodies syncing like waves, i submerge into him. his kiss on my lips, press a secret- he confesses heâs lonely and has lost his way- i tell him- i feel the same. and in silent agreement, we proclaim, affection for a night, is all we need to quench the thirsts of yearning. and we, ring out lust in a strangerâs home. every touch a desire for a past love, a fantasy of replication. but in the heat of the moment, i remember he is a mystery too, and our names, pseudonyms, hide our shame. broken for different reasons, we align, before we separate, and once again, we search for the next wilting leaf trying to turn a night into sufficiency. and i, in my chaos, plant myself in misery, too dependent on escapism for sanity. at my best, iâd declare tonight is the finale- and with the strength of goliath, move forward- but i have not yet dodged that stone. each sorrowful release, a vapid seamstress to heal my needs, bandage my vulnerability. so my eyes wander- they contemplate escape- but when the lights return, blue chooses my face- and once again, so does his . Arlo Arctia (they/them) is a 22-year-old poet and English major living in Washington DC. Informed by introspection and life experiences, Arctia finds their insight through emotional exploration and the unknowns. Through their Instagram poetry account and Substack, @arloarctia, you can find their personal works and conversations.
- "Finding Serenity" by Micah Muldowney
She looks spent. The coldness of the light has saturated her skin and her eyes and even her hair. They look dull and flat and hard like the wax rind of a cheese rolled between palm and thumb, so that at first it seems impossible that she would be alive. Even her movements are of a kind you would expect of the weary dead: Quick. Shallow. Impatient to be done. Exactly as you might imagine your own last breath if you have ever imagined such a thing. She doesnât notice the beeps or pings or even the people much anymore. If they are in scrubs, she refers them to a son who sits tired and quietly beside himself by her headboard in a chair he had brought himself so they could not take it. He will be gone by seven. If they are a friend or a grandchild she smiles faintly, and pats a head or squeezes a hand as if to say it is fine that they are here, and she will always love them, but for herself, she is already somewhere else. What could they possibly speak of? She would spare them that. And so she does. She is dying, and she knows it and they know it and there is nothing she would do about it, even if she could. âYes dear, thatâs fine.â â ⊠Thatâs fine.â The whole time, she is somewhere deep behind her eyes with Serenity. Fretting. Going back and forth in her mind like the play of new yarn twisting off the edge of a whorl. Remembering ... She had spotted Serenity under a bridge. The bridge. She had chosen it for its height and for the raw speed of the rush underneath. The distance from bank to bank. She could not swim. No mistakes. She was not sure what was meant by âdignity,â at least not the way she heard people speak of it, but she knew she could never be one of the pathetic wretches that got pulled out, vomiting cold river water over and over on the bankside for the cameras. It had to be clean. The waterâs only clammy if you come out, she told herself, and then itâs more of life and one percent worse. Even the screaming in her head shuddered at that, and it blanched at nothing. DO IT! DO IT! DOITDOITDOIT! NOW! DOITNOW!! She screwed herself up, trembling, and looked down, the voice growing more and more insistent in her mind, rising, excited, like it could feel the tipping point aâcoming, that heartbeat when the leaf folds under the weight of the snow and you can see it, still hanging in the air but falling, fallingâone more push and ⊠There was Serenity, or at least what would become Serenity. It was almost nothing now, a shivering bag of skin and bone, twitching and jerking its head round on a swivel so she could imagine (from the distance) it might make a soft pop like a spring going off, but she could see from the broad wedge of its face and the set of it shoulders that the dog had been something once, something beautiful.  YOU LITTLE SHâ, STOP LOOKING AT THAT Fâ DOG AND DO IT! NOW! WHAT ARE YOU DOING? The voice felt the catch, growled in irritation, then collected itself, coiled like a snake or a cunningly arched brow. It whispered now, for her ear alone, soft and smooth and secretly scornful as the wicked mother from a fairytale. Another tack. But arenât you tired yet? I know you are. I know just how tired we both are. And didnât I tell you there would always be a distraction, always some branch to hold onto, and then you come out. I told you. You knew. And here we are. Come on ... Why canât you even get this right? It smirked, and she tightened her grip on the rail, tensed for a vault. She could feel, deep down, that the voice knew, it just knew  it was impossible that she simply walk off the bridge. It would not let her. She could feel its pleasure in it, its ecstasy like it was biting its lip to savor the blood. Then she tasted blood herself and found it was she who was doing the biting. Yet she just stood there, trembling all over like a bird in a net, trembling so violently she feared she might retch over the side, her eyes fixed on the dog where it lay splayed under the bridge, wallowing in misery and neglect and caked in a roughcast of filth and flies and open sores. She could see it was also trembling. Just like her. That is what I must look like, she thought to herself. That is what Iâve become. Broken. No place to go but under the bridge. No silence except under the water.  She imagined the dog looking up from under the current. Seeing the world, but outside of it, forever without the heat of doing or thinking or hearing. Quiet at last. Well beyond trembling. It was hard not to think of the dog as Serenity now, in the remembering, but she knows it wasnât Serenity yetâjust a private pain, quivering under a bridge, and she had felt ⊠sad. To look at that dog. Yes, that was it, sad . She could feel the cut of it, real and deep and sweet. Even the relief of it. She had to mouth the word to herself under her breath; she had almost forgotten what it meant. When was it then? How many years since sheâd felt it? How long since she had been anything but afraid? And it just poured over her, over and over again in waves, and she sobbed and sobbed, clutching the rail and staring down. She knew she had to do something about that dog. She  was that dog, somehow, under her skin. Afraid. Alone. Already under the water and beyond reach. Just trembling. Slowly, she stumbled down the far end of the bridge into the shamble of gravel and weeds under the truss, tripping and bawling and guiding herself along with her hands as if the old age she had never figured to see had caught her up in a moment. The voice was screaming again, bludgeoning her, swearing and breaking into the obscene and strident cacophony it reserved as a fallback when it didnât want her to think. Something not entirely human, but entirely too human to hear without recoil. Another tack. Another tack. Yet another tack. It went back to screaming, then pleading, then threatening, then screaming again. Anything, really. When she got close enough, she kneeled in front of it like a fractured annunciation, hands apart. The dog laid back its ears and showed her its teeth and the whites of its eyes, but it was almost silent. She had to strain to feel the growl. It must be almost spent. She reached out a hand, tentative, and it snapped at her. She pulled back, then tried again, coaxing this time with a thin, trembling thread of sweet and friendly nonsense. It snapped again. And again. But it was very weak. Too weak, she found, to give more than a wicked pinch, so she took a deep breath and lunged for its neck, dragging it bodily away to her car, kicking and snarling. The voice screamed at her again, spitting with rage, but she just shrugged it off and tightened her grip. WHAT THE Hâ DO YOU THINK YOU ARE DOING, YOU DUMBAâ Bâ? LEGGO! The whole way back to the car she talked and sobbed and talked againâpleading with it, cajoling, tutting, trying to calm it down even after she had shoved it into the back seatâbut she could do nothing with it. The dog was clearly insane, curled up in the back with its lip and hackles up, red eyes rolling blind in its head, snarling so she could feel the tremor of it in her chest. It tried to heave itself up to bite her over and over but it couldnât. Eventually, it gave over and loosed its bowels all over the back seat while she cried into the wheel and apologized and told it she knew what it wanted, she knewâto be left to suffer in peace under the bridge, to die on its own termsâbut she just couldnât. She couldnât, she had to do something. She put the car into gear and drove home. All that night it squealed and growled like a thing possessed. She had gotten it food and a leash and collar on the way home, but it wouldnât eat until after she left the room. When she came back, it started lunging at her again, fangs out, back to the wall. It was stronger now, and it frightened her. She had to collar it by force and muzzle it, first with a makeshift twist of the leash and then with a proper one, and though she had won out in the end, the dog still raged and twisted and tried to bite even with its mouth lashed shut, and she had had to scrub out and bandage her arms where its teeth had found her wrists in the struggle. She was exhausted; her breath drew ragged and heavy, and she could feel the shape of the punctures in her wrists and forearms aching against the bandages. Still, she kept talking to it, touching it gently, wheedling, offering it treats. Nothing. The dog raved harder and longer the more it recovered. She tried everything she could think of: baby talk, shushing, bribery, collaring, threats. Nothing worked. Finally, she screamed. âStop it! STOP! Iâm trying to help!!â The dog wouldnât stop, and the voice laughed and whispered ugly things she ought to do to it behind her ears . Didnât I tell, you? Donât I always tell you? It had murmured, After all,  when have you ever been able to curb even my anger? When have you ever been able to spare yourself? Only ever by force. And then only a little. Wouldnât it be better to end it? Easier? Nicer? Who knows, maybe youâll even be free of me after ⊠ She caught the dogâs face in both hands by the sides of the muzzle and heaved it scant inches from her own. She shook it, and though it growled and pulled she wouldnât let it go. âStop it! I know this isnât you. I know you have to be in there somewhere. Stop it!â And the dog growled at her all the more, pressing its ears to its skull, staring her down, neck working back and forth like a piston. She screamed and shoved it away and screamed again and collapsed in the corner crying while the dog escaped to another room, and the voice laughed and whispered it had told her so, that no one can be saved, and she gave over for a time, huddled in on herself, how long she could not remember. At length, she pulled herself together enough to google canine aggression and found the number for a specialist. âHave you named it?â  âYes. Serenity.â He clucked. âHmm ... Thatâs aspirational.â âI guess.â He paused for a second and looked at the dog like maybe this time heâd see something different. The dog growled, low in its chest, its ears back, just as it had been ever since it entered the room, and she sat there strained upright, trying not to blink every time the voice rang her head like a temple gong. It had fallen into repeating every word of the conversation in tandem, word for word, like it was reading a script, but with a snide undertone that seemed to leach itself into the original. He rubbed his hands. âIâm sorry, but this dog has got to be in the worst shape I have ever seen. You need to get rid of it.â âWhat do you mean?â âPut it down.â âWhat?â âEuthanize it. Trust me, I donât like it any more than you do.â âThen donât.â âNice. Normally, Iâd agree, say âevery dogâs a good dog,â but that isnât a dog. An animal like thisâs been scared so long it doesnât even know how to be a dog anymore. Sure, it looks like one, but really itâs just a nasty knot of fear and neurosis with teeth on one end. Thereâs no way to do anything with an animal like that, and if you help it get strong again, it will kill somebody. Guaranteed. Probably you. Where did you say you got it?â  âUnder a bridge.â âUnder a bridge. Figures.â âPlease. I have to do this.â âHave to? No one has to  do anything and to be honest, it may not even be possible. Iâm not sure even I could, even if I had the time.â âSo maybe  you  could?â âNo. Thatâs not what I said.â âBut maybe.â âLook, I know this isnât any of my business, but you look like youâve had pretty a rough time yourself. If I let you go and do this, someone might get hurt. And then thatâs on me.â âIâm fine. I can do it.â âReally? Youâre fine?â He stared hard at her and she tugged her sleeves over her wrists. The voice swore, told her to KILL THAT LITTLE Fâ.  She squirmed.  âIâm fine.â âYou are fine ⊠and you found it under a bridge ⊠Look at yourself. I canât help you if youâre just going to lie to me, and Iâm telling you, you do this and someoneâs going to get hurt.â  âIâm fine.â She heard the bald defiance in her own voice but let it stay where it was. âThe dogâs just been hard. She didnât want to be collared.â He raised his hands and nodded. âAlright. Alright. No need to get your back up ⊠and thatâs exactly what Iâm talking about. Iâm telling you, put Serenity down. Itâs the nicest thing you could do for her.â âI donât believe you. The dogâs still here. Thereâs got to be a way I can reach her, teach her how to be a dog. There has to.â He covered his eyes with his hand and sighed deeply, didnât speak for a minute. âWhy do you want to do this, anyway? What does the dog mean to you?â âI donât know. I guess I just have to believe there is a heart in there somewhere, and that itâs worth finding, that itâs worth the work and the patience.â âHmm ⊠interesting ... Tell me then, is this about you or the dog?â âI donât know.â âYou donât know. Probably better that way.â He sits there, considering, and all she can hear is the voice ranting in her head and the sound of the dog under her chair, threatening in unison. âLook, I know I shouldnât tell you this, but Iâm going to. Only, you need to promise me that if you are going to do this, youâre gonna do it all the way.â âI promise.â âSwear it.â âWhat?â âI mean it.â âYeah, I swear it. Ok?â âOk. You have to understand that you have to be with this dog all the time. Thatâs the commitment. This dog is alive all the time, and she doesnât know how to do anything right. Youâll have to teach her everything, starting from zero. You canât let her regress, not even for a second. No matter how tired or bored or fed up you get. Youâre going to have to change everything there is about this dog. It took years for her to get this way, and it may take something like that to rehabilitate her. Do you get what Iâm telling you?â âYes.â âWhat am I saying, then?â âI have to focus on the dog. I have to be patient with her.â âWrong. This dog has got to be your life. Your whole life. If you canât do that, you have got to put her down.â âI can do it. My whole life.â He looked at her hard. âYou think you can do that. Now. But you wonât know for sure until it gets tough. Really tough. If you find you canât, you have to bring her back. Promise?â âPromise.â âOkay.â The first thing, he said, was to control the dogâs environment and remove any stressors. She needed a sense of normalcy, he had said. Something she was used to. So she did. The first few days, she didnât interact with Serenity at all, just penned the dog up in one half of a dark mudroom by the door, everything stripped antiseptically down to the baseboards and carpets like a field hospital. Nothing to be afraid of. That was Serenityâs world, and there she stayed, scratching and whining until she got used to things. She made a schedule and a little ceremony for Serenityâs meal times, which, she had learned, must be unalterable: Twice a day, sheâd ring a bell to let the dog know the door was going to open, then sheâd open the back door from over the fence and walk away. There would be food and water out in the yard, and she would come back and close the door afterthe dog went back in. This went on until the dog stopped growling when she was alone in the house. That was the cue for the real work to begin. This, heâd said, is what would tax her âunbreakable resolve,â because everything the dog knew to do was wrong. She could not let Serenity do a solitary thing without her express permission. Not even eat. The dog had to work for her privileges, every time, and if Serenity didnât comply, well, she didnât get anything. The dog needed to know what to expect. And so, she worked out exactly  how close Serenity would let her approach before reacting, measured out in inches, and she sat just outside the limit and tossed the dog little pieces of kibble one by one and talked to her. The moment the dog growled or so much as raised a hackle, she would pack away the food with a predetermined vocal cue, back a little further off, then try again, hour after hour, always taking in the dogâs tenor to see where she was in her mind, always adjusting, rewarding, redirecting, slowly culling the growls and retreats down to nothing. She could see now what the trainer had meant. It took more time than she had imagined; much more. It was weeks before the dog could tolerate even standing next to her, but she persisted. Almost, she fancied, like a voice in the dogâs head, closing the distance in inches, testing the limits, and starting over: talk, treat, growl, wait, talk again, and so forth. Even so, she could not touch Serenity for another month. Every day she would probe the trammels again, seeking the slightest sensitivity like a leadsman heaving the plummet into the depths, cueing a treat and touching the dogâs flank lightly with a fingertip and then drawing away if she reacted, feeding her again and again from her hand with each new compliance and always talking and cajoling in one long, single and continuous thread like the unraveling in one piece of an infinite sweater, until finally, she could stroke her dog gently anywhere on herbody without a growl. From that point, she knew it could be done. She was confident now, teaching her dog to eat inside the house, to eat without protecting the bowl, to tolerate a harness and leash, to walk on a lead, to obey commands, and to tolerate visitors and other dogs. Serenity learned, and each time she did, it was a bit easier to ignore the voice screaming at her to  stop, to shut up , telling her you canât do this, and why donât we all just make our way back to that bridge?  Then, twelve months in, she came home to Serenity waiting for her at the door. Had her dog done that before? She couldnât remember. Maybe she had. It had been a long while since her ears had stopped following her around the house. She smiled and reached down and stroked her huge, wedge-shaped head, and Serenity began to wag her tail. That was definitely a first. She kneeled and pulled Serenityâs face into her own, laughing and talking away just as she had all the past year and her dog didnât pull away. Serenity looked back almost like she was smiling too, eyes soft and liquid. She began to cry. âGood girl, Serenity. Good dog! So this is you, isnât it, Serenity? Pleased to meet you! Arenât you glad I found you? And werenât you worth the wait?â As soon as sheâd said it, the voice began to cavil at her, ranting and writhing and crawling around in her head: No, no, itâs a LIE! The dogâs still the SAME, just afraid of you, canât you see? OPEN YOUR EYES! Didnât I tell you how it would happen? Didnât I? You havenât done anything, youâve never done anything, and you never will . You are so naĂŻve. How could you be so naĂŻve? But she didnât listen; in fact, she swore she would never listen again, and as she savored that thought, she could feel something change in the voice, like the closing of a door, and the breath caught in her chest, for though the voice raged on as rabid as ever, she could hear that all the words were gone. It wasnât a voice at all anymore, just the howl of a broken dog dying under a bridge, and in her heart, she knew it always had been. A dog so afraid it didnât know how to be a dog anymore, who bit harder the more she tried to feed it. At that moment, she felt her whole world change in a flood, whirling and clicking into place like words and dates spun out on a split-flap board when a train comes in, and she would watch them not for what they said but for what theyâd dance and become. Serenity. She saw it clearly now. She would name the voice Serenity, just like the dog, and she would watch it close and spin out that long, everlasting thread of talk and laughter just as she had all the past year, and deny it every little thing it screamed for until it had her permission, and it too would learn to be a person. She would tame it to her touch. The dog mellowed into a sweet, companionable animal, her first real friend. She was glad for it. She often relied on the warmth of Serenity under her palm or the rough insistence of her tongue to brace her as she tackled that other Serenity. The voice was stubborn, ten times as wild and willful as the dog had ever been, but that didnât bother her now. She already knew what was going to happen. She had proofâshe could see it in the dog walking beside her, day by day. After all, the voice didnât know how to do anything right, and she would have to teach it. It had taken years for that voice to become what it was, and it would take years yet for it to figure itself out. All that time the other Serenity kicked and bucked and howled, and all the while she would talk to it, sweet and cajoling in one, long unraveling thread in the back of her mind, never taking her eyes off it for a second, backing off when it acted out, but always, always letting it know she was there and thinking of it. Slowly, ever so slowly, like rain fading so you couldnât really put a finger on when it slacked, Serenity gave up railing and threatening and mostly sat in the back of her mind like a cat, licking and grumbling to itself. And that was that. For the first time in years, she found that she could think out loud and keep friends and hold down a regular job. She was even in contact with family again. And life was good, or at least better than it had been. She waited for the feeling to break as it always had, for the other foot to fall, but it never did. The mood persisted for weeks and then on into months, until late one night, as she lay sprawled lazily over the arm of her couch like some languid sketch of an odalisque, enjoying the indulgence of it, slurping up ice cream and scratching luxuriously and nemine contradicente . She was in just a shirt, an oversized one, maybe from her brother, maybe from Goodwill, she couldnât remember, and she couldnât help lifting her fingers from time to time to admire her long and bright-polished nails, heady with the freedom of having them at all without fear of picking or cutting and wondering how long this freedom might last, the freedom to simply be, hoping beyond hope it was there to stay. Serenity had roused itself at the thought and made a listless little foray, but she was too contented to pay it any mind when there was ice cream and a movie to be enjoyed, and in a minute it trailed off and began weeping, gently, out of sight in the back of her head. Serenity felt so sad in that momentâits grief bubbling up from someplace as hidden and unacknowledged as the wellspring of a riverâthat it pierced her to the quick, like her own first tears for her dog under the bridge. She stopped short a moment, straightened up, and sent pink bubbles across the space between them, spoke reassuringly, wanting to make peace, telling Serenity how sorry she was for all of the things that they had been through togetherâshe knew it had been a lotâand Serenity bawled and spilled its guts like a child caught in fault, pointing a finger at every breast but its own: Do you really think that I wanted to be this way? But what could I do? You ⊠you were such a coward, you ran away from everything. You were so afraid of everything. We would have died. DIED! We would have fallen to pieces. Someone had to be strong for the both of us. Itâs not my fault. You did this to me! You! You!! And the voice went on, but softly now, in a litany of offenses, real and imagined, like it had them scribed secretly on the palm of its hand, never again to be openedâeverything it had held against her, every broken and scandalized feeling of its heartâand she listened as she had grown accustomed to listening to the dog, and thanked it one by one for everything it had taken on for her, for the both of them, because she hadnât been strong enough at the time. Serenity was too sad for her to feel any anger, whatever she felt about what it said. It must have been hard, she said, so hard, and I hated you for it all the while. I am sorry. I am so sorry. And she stroked Serenity with her words until it fell quiet for a good long while. And then finally: Thank you. Yes, it has been hard. She blinked. âOf course. Iâm so sorry, Serenity.â Call Robert. Now. What did it mean? Robert was a client, of course. There was no other Robert. One she fretted about flying the coop. It was a big account. She didnât know if sheâd keep her job if it closed. âCall Robert? Why?â Call Robert. His daughterâs birthday. Remember? He called out last year. He had lost her just a little before. Her name was Kayla. Call Robert. Now. She paused and looked at the clock. It was late, probably too late for a call. She put the thought to rest. But Serenity kept nudge, nudge, nudging her until she found that she had dialed his number in spite of herself, not even knowing what to say. She was terrified. The gravity of it threatened to choke her: What was she playing at with this manâs sorrows? What might it seem like? She knew what it felt to want to strike a commiserating face. But she didnât hang up. âHello?â âHi, Robert. I know, Iâm sorry itâs so late, but I was thinking of Kayla, I remembered it was her birthday, and just had to check in. I had to let you know I was thinking of you, of her.â Then a pause. âHow are you holding up?â And he just stood on the other end of the line and sobbed, like a levee strained, then finally overwhelmed by the river and its need to follow an older course, and she apologized and he said, no, it was ok, she was the only one who had remembered, that even his business partner had asked why he had wanted to take the day off and so he hadnât, rather than make a scene. She listened, listened like she always had with her dog and later with Serenity, and let him talk himself out, nodding and crying a little with him when he needed it. âThank you.â âYeah. Iâm sorry ⊠and Robert, I know there isnât much I can do ⊠just know Iâm here for you if you need it, OK?â I guess you arenât such a coward, after all. I guess you can do some things. Maybe I can trust you. Maybe ⊠She hung up the phone and cried and Serenity shushed her, not urgently. And that was that. She kept the client and the job, and it was Serenity, still snarky, but now often amusing, that got her through the hard days and reminded her of the good. It was Serenity who talked her off the ledge the first time a boy she liked asked her out. It was a thing so far afield of what sheâd expected for herself that she had freaked out, both before and again after the date, but there was Serenity, laughing and poking fun and calming her fears, and it was Serenity that did it again and again as she and the boy laughed and fought and made up until he eventually screwed up the courage to ask if they shouldnât take up housekeeping. It was Serenity who watched and laughed at her favorite shows, the ones she couldnât get anyone else to watch, who found keys and old recipes she had misplaced, and it was Serenity who whispered the words of a long-forgotten lullaby in her ear as she rocked gently in the dark, nursing a colicky child, and last of all it had been Serenity that had held her hand and cried with her through the long, cold nights after her husband had died. Serenity was her own little secret, her loose board under the closet where she could guard every treasure no one suspected she could have, and they shared everything, everything, everything, and the thread of their conversation never drew out. She is crying now, in that tiny bed where she can neither sit up nor lie down. The Doctors keep clicking their tongues and saying she is dying, that she must die, that she should have died last Tuesday, and then again Friday, and she can almost feel them tapping their feet, telling her it is time to go. Even the beep and pings sound impatient now as if to say, âWell, what are you waiting for? Havenât you been through enough?â And yet she still holds on, fiercely, blindly, like she clung to the scruff of that dogâs neck so many years ago, though this time, itâs not on her own account. She is not at all afraid for herself. She had not even been afraid then, standing on that bridge before she spied Serenity. Yet here she is, tossing, fretting herself to hysterics. Thinking, over and over, But what about Serenity? She knows what will happen to her  when the time comes. She has known it for a long time and does not doubt what she will see and what she will become. But what of Serenity? What place will there be for her? The children will weep for her, and her for them, but they will go on. In her heart, she almost laughs at them, though she would never tell them why. They will always be with her, and even if they arenât, they will always have themselves. But who will have Serenity when she is gone? Will there even be a Serenity, or will Serenity simply cease, like the light of a candle left out in a hurricane, or worse yet, like the light of a candle that has never been lit? The anguish of it tears at her: that this voice she wrestled and loved and brought into being more surely than her own children would be lost, lost, or more agonizing still, never have been. She knows it is time, but she cannot let it go like that, with a whimper. She cannot let Serenity go at all, and through her mind runs an endless train of moments, tender and cruel, that they have passed through together, until at the end of line she stands high atop a bridge, looking down on the rushing cataract and at the form of Serenity, broken and brought to life again in the shambles at the far end. And she must go to her. Pain blossoms exquisitely before her eyes as she tries to rise and follow, and she subsides, but she must not let it go. The room is growing dark and everyone is standing up around her, talking and talking to her all at once, but she cannot hear what they are saying. It is hard to breathe, but it does not hurt like she would have imagined. She can feel something warm, like a hand holding hers, and Serenity is there, talking to her, talking in one long, golden thread like she herself used to talk to her dog in the dark mudroom in that beginning. Sweetly, cajoling, imploring her not to fret almost like a mother holding a damp towel to the head of a sick child and her refusing it, fighting it, yet Serenity goes on all the same, whispering in her ear that she will be fine, they both would be fine and to just let go, just let it happen, that it is time for her to find her own way, and she cries and begs forgiveness that she does not have the strength to carry her back to the car anymore, tells her that she does not want to be on her own after all, pleads that she never, never let go of her hand, and she feels the murmur of a soft laugh and a gentle kiss on her forehead and the thread runs out. Micah Muldowney is the author of the collection Q-Drive and Other Poems (Finishing Line Press, 2022). His short fiction and poetry have been featured in The New England Review, Cleaver Magazine, Descant, West Trade Review, and many others. He currently lives in greater Philadelphia where he is working on a novel.











