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  • "A Hot Day on the Prairie, an Unhappy Girl and a Fly" by Maria Thomas

    There’s a bovine fly on the screen-door, ripe as a gooseberry and glistening with blood. Mercy ignores the white-noise buzz, cuts the ryebread into slices. It’s scorching outside, the air heavy and parched; it’s barely cooler in the kitchen, wicker fan slowly pushing heat around the room like treacle. Prickles of sweat congregate on Mercy’s hairline, trickle down her back, as she butters the slices and adds ribbons of ham, tomatoes, a slick of mustard. The fly bangs the screen-door rhythmically, trying to tattoo its way into the house. Any minute now, Mercy thinks, I’ll hear the beat of hooves in the distance. She switches on the radio. An old country song is playing, and she hums as she breaks ice into a pitcher of lemonade - citrus tang filling the kitchen, antiseptic and cool. She places pitcher and sandwiches onto a tray and swings the screen door open with her backside. The fly takes its chance and sweeps into the room looking for food. Mercy sits in the porch shade and waits. Any minute now, she thinks, I’ll hear the beat of hooves in the distance, see a dust-cloud rising, rising. She pours herself some lemonade, it’s cloying. . She closes her eyes. It’s been a busy morning; it’s been busy mornings since Mama left and Mercy took over running the house. The truancy officer has visited twice, but Papa is always in the fields and Mercy lays on the floor as his shadow looms outsized on the wall. She thinks him gigantic, threatening, wolfish, a monster. Mercy was glad to leave school, but she’s not glad of her role as Papa’s packhorse. She hopes Kyle might come a-calling, she has plans in that regard. Any minute now, Mercy thinks, the earth will tremble with a timpani of hooves, and the rust-red dust will rise, and the sweet stench of sweat and tobacco will reach her. Her stomach growls and she reaches for a sandwich, chews. Salty ham pops, mustard burns, and her eyes fill. She feels awash today - a flood plain - her body compensating for aridity with sweat and tears, saliva and the blood that came that morning. Mercy is tired, tired of this day and tired of this life. She’d like to kick off her sandals, lie back, ignore the waiting chores. If Kyle comes a-calling she might let him take her all the way to Vegas; a shotgun wedding’s been on her mind for some time. If she’s gonna do chores better to do them for herself, her own man, her own child, than for a Papa as bitter as unripe corn and unappreciative as a goat. The fly pulsates on the screen-door, trying to escape. Switchgrass rifles in a passing breeze, giving momentary comfort; in the distance the boom of a shotgun resounds. Mercy looks for dust, listens for hoofbeats. The scent of creosote fills her nostrils, coats the back of her throat. On the horizon a column of smoke billows upwards. Maria Thomas is a middle-aged, apple-shaped mum of two from London. During daylight hours she works in technical control in financial services, a subject so mind-numbingly dull that she spends the witching hours writing. She has had work published by EllipsisZine, Funny Pearls, The Levatio, Fiery Scribe Review, Paragraph Planet, VirtualZine and Free Flash Fiction. Maria won Retreat West’s April 2022 Micro competition. She can be found on Twitter as @AppleWriter.

  • "a/c" by Taylor Devlin

    vapor-compression constant inside bedroom the hot condensed by water compressed then carried away by water every slight abnormal buzz keeps me up illuminated by glow-in-the-dark skeleton a light when I touch warmth of skin your hair prickled amidst the refrigerant though mostly alone these days it feels barbaric no sleep standing before the bare fridge slowly carving an avocado with a knife to eat anteriorly to the artificial bright with pinch of salt and nothing else the morning gathers clarity made unpalatable sun grows creeping stinging each eyeball and a dream lets go its memory despite hidden exchanges of gas to liquid at night Taylor Devlin is a poet and technology librarian in Boston, MA. She is an English B.A., Creative Writing graduate of the University of Massachusetts Amherst where she served as Senior Poetry Editor for Jabberwocky. Her writing has appeared in KGB Bar Lit.

  • "Tupperware Can Do Almost Anything" by Julia Halprin Jackson

    “Believe it or not,” I say, hoisting the ice chest over my head, “I cannot control the river.” “Yeah, whatever,” Samantha says. “Just get us the fuck out of here.” She stands on the levee in a black and purple bikini, rubbing her arms across her chest. Her eyebrows furrow and her freckles have already darkened in the six hours we’ve spent on the water. Today’s adventures are not gaining me any points as a potential boyfriend. “Why’s it always my fault?” I balance the ice chest on the rocks by her feet. Our 1975 jet boat sways back and forth on the Sacramento River like a tightrope walker testing a rope. The boat glitters like the fool’s gold in the shallows. Every few minutes a jet skier zooms by, shattering the river’s glass surface. If water skiers or fishermen stopped to chat, they would notice that the boat is filling with water from the inside, the river is claiming it as its own. “It’s not always your fault,” Samantha says. “Today it’s your fault because you’re the one who backed over the fucking tow line.” “She’s right,” pipes in a voice from above. “It’s your fucking fault.” Riley, my 11-year-old cousin, balances her feet on two big rocks at the top of the levee. She still wears her canary yellow life jacket strapped over her oversized t-shirt and board shorts. Her nose is bright orange from the Zinc Oxide sunscreen that she smeared all over her face. She looks like Hagar the Horrible. “Ri, don’t cuss,” I say. She is only here because Samantha and I needed an observer to spot us when we tow each other behind the boat. According to California law, observers must be at least 12. We were so desperate to get on the water that I accepted my Aunt Patsy’s babysitting plea on the condition that Riley pretended to be 12. On the car ride over, she recited her new birthday beneath her breath, chanting “January fifteenth nineteen ninety-four January fifteenth nineteen ninety-four.” “Whatever, ” Riley says. She wiggles her hips side to side and sticks out her tongue. “At least I didn’t sink my dad’s boat in front of my girlfriend.” “For the last time,” Samantha says, “we’re not—” “Either of you two feel like helping a guy out?” I open the ice chest and pull out some Tupperwares of carrots and celery sticks. The silence is real as both girls pin their eyes on me. I remove each object from the ice chest and place it on the rocks. Peanut butter and jelly sandwiches wrapped in cellophane, sticks of string cheese, strawberry yogurt, Dr. Pepper and bottled water. Beads of sweat trickle down my neck. There’s sunscreen in my eye. “What are you doing?” Samantha swings her weight from one hip to the other in an effect that is alluring and at times dangerous. Now it is the latter. “I’m, uh, taking inventory,” I say. “These could be useful.” “You’re going to fix the boat with Tupperware?” “These things can do everything,” I say. “They keep your food fresh and double as bailing tools.” I pick one up, open the lid and dump the carrots onto the riprap, then walk back into the water to the boat. “You’re pathetic,” Riley calls from her perch. “We’re going to die out here.” Some part of me has already resigned. The August heat weighs on my bare back. The climbing temperature makes me feel like I’ve developed another layer of skin. Birds of prey circle and weave above us, leaving shadowy trails along the levee. “You’d better move, Riley,” I say, “or else those vultures will think you’re dead.” “Whatever, Timothy,” she says. But she does scuttle off the rocks. We’d removed all our towels, skis and wakeboards from the boat the moment we noticed it sinking. They decorate the shoreline now like goods set out for a garage sale. I approach the boat, armed with Tupperwares, and all I see are mismatched ski gloves, bottles of Moose Juice and wadded up bags of chips. The water level inside the boat has risen about a half-inch. I scoop water with the Tupperware and pour it into the river. “You bailing out the boat with Tupperware is a little like George W. Bush cleaning up after Hurricane Katrina with a vacuum,” Samantha says. She blows her bangs out of her eyes. I used to think it was sexy. “It’s working,” I say. “That’s what FEMA said.” There are sweat trails crawling down Samantha’s shoulders. I’d like to follow them with my eyes but know I shouldn’t. “Hey! Look what I can do!” Riley picks up a rock and arches her arm back, flinging it forward. It hits me square in the shoulder blades. “God damnit Riley! If you’re not going to help, could you at least not attack me with rocks?” She reaches into her pocket to reapply sunscreen. Aunt Patsy made me promise to keep her daughter well-protected. With her fair skin and red hair, Riley is at high risk for skin cancer. Because Aunt Patsy is a woman who fuels on fear, it’s never surprised me that the threat of one disease carries over to countless others. According to her mother, Riley could get Lyme disease from ticks, AIDS from an infected toilet seat, diabetes from increased doughnut intake. Aunt Patsy believes science exists to frighten us. How would she respond when she found out that Riley was lost not to disease but to her own cousin, certified EMT and rescue lifeguard? Samantha moves down the rocks to the water. “I’ll help,” she says, emptying out a Tupperware of radishes. “Look, they’re like little red buoys.” The vegetables float on the water. The heat lessens. “Thanks,” I say. I clear my throat whenever I lean over; a nervous habit. There’s something about Samantha Jefferson in a purple bikini with popsicle stains on her stomach that reduces me to funny noises. When she transferred to my school in eighth grade, she made my voice skip octaves. She could braid hair the way some people speed-read. During silent sustained reading, she would prop her book up on her desk with her hairbrush and divide her hair into sections, which she would braid without looking up. Her beckoning fingers made me relax. I wish she would braid her hair now. Our movements are soon interrupted by the mind-numbing thump of bass. A sleek white ski boat is drifting our way, music jiggling the wakeboards strapped to the central pole. A crowd of sunburned teenage boys loom like characters from a Dr. Suess book, long and lean with puffs of bleached hair like human Q-tips. My forehead sweats. “Ooh! Look! A rescue party!” Samantha straightens, places her Tupperware inside the nylon siding of the boat, and pulls her hair back into a ponytail. “Ship’s ahoy!” Riley yells, scrambling down the rocks. She slips, and I wince for the howl of pain that’s sure to follow. Her head bobs as the cries come. “There, there,” I say, hopping up the levee to where she sits, tears streaming through sunscreen. I wish I could see what Samantha is doing. Riley’s knee is bleeding. “My leg’s gonna fall off!” Riley’s back shudders with sobs. “I’m gonna get gangrene and they’re gonna cut it off!” “You’ll be fine,” I say. “One Band-Aid should do it.” I turn around to the pile of goods on the bank, where the first aid kit sits between the ice chest and the umbrella. I get a good, long look at the approaching boat. Four guys, all maybe 16 to18 years old, wiry and tan. I don’t recognize any of them. Thank goodness. Someone turns down the bass and Samantha wanders into the shallows. “Hey boys,” she says. I shiver. “I’m gonna die and it’s all because-a you!” Riley holds her knee between her hands. I return to the bank, straining to hear Samantha’s conversation. “Thank goodness there’s someone out here who can manage a boat!” Samantha says. I should be used to this. I should be comfortable with rejection. This is why I should clarify my feelings sooner, but I never do because I’m a gangly guy with a squeaky voice who has never had a girlfriend because girls who make me doubt what I know make me scared. I like that fear, the shiver in my stomach that makes me realize that I’m not going to rescue every person who jumps in a pool, nor might any girl I fall in love with love me back. I like that shiver because it’s a risk, like waterskiing. “—and then when I got in from the water, Tim started up the boat before I could pull in the line. Sometimes he gets nervous around me.” Am I that obvious? “Are you about done?” Riley has stopped crying and looks annoyed. “Are you paying attention to anything today?” She waves a hand in front of my face. “Can you see my hand?” “Riley, stop,” I say, pushing down her hand. “Of course I can see.” “And then what happened?” A boy with a Neanderthal voice asks. “Well, the rope got stuck in the propeller, so when we cut the engine—” “—water could come in but couldn’t flow out,” Neanderthal says. He sits on the engine cover in his boat surrounded by his cronies. He’s ugly. I hope Samantha thinks so too, but it’s hard to tell. She swings her arms by her sides. “Do you think you can tow us?” she asks, her voice rising. “Sure thing,” Neanderthal says. “Phil here is just getting our fishing knife to cut your line out. Once we get the rope out from under the prop, the water should be able to flow back out.” “If you still have trouble starting,” the boy named Phil pipes in, “we can tie our rope to your bow.” “I’m Tim.” I step into the water and extend my hand. “Thanks for helping us out.” Their boat is a few feet away and so Neanderthal doesn’t attempt to meet my hand. “Lance,” says Neanderthal. “No worries, brah. Happens all the time.” Phil finds his knife and hops out of their boat to swim over. He balances the fishing knife in his teeth while doing the doggy paddle. He’s missing a few front teeth. Wakeboarders. “How lucky we are to find these nice guys!” Samantha grins, wider than she’s ever grinned around me. “Yeah, no kidding,” I say. I wish the sun would hurry up and go down because the heat is smacking me in waves. “You could use some of Riley’s sunscreen,” she says, grabbing me by the nose and giggling. “Need any help?” I ask, turning to Phil, who is nosing around underneath the propeller. He grins. “So, pretty lady, I never caught your name,” Lance says, picking up a can of Bud Light. “I’m Samantha,” she says, smiling into her stomach. “He means me!” Riley rushes into the water, disregarding her bandaged knee. “I’m Riley.” Lance and his friends laugh. The other two guys look like extras from a surf video. One has a full beard and a beer belly and he can’t be more than 18. The other has an arm covered in tattoos. Did one arm beg redecoration or was it hiding some body flaw? If tattoos are meant to hide scars, then I should be getting a big one across my chest any day now. “I’m going under,” Phil says, then dives below the prop. He wrings the rope free from the propeller, but the engine won’t turn over, so Lance and company have to tow us to the dock. Samantha squeezes in between Lance and Phil, braiding her hair as a Bud Light jiggles in her lap. I get stuck with Riley in our gold boat, covered in Zinc Oxide sunscreen, watching the trail of radishes follow us home. Vultures circle and I play dead. Julia’s work is forthcoming or has appeared in Mayday Magazine, Okay Donkey Mag, Cutleaf, West Branch Wired, Oracle Fine Arts Review, Fourteen Hills, California Northern and elsewhere. A graduate of UC Davis' master's in creative writing program and alumna of Bread Loaf Writers Conference, Mendocino Coast Writers Conference and the Tomales Bay Writers Workshops, Julia is the co-founder and publicity director of Play On Words, San Jose's collaborative literary performance series, and a 2021-2023 Lighthouse Book Projecteer.

  • "Penchant" by Anna Abraham Gasaway

    Peach juice trickles down fingers, to knuckles, to wrists to elbows on a sweltering Northwest Indiana day. The steel in the air suffocates—asthma squeezing can hardly breathe. Aluminum Tupperware tumblers’ sugar cracks teeth in ice tea. Even The Magician’s Nephew cannot distract— Mustache of sweat, the Lake with its diapers full of shit two miles away, and the library the same distance. Best to lie here—try not to move. We could ride our bikes, but Hector at the end of the cul-de-sac has air conditioning, a huge television, MTV and a penchant for taking us all in. You do not ask questions when the sweat finally dries in itchy, ropy strings and the cucumber sandwiches with cream cheese, cool as a swimming pool, make you feel safe for now.

  • "Wish Upon A Satellite" by E.M. Lark

    I tasted summer on her lips. Cotton candy, chapstick, cherry Coke with rum. Her hands met the shorelines of my hips and I was done for. I would let Juliet crash into me any day, any night, whenever she liked. The flashing lights of Coney Island had never seemed more romantic, despite all of the cacophony that swallowed our words whole. “Kiss me?” I asked, and her enthusiastic “Of course” was nearly devoured by the overenthused screams from the coaster. –Beautiful, I heard her say amidst it all. My heart thrummed in my chest. Grew three sizes too big and could barely stay inside of me. Maybe it bled out in my smile, wide enough to make my cheeks hurt. Our hands grew too clammy and sweaty to hold onto one another, but we did not let go. Her thumb brushed my knuckles with a tenderness I’d not known in years. For a moment, my eyes averted downwards to this holy union of touch and I silently marveled at it. “Are you okay?” she asked, her voice resonant like a song blaring through an old radio. “Huh?” I looked back up. She caught me right under her thumb. Deep woodland eyes stared back and saw the sky in me somehow. My heart skipped a beat, and that shit never happened. Not ever. “Yeah. Yeah. I’m great. Never been better.” She arched her sharp brows upward and didn’t take a single moment to look away. “Arabelle.” She scrunched her nose – and my eyes wandered there too, over the full and slightly crooked slope of her nose. It was begging to be kissed. “Juliet.” The three syllables of her name slipped off my tongue like it was the only thing I knew how to say anymore. “You’re thinking a lot, aren’t you.” It wasn’t a question, not in that tone of hers. Conviction was her second language. I exhaled slowly and gently swung our hands back and forth. “Yeah.” I was too aware of how my heart still raced. Of how the sweat beaded along the crown of my forehead. Of how this wouldn’t last. “What gave it away?” Her features softened. She squeezed my hand and began to lead me away from the crowd, and out onto the sand. “You get this look in your eyes. Like – I know you’re here, but you’re also a million miles away. Sorta glazes over.” She paused, however, and shook her head. “It’s not a bad thing, by the way. I’m just nosy. If you don’t wanna tell me though, don’t worry about it.” I almost didn’t know what to say. I wasn’t sure of the last time someone bothered to give me space for myself. Not to mention, this was the last person on Earth I wanted to leave me alone. The sun could have been closing in on us right there and then, hurtling towards the planet, and I still would have wanted to hold her hand. The tears that burned at the corners of my eyes were warm too. “No. It’s okay. Just – sometimes it feels like you aren’t real. Like none of this is – or will stay – real,” I admitted quietly, almost hoping she wouldn’t hear. She did, though. I knew that because she closed in again and pressed her lips to the curve of my cheek. Her arm gently wrapped around my waist. “Do you wanna talk about why, or –?” “Not now.” I frowned as Juliet frowned, but she nodded back anyway. “Not yet. I wanna pretend for a little longer like I’ve got my shit together.” Her fingertips fidgeted with the linen of my dress. She opened her mouth, like she wanted to say something, but then it shut. She tucked her head into the curve of my shoulder instead and pressed a kiss into my throat. My eyes shut. A small, private smile appeared on the curves of my lips. Moments went by before I finally opened my eyes, and before she spoke up. “It’s too fucking hot still,” she admitted, a dry laugh trailing off of her words. “Yeah.” I smiled up into the night. I looked out into the night sky, and wondered if any of those were actually stars, or just friendly satellites. “It’s disgusting.” Summer would end but the skies would stay the same. The world continued to burn and melt away, but – she stayed. E.M. Lark is a writer/book reviewer/frequenter of overpriced theatre, currently based in NYC. Reviews found in Defunkt Magazine, words found in Roi Fainéant Press, oranges journal. Follow them at @thelarkcalls for regular shenanigans.

  • "Facing the Music" by Victoria Leigh Bennett

    Esther was beginning to see what had happened. What had happened to the day; what had happened to the sun outside on the rooftop deck beyond her picture window, where the cats crept along from the neighboring roofs to forage for stray baby pigeons; what, in short, had happened to her life. First, there was the day. She’d risen at dawn, to a bright but anemically pale sunshine coming in from the right side, where the northern kitchen windows caught a hint of reflections from the eastern side. She’d have been in the full eastern light if she’d been in her bedroom at the back, but she’d once again slept in dismal comfort on her large bed-sized divan in the living room just inside the picture window area, a habit which was becoming more and more frequent. It made her feel young again, younger anyway, as if in memory of the days spent with Rodney and the nights spent swilling and swiving to his odd musical choices. His divan had been half-collapsed in upon itself by the time they parted ways, but no one could say a rollicking good time had not been had on it by all, meaning the two of them. He hadn’t cared. He slept in a hammock hung up from two rafter beams in his loft apartment most of the time when alone, anyway. In passing, she wondered if he still did, or if he was now fucking someone vigorously in the hammock, with somewhat the same results. But the day had been “good enough for government work” (as a friend of hers had used to say, that meant a “C+” effort). Up until the pale sunshine bolloxed itself all up into a half-convincing windstorm that scuttled summer clouds in dark slate and puffy gray across the sky, and she’d had to close the kitchen window and the picture window because it got simply too cold for June, as cold as April when April didn’t know it wasn’t still March. And that’s what had happened to the day and the sun, interconnected as they were. Now her life, that had been a haphazard occurrence, or series of occurrences, too, which had scooted across her inner vision like the clouds. She now saw as she huddled into her gray woolen raggy sweater that those clouds were dropping huge, fat, summer raindrops on the deck, insisting that she notice that they weren’t the spring ones of hit-and-miss she’d been used to, but a preparation for a thunderstorm, cold though it was: thunderstorms were only supposed to come along when the temperature rose. That was global warming for you, a masterly illogic where things had previously happened in set ways. And her life, too, was beleaguered with melting polar ice caps and rising sea levels and dying coral reefs and scarce species of feelings she’d always had comfortably before without thinking about them. What had happened, for example, to her affection for long evening walks with her friend Beth Ann? Beth Ann had always been a hoot and a holler to talk to, a person who laughed easily and joked readily, and when Esther was in-between men, they’d spent a lot of time together. Beth Ann, too, had commitments in the shape of a younger husband who was starting a company and a recently adopted teenager who, though being amazingly free of the problems and complexes that Beth Ann had anticipated his having due to his early life, was going through the trials of an advanced placement program to graduate college in two years, before he was seventeen. But even that had not kept Beth Ann from her generous support and easily shared joy. Yet now, Esther was disinclined to continue the walks, with or without Beth Ann: she felt somehow that the friendship had run its course. It seemed unhealthy to be sprouting blooms that were brown in the bud, dying as soon as they were open. And she didn’t feel like pretending to enjoy nature alone, as she was for years now away from natural things, cooped up in city apartments and making do with potted plants and window boxes. It was too much of an effort to re-engage a natural human capacity for appreciation of her Mother Earth. She found herself even sneering silently at the name, as if it were a misnomer of gigantic proportion. Secondly, she felt no urge to contact her anxious family, who called at least once a week but whose inquiries she gave short shrift to. Finally, two weeks back when she was in a surly mood and she answered the phone to her brother David, he asked with interest when she might be coming home again, home to the small town two counties away where he still lived, in a house on one side of their parents and across the street from her sister, Rose. “Probably never,” she answered, curt. “What’s wrong, Esther? What do you mean? We haven’t seen you for two years now. Not for a holiday or anything.” When she responded with silence, even the gentle David became irritable. “Mom and Dad aren’t getting any younger, you know.” She had said, finally, “I’m well; you’re obviously well, or you would’ve said. If anyone else there is ill, there’s no point in calling me, I can’t do anything about it. See you in the funny papers; tell Dad I said that: he always used to say that; it’ll give him a crazy thrill and keep him off your back with complaints about me. Got to go now.” And she’d hung up. There was the point, she thought a bit melodramatically to herself, she was dying not from a leaf or branch, but from the root. That self-serving piteous idea had crossed her mind the last time she’d headed her marigolds, two weeks ago, when she saw they weren’t looking well. But heading them was all she knew how to do by way of repair, and she didn’t have the energy, these days, to call the garden center or go by on a sprightly outing, as if she were someone who cared a damn, to see what to do with them. She was dying from the root herself, like the marigolds, like the pigeons (whose eggs had been too thin-shelled to store their young lately, as she saw when she looked up into one of the nests the cats hadn’t managed to get into, up on one of the chimney blocks by her southern wall). Even the cats themselves, though they still prowled with energy and groomed themselves with handsome abandon in the sun outside on her deck, looked mangy and skinny and frail and old when you tried to lure any of them close to pat or feed; they were wary, it seemed, from being already shat upon by nature, who’d produced them in such overwrought and copious numbers in a desperate bid to keep at least one species alive. They fought both for and against their own survival, only agreeing to eat what she left out for them where they roamed in all weathers and wilds. She still did leave bowls of wet food and dried food out, even took the trouble to buy it specially, because they were the one living kind she felt any responsibility towards; she’d started feeding them, and they cried when they were hungry, thin, wheedling cries like their persons, so she fed them, she told herself, to get some peace, some quiet, from her own inner howlings. The one thing she couldn’t do was assign a beginning or a cause to this disease of her life, knowing neither correlative nor causative data for sure. Prodding herself made her sore, so she just maintained a certain equilibrium, as she thought of it, though she wondered if her friend the scientist, who’d made the remark about things being government work and mediocre, would instead accuse her of fostering entropy. But one day there came a time, an hour, when instead of feeling the same nothing she’d felt for months now, she felt passion, a passionate intensity of grief and sorrow and ill-doing such that she could only decide to look deeper inside herself for the answer, an answer, any answer. It was of a sudden too painful not to. First, she gingerly probed the notion of whether she needed some sort of help; dutifully for her, since she hadn’t done anything productive other than go to her office job and make necessary trips to grocery stores and supply shops when forced to by necessity, she roamed the Internet. First, she read up on clinical depression, then deciding that the symptoms that the self-help sites and online clinicians’ offerings mentioned didn’t fit the case, as she’d never had this problem before, she deserted that option. Next, she resorted to some of the philosophers whom she’d studied in school when she was an undergraduate, but whereas the psychological help had been too specific and precise and didn’t fit, the philosophers were too vague and huge and didn’t fit. She was about to call a halt to her search, when a certain disharmony attracted her attention, annoying her and saying something important to her, somehow, at the same time. A bird outside somewhere, one in distress, was shrieking out of all rhythm and time to a piece of music playing on her old-style alarm radio, which she’d simply left on hours before while she worked, as it was a Saturday and there was no place to be. The bird and the music were just oddly enough close in pitch and yet off in tempo, in rhythm, to be disturbing. She swore and got up to turn off the rhythmic contortions of the music, but as her hand switched the dial off, an abrupt memory of a genesis flooded into her brain: she’d started feeling this way one day when she and Rodney had been near the end of their relationship, and he had suggested they screw to Pachelbel’s “Canon.” Yes, that was it! That was when what had started out as a discomfort and ended with this moment of pain-filled revelation had begun. Now, why? She asked herself. True, she had never liked the piece, found it simply goopier and soppier than cotton candy or strawberry soda, disgustingly sweet and sentimental. She’d tried to laugh it off at the time, but Rodney had kept insisting, so against her inclinations, she’d agreed. She was more biddable then, she told herself, when things still hadn’t gone on the skids. And the result had been much as the screeching bird and the recorded music she’d just heard, not Pachelbel’s melody this time, but it made no difference: the disharmony of rhythm and timing was related, was the same. They’d neither been pleased with the results, but whereas Rodney kept trying to be soothing and wanted to say something else, as he insisted, she had been full of scorn for the experience and had cut him off and left soon after. He was miffed, and their relationship didn’t last much longer; as a matter of fact, they’d never made love after that day. Now she wondered again, why did that bother her so that months later, she was worrying about whether she had a serious depression? She considered again her experience of the piece. The interior pain became a little sharper, warning, threatening what would happen if she kept probing. She ignored it. What was so strongly associated with the music for her that it produced this reaction? Well, all she really knew about it was that it appeared in a great many movies and real-life situations alike in wedding and engagement scenes. But why should that matter to her? She and Rodney hadn’t been the types to marry each other. Had they? She thought again. Rodney had been urgent about the music, certainly. And he was a bit immature and conventional at the oddest moments, in spite of his offbeat lifestyle. He had tried to tell her something very important to him, clearly, after the sex had failed, had even restarted the piece of music and put it on repeated play, and taken her hand, and started to talk again. That had been when she’d reached her limit, because Rodney was not a gifted talker. She’d been afraid of being so bored with him that she couldn’t tolerate him anymore; the sex had been pretty good so far; and so, she’d bailed on him before he could produce the expected ennui. Evidently, as she had seen, the desertion had seemed plenty big enough of a reason to Rodney to end the relationship. Clear now on something she’d never bothered to process before, as clear as the sky was once again outside the picture window, in these now blistering days of June heat that had finally come and seemed ready to scorch the earth with the sun’s unrelenting beams, Esther felt a hint of remorse. She knew that tears weren’t far off, but it wasn’t because she wanted, too late, to marry Rodney, or even that she was missing him, or felt sorry for his mediocrity, which she did now as never before. She only regretted the waste, the human experience of having wasted emotion and passion and sexual freedom, for the two of them. They had lacked their own wise counsel, and neither would have considered the opinions of others to be important, going their own ways, doing what they thought they pleased, accountable to no one. Rodney by now, of course, might have found someone who for all she knew could move in correct timely motion to that stupid piece of music, as she once again blamed the messenger for the message, but she was alone. And who knew, after all, but that in another time and place, one not cursed with a world dying bit by bit around it, they might have been together happily, herself the wiser partner, Rodney bowing over course of time to her ideas, as couples had often worked things out in other days? There was so little time left for saving things, so little time left for the earth, for living, no matter how old a person you were, so slim a chance to find happiness or even contentment. She heard a triumphant wail outside; a cat had caught the bird, had put it out of its sad shrieking melody. And she thought of herself, and her own life. It was time, she thought, to head to the garden store with a cutting from the marigolds. To call her brother back? To make a trip home? No, she thought, I’ll start with the marigolds. Beginners at humanity and gardening need firm support. And who would feed my cats? Maybe, she thought, my family could come and see me. It’s worth asking; after all, I’m not asking them to listen to Pachelbel’s “Canon.” Victoria Leigh Bennett, (she/her). Living Greater Boston, MA, born WV. Ph.D. Website: creative-shadows.com. "Come for the shadows, stay for the read." Print publications: "Poems from the Northeast," 2021; "Scenes de la Vie Americaine (en Paris)," 2022. Between August 2021-June 2022, Victoria will have been published at least 19 times, with another to come in September 2022. Publishers include: Olympia Publishers, Roi Faineant Literary Press, The Alien Buddha Press, The Madrigal Press, Discretionary Love, Winning Writers, Cult of Clio. Current WIP: 9th Novel/Poetry/CNF/Fiction. Twitter: @vicklbennett. Victoria is a member of the disabled community.

  • "How the Girl Became a Poet" by Mathieu Cailler

    For Lyuba Yakimchuk In a vast bomb shelter, hundreds of citizens cup candles. The soft light gives a warm hue to the coldness, and the girl scribbles in her notebook, trying to distract herself from the current images around her with a pleasant one from last month: A bike ride down a hill near her church, a steep one, where she cranked the pedals until her legs were rubber and the tires bounced, causing the chain to jingle against the frame. She sped into an overgrown patch of weeds, mostly wild brush, where dried twigs jammed and dinged in the spokes of her wheels. Then she slammed the brakes and watched a little cloud of dirt rise and sweep over her, the dust sparkling with bits of dandelion seed heads. She made a wish. She tries to capture this moment in a little poem, one that was assigned for class last week, the last day of school before the invasion. She thinks it is silly to write a poem while bombs strike the old brick in her village. She thinks it is stupid to think of another word for “green” when bodies in her neighboring town are being carried out on stretchers as air raid sirens howl. She thinks she is dumb for trying to write a cute poem during a war. But, as another bomb is dropped and the shelter shakes again, she drops her pen, and her father wraps her hard before reaching down to pick it up. He passes it back to her. He gives her his candle, too. He asks her if she has enough light to keep going.

  • "The Devil Comes as a Mother, a Sister, a Daughter, a Friend" by Steve Passey

    Tom says there is an old man named Scotty and that Scotty has seen the Devil. Tom tells this to the new hire. You ask him, Tom says, and he’ll tell you. Scotty has been sitting in the same pub every second Friday for ten years now. He retired, but he kept to the rhythm of his workplace and attended the informal after-work socials common to the drones that filled the cubicles. He’d be there before any of the unretired arrived, and when they came in, he’d have a sit and a chat and watch the same sports highlights they watched. The company of individuals of similar circumstances, without the circumstances, is a balm to the soul. When Tom and the others including the new hire get to the pub there’s Scotty. He wears the jacket with the logo of his favorite team, like he always does, and he has already ordered. Tell us Scotty, Tom says, tells us about the time you saw the Devil. Scotty waves his hand. Not again, he says, that’s an old story and you’ve all heard it before. For the new hire, Tom asked. One more time. Have you really seen the Devil; the new hire asks? Yes, Scotty says. Yes, I have. Right here in the Heart and Garter, on a Friday night long before the sun went down. You see, we used to have a woman working with the company named Sandra. Sandra’s husband had left her and she hated him. When I say that she hated him, it was Hate with a capital “H”, white hot and enduring - and she’d tell you about it. She had few other topics of conversation. She had a son too, but the boy had, at some time, chosen to live with his father. We’d talk about work but she’d turn the conversation to her ex-husband. We’d talk about sports and she’d bring up the former spouse. We’d talk about elections - she’d curse the memory of a man none of us had ever met. It was, in a word, tiresome. I just want to sit in here in my jacket and watch the boys on TV, see if they can win the division again. I want to drink my shandy. I want to relax. But Sandra had an agenda, or, more accurately, an agenda had her. The new hire nodded and asked: But what does that to do with the actual Satan? Scotty continued: One time a woman from Human Resources came with us. Her name was Candace. She was a quiet, dignified woman. She had not come before, and hasn’t been here since. She actually left the company shortly thereafter, but there is no story there, only here. She came because I’d mentioned to her that the Heart and Garter was a place where you could get a proper shandy – that’s what I drink – and she wanted to try one, so she came along with some others and of course, Sandra. We ordered our shandies, the others ordered their whatever’s. Immediately, as was her practice, Sandra raised her glass and toasted her own anger. The son-of-a-bitch is still alive, she said, here’s to nothing, and she tossed back her vodka and Coke. Candace said nothing. Sandra turned to Candice and asked in order her if she knew anything about fibromyalgia, then chronic fatigue syndrome, then something called Lyme. Candace demurred to all. I am not sure if she even tried her shandy, but she made her goodbyes shortly and left without finishing it. (She probably tried it, Tom interjected, they are bloody awful – terrible, even – and I don’t know how anyone can drink them,) but Scotty continued on his own: Time passed; Candace was gone. Sandra changed her name to Sandrine, or at least told everyone to start calling her that, and began to … descend, if I can use that word. Yes, descend. De-evolve. She shrank. She became small, and less than she could be, less than she should be. She was dying I thought, of vodka and Coke, anti-anxiety medications, and of sitting alone and thinking too much. She continued to toast to the hated – and apparently living only out of his spite for her - ex-husband. She showed us pictures of a grandchild. She spoke of resenting her son, who was now far away. I can only imagine what Sandra (now Sandrine) was like to live with. Unspoken at the table was the sense that the Chinese water-torture of her complaints, the endless drip-drip-drip of her bitchery, had driven those men off. I can’t actually remember a single specific complaint she had against this unknown man. I thought of her complaints – all of them - as generic. I seem to remember that she once said he chewed noisily, or that he had a child’s handwriting. One or the other or both or neither, I cannot remember the specifics but I marvel that there were so many. I am sure my wife had some of the same complaints, all wives even - men are men after all, and women, women - but they were forgotten as soon as they were uttered, and did not possess my wife in the way that Sandra (Sandrine) had been possessed. Then one day, she and I alone of the every-second-Friday-crew were here, I with my shandy, she with her vodka and Coke. She raised her glass, I demurred. I will not toast to that I told her, give it a rest. The boys – my team, I mean – were doing well. They had a chance at winning the division. I didn’t want to sit there while some woman rehashed old miseries the provenance of which I could never know, even had I cared to find out. She rolled her eyes at me and went up to the bar and then, the Devil. How do you know he was the Devil, the new hire asked? Scotty ignored the boy and continued: The Devil came in and sat at Sandrine’s elbow. To be sure, I did not know at first that she – for the Devil is a She – was the Devil. But from her entry I knew something of the infernal was in the room. The woman looked in no small way like our few-year’s-gone Human Resources director Candace, but more so a more perfect rendition of Candace. Candace was tall, this woman an inch taller. Candace had ruddy hair then just begun turning to grey, no longer than the base of her neck, while this woman’s hair was a cascade of red-blond like honey and cinnamon that flowed down her shoulders. Her eyes too – I have to speak of her eyes. Candace, as I remember, had green eyes turning to brown, a hazel really – this woman’s eyes were green turning to yellow, the light of the sun seen from the bottom of a well. They were marvelous. They were frightening. Maybe it was Candace, the new hire said. No, Scotty said, this woman was a more perfect rendition of Candace, but not Candace. She was to Candace what tigers are to housecats, or eagles to sparrows, each of the former the more perfectly idealized version of the latter. She was mythic, and so, Satan. She sat with Sandrine a while and they spoke intently, heads together. They possessed a familiarity I would have thought born of relationship, and I assumed that they knew one another. I imagine that when the Devil comes to men, she comes in some way particular to their interests, and brings other things with her, but when the Devil came to Sandrine she came as a sympathetic ear and a kindred soul - a Mother, a sister, a daughter - a friend. Sandrine spoke to her new confidante, and the Devil listened. Sandrine ranted and the Devil held her peace, Sandrine cried and the Devil gave her a shoulder. When Sandrine was done crying the Devil spoke to her, softly and at some length, and then gave her something in a manila envelope. Sandrine looked very far away at that moment, like a woman who had lost her sense of location amid the fury of her own thoughts. The Devil walked out, passing just by me and my shandy. She stopped briefly and looked at me sitting there with my drink and told me that she had always wanted to try one, but hadn’t had time yet. Maybe someday, she said, then she was gone. Was there no scythe, the new hire asked? No stench of sulfur? Well no, Scotty said, of course not. The Devil is not Death. The Devil comes not to harvest but to gather. It should go without saying. At any rate, the Devil walked out and left me there with my shandy and my hopes for a division title for my team. Sandrine came back with her envelope and sat down. I asked her about the contents of course, and she opened the envelope and shook out a newspaper clipping – an obituary in fact. It was her ex-husband’s obituary, and although not long it spoke well of him in the way that obituaries do and was gracious about his good character as a son and husband - he’d remarried evidently - and as a father and grandfather. I shrugged and told Sandrine that it appeared that she’d got what she wanted after all, but that surely this was unfortunate for her son and grandchild no? Look again, she told me. Look at the date. She pointed to it with a shaking finger. I looked and the date was over six years into the future. I stammered and harrumphed. There must be some kind of mistake, I said. A typo. Maybe, she said, but most likely not. She took the obituary and put it back in the envelope. She left the bar and I was alone there with my shandy. A strange gift. the new hire said, and as you might say, impossible to provenance. Did you keep a copy? What of Sandra (Sandrine) today? Sandrine died within the year, Scotty said. She died of pancreatic cancer. It works fast. I believe the seed of it was in her well before the Devil came. I believe the Devil came with news both good and bad. The Devil spoke of the bad first, to tell her that she’d be dead before her husband, but hold on there, Sandrine, here’s the good news: he dies too. Here’s what you asked for. Read it, it is all there. I think back on the scene now, Sandrine and the Devil up at the bar, Sandrine railing and crying, and I wonder if she cried only for herself or if maybe she cried, even little, for him. I doubt it. At any rate, I have seen the Devil, she is very near to six feet tall, has hair of fire, and eyes the green of a sacrificial well. The obituary, the new hire said, would there be any way to find it? You can look it up, Scotty said. I know the man’s name. So yes, he died at the appointed hour, years after she passed. Of this I am sure. If you mean the obituary, the Devil’s gift to Sandrine, of that I can’t say where it might be. Sandrine was cremated, so maybe it was consigned to the crematoria fire with her. But I think not. I think more likely her son, who came out to sort through her estate and her papers such as they were, shredded it without even scanning it. Of what use is a gift of the Devil to anyone other than the one who prays for it? Especially if it’s someone else’s obituary. If you must pray to the Devil, pray for money, like everyone else. Living well is the best revenge as they say. Prescience is not worth as much - at least that kind of prescience. But I have seen the Devil, in particular circumstances, and she is exactly as I tell you she is. A word from the author: If you must pray to the Devil, pray for money, like everyone else.

  • "White Knight" by Melissa Flores Anderson

    Gwen picked up the levee trail behind the high school after the early morning rain stopped. She hadn’t put in contacts in the rush to beat the next storm that hovered over the hills in the distance, so everything looked slightly out of focus. She should have grabbed her glasses, but if her 2-year-old daughter saw her, she knew it would cause an inevitable delay. So she ran out the door and out of the cul-de-sac with her vision impaired. She knew the route by heart from her cross country days, when she would follow teammates mid-pack out the back of the campus near the football field up onto the then-newly paved levee. Like she had done at 15, she ran down the steep hill at Miller Avenue. The backside of the park used to be a mess of bamboo, wild reeds and grasses that grew up to her knees. Now part of it had manicured grass for a baseball diamond and soccer field, and the swaths of dirt were cut through with a circuit of cement bike paths. The weather was warm that morning, unlike the frosted days of the week before. High 40s— comparatively warm, anyway. The air smelled of wet compost, not the diseased decomposing scent one might expect, but an earthy, rich odor of transformation. Gwen looked up toward the white-washed boards of a horse corral in the distance. The mounted police unit used it for training exercises, but never so early in the morning. She lost her footing on some brush across the walkway when she noticed someone on a white horse in the distance. She swiped the debris from the path and squinted at the figure. She made out the silhouette of someone with shoulder-length hair and a silver or gray top. She moved past them, keeping to her pace and route. As she rounded the corner back to her house, the first heavy drops of rain hit against her shoulders. She rushed upstairs to insert her contacts and shower, kissed her daughter Maddy and husband Tony goodbye, and headed out the garage door for work. She rummaged through her purse with one hand in search of her key fob while she juggled a laptop case, a plastic grocery bag repurposed as a sack lunch, and a refillable water bottle. As she clicked the trunk open, she looked up and saw the white horse at the edge of the cul-de-sac. Gwen couldn’t be sure it was the same horse or the same person she had seen before. She saw a man now, with brown hair that fell to his shoulders and a jaw that jutted out toward the Stop sign at the end of the block. He wore dark leather pants and a burgundy tunic with what looked like chain mail around his neck and shoulders. Gwen thought perhaps he was headed to the high school for a history lesson. She waved as she drove off in her SUV. The next morning, the man on the horse was there again as she rushed to her car, perpetually in a state of lateness. But this time he approached her. “Maiden, please join me on my steed and I shall whisk you away from this monstrosity,” the man said in an English accent as he held a sword in the direction of her car. Gwen laughed and wondered if she’d missed an announcement of a Renaissance Faire in town. “I’m quite alright,” she said. “What are you? Into cosplay?” The man gave her a quizzical look and lowered himself from the horse. “What is ‘cosplay?’ I’m here to rescue you, Guinevere,” he said. “I found your letter and I’ve been searching for you for years. I apologize for the delay.” “Okay, enough shenanigans,” she said. “I’m late for work. And I don’t need to be rescued.” Gwen threw her laptop bag into the passenger seat and started the car. She watched the man from the rearview mirror as she connected her phone to the Bluetooth. She waved as she exited the cul-de-sac. At the end of the day, Gwen collected her daughter Maddy from daycare and they played a silly song called “We are the Dinosaurs” when they got home. Maddy stomped around the dining room table, her torso bent forward in velociraptor form, while Gwen cooked. Tony came in just before bedtime and whisked Maddy up into his arms, and nuzzled his nose against hers. The toddler giggled and shouted, “Maddy daddy tickles.” Gwen cleared away the plates and leaned in to kiss Tony. “Hey, have you seen someone on a white horse around the neighborhood lately?” she asked. “A white horse?” Tony said. “Around here? What do you mean?” “Nothing.” Gwen lifted Maddy from his arms to carry her upstairs. After the bedtime routine that seemed to grow longer every night, Gwen sprawled out on top of the comforter of her own bed, to have a moment of quiet to herself. When she went back downstairs, Tony had changed out of his suit into basketball shorts and a t-shirt. He had on a similar outfit when they first met at a boot camp class when she was 26. The other men in class couldn’t take their eyes off the platinum blonde, bronzed instructor who had a perfectly sculpted body, but Tony had his eyes scrunched closed for most of the class as he lunged around the room, his white calves flexing. That’s how he bumped into Gwen and almost knocked her into a treadmill. He apologized and pulled his face into exaggerated exhaustion as they neared the end of a set. “Sorry for knocking you around. Let me make it up to you. How about a shot of wheatgrass?” he said. And when she realized he was joking, she had let him take her for coffee. Sometimes it hardly seemed possible they had been together 10 years. “How was work?” Tony asked as she sat down with him on the couch. “Okay,” she said. “There’s some talk about another round of layoffs on the horizon. Sometimes I wish I could be next. I don’t know what’s more stressful—being unemployed or being left behind to take on all the extra projects?” Her husband turned away from the TV. “Being unemployed, definitely,” he said. “Want to watch something together?” Gwen shook her head and went back upstairs to read alone. The layoffs came the next week and Gwen’s boss gave her three more projects to manage. “You’ve done such a great job in the last quarter, I know you’ll be up to the challenge of adding to your portfolio,” he said. Gwen looked out the window of the skyscraper she stood in, out toward the eastern foothills. “And will this extra work come with extra compensation?” she said. “Come on, Gwen, we just had to lay people off. If we get our earnings up, maybe we can reevaluate in six months.” “Okay, but I can’t do the overtime anymore. I have a kid now, and a commute.” “Don’t make me think I made a mistake keeping you on. You’ve always been a team player.” Gwen walked away, toward the elevator instead of her cubicle. Her eyes stung and she didn’t want the tears to erupt in the office. She texted Tony to ask if he was free to chat, but he didn’t respond. She walked out of the office and midday sun bathed the Plaza de Cesar Chavez. She sat on a bench near the fountain and lowered her head into her hands with a deep sigh. As she lifted her head, she was startled to see the man on the white horse again, even more out of place in the city than in her cul-de-sac. “Guinevere, please don’t weep.” “What are you doing here? Are you stalking me? Leave me the hell alone.” Despite her harsh words, Gwen stayed seated on the bench as the man dismounted the horse. “Guinevere, please, pause for a moment to listen to me.” He held his hand out with a crumpled piece of paper. “A letter, to prove I am here at your behest.” “It’s Gwen,” she said as she took the letter. She unfolded a crumpled piece of pink paper, faded Lisa Frank lined rainbow heart stationary that almost made the looping purple ink impossible to read. The note held a faint scent of candy apple body spray. October 10, 1990 Dear Lancelot, I wish you were real and you could come here, and take me away from everything. I hate everything about my life. I thought Jay liked me, but now he’s going to the harvest festival with Cati who is perfect and blond and skinny. She’s like a princess and I’m not. My best friend says maybe Jay doesn’t really like her because he’s always sitting next to me in math class, but I know it’s because he’s just not good at math and I am. I wish for once I could be pretty instead of smart. Then someone would like me and my life wouldn’t be so miserable. Sincerely, Guinevere “Gwen” Alexandra Garcia Her name hadn’t been Garcia for almost eight years and her handwriting hadn’t looked like that since she was 12, when she wrote in cursive every day in paper notes to her friends. Gwen didn’t recall writing this particular letter, but she remembered Jay. Her first crush in middle school, he had blond hair, sleepy eyes, and rosy cheeks. He wasn’t particularly cute, but he had been nice to her, and back then that was all it took for her to fall in love. Back then, when she was round with pimples across her cheeks and greasy hair, and a deep-seated belief she would always be unlovable. She had never told her friends she thought the only reason Jay was nice was because he wanted help in math class. She’d kept that in for this imaginary correspondence with Lancelot. Jay had moved away at the end of middle school to a town in the valley and she hadn’t thought of him after. She handed the letter back to the man. “I wrote this a long time ago,” she said. “I don’t need to be rescued anymore.” Lancelot folded the letter and placed it into a leather satchel that sat across the horse’s flank. “I will be here for you when you are ready, Guinevere.” He rode up the plaza and disappeared from sight behind the Tech Museum building. *** On a night when Tony put Maddy to bed, Gwen headed out the side gate dressed in a loose pair of sweatpants, flip flops, and a tank top. She dragged the full blue recycle cart down the driveway to the curb in the last light of the day. Lancelot, or Lance as Gwen had started thinking of him, stood next to the Mexican lavender bushes. She had stopped being surprised when he turned up. He didn’t have the horse with him that night. “A beautiful maiden such as yourself should not be doing such an undistinguished chore,” he said. “Let me do this for you.” Gwen shook her head no, but Lance rushed ahead, his chain mail clanking in the evening air. He grabbed the gray garbage cart and wheeled it out to the street, his long, dark hair whipping behind him in a sudden gust of wind. “If you depart with me tonight, we will have an entire court to manage these mundane activities.” She did hate taking out the trash, but she didn’t say that to Lance. It just happened to coincide with one of the weeknights Tony could be home early enough to put Maddy to bed so it became her job. “Right, and no indoor plumbing.” She smiled up at Lance’s earnest face. “I don’t mind this. It’s a small thing.” “If you will not come away with me, then I am sworn to stay and protect you.” Gwen became used to Lance showing up in random places. He turned up on a Monday night at the grocery store, his dated attire replaced with a pair of dark wash jeans and a button-down shirt in a pale shade of green. “Guinevere, we could have gourmet meals prepared for us daily, if you come away with me.” “I like to cook.” Gwen did like to cook, but she hated grocery shopping. “Give me half your list,” Lance said. “I will fetch the game and cheese to help you out of here sooner.” “Don’t you have a dragon to slay or something?” “I am sworn to protect you, Guinevere.” “I don’t need protecting, though. My life is fine.” Lance walked her out to the car in the dark and loaded the groceries into the back of the SUV. “Thank you,” she said. He took her hand and kissed it before he turned to go. *** In late winter, Gwen got up early one day and left before the sun was up. As she approached the levee, she spotted a man in a green jacket with blue running shoes, short hair tucked under a beanie. The man jogged in place at the head of the trail and as Gwen switched from her warm-up walk to a run, she recognized him. Lance, with his hair cut short and workout clothes on his lanky frame. “Don’t you worry about being out alone in the dark?” he said in his posh accent. “No. I don’t. Women shouldn’t have to limit their lives to daylight hours in crowds.” But when she went out alone at first light, her eyes darted across the landscape until the sun brightened the park. On dark mornings she ran at a slower than optimal speed in case someone approached and she needed to sprint away. Once when the park was near empty and dim across the plateau, a man in a torn jacket had approached her. She changed directions and he changed with her, cutting across wet grass. Gwen picked up her pace and tried to discreetly glance over her shoulder to gauge his distance. Her heart raced that morning and she’d sped toward a couple walking a dog in the far distance. But now, this morning, she had Lance next to her and her heart rate went up just because of the cardio. They ran to the end of her three-mile route and she told him about running cross-country in high school. “It was the only sport I was ever any good at,” she said. “Running away from things.” “Or perhaps you were running toward something,” he said. Before she turned the corner to her cul-de-sac, he touched her hand. A light sweat made the golden hairs on his wrist glisten. He pulled her hand up to his rosy lips and kissed it like he’d done once before. She pulled her hand away. “Don’t,” she said. “I have to go.” That night while Maddy slept and Tony watched TV, Gwen sat at the dining room table and checked her work email. Despite her protests to her boss about working overtime, she spent uncompensated time trying to keep her inbox under control. If the unread messages crept up above 100, Gwen’s chest tightened when she opened up the app on her phone or in a browser. “Are you okay?” Tony asked as he passed her on the way into the kitchen. “Yeah, just trying to get caught up.” She rubbed her eyes, her contacts itchy, as she yawned. “I’m going up to bed,” Tony said. “Early morning. I have court tomorrow.” “I’ll be up in a bit,” she said. She read thirty more emails and Maddy started crying over the baby monitor. “What’s wrong, sweetie?” she said into the dark room, then lifted the baby out of the crib. “Water, Momma. Water.” Gwen filled the pink cup from the bathroom, the one they used when Maddy brushed her teeth twice a day, and held the cup up to her daughter’s lips. “Here, baby. Take a drink.” In the rocking chair that she had nursed Maddy in for a year and a half, she sat with her daughter in her arms and patted the toddler’s small back. Gwen sang an out-of-tune lullaby and felt her daughter’s body go heavy in her arms as the girl fell asleep. Maddy’s breathing became still and even as Gwen placed her back in the crib. In her own room, Tony snored on his side of the bed. Gwen brushed her teeth in the dark and undressed, pulling a tank top over her bare skin before she climbed into bed. Just as she drifted off to sleep, Maddy cried again and Gwen jumped out of bed to settle her. The rest of the night continued on repeat and when the sun came up, Gwen saw Maddy’s cheeks flushed red with fever. “What does your day look like?” Gwen asked Tony when he got out of the shower. “We can’t send her to daycare.” “I have court today. Can you stay home today? I can do tomorrow if she’s still sick.” Gwen and Tony took turns at home after three days, slipping work into the gaps of the day while Maddy napped. By the fourth day, Maddy was well enough to return to daycare. But by then Gwen’s throat burned and she knew she’d caught whatever virus her daughter had carried into the house. As Tony departed with Maddy, Gwen turned away from their kisses. “Don’t want to get you sick.” Without showering or putting her contacts in, she settled on the couch to check work email on her laptop until fatigue caught up with her. She stretched out on the couch “just for a moment,” she told herself, and didn’t know how much time had passed when she woke up to the smell of chicken soup wafting from the kitchen. Someone had taken the laptop away and plugged it in by the end table and covered her with the soft throw blanket Maddy used for pillow forts. Gwen sat up without her glasses on and swiveled around toward the kitchen where Lance stood over a pot. “What are you doing here?” she said. “You can’t be here.” Without her glasses on, she watched the outline of Lance’s shoulders as he ladled soup into a bowl and carried it to the table. “I thought you needed someone to take care of you,” he said. “You always take care of the rest of us.” Gwen moved to the table where Lance had laid out a cloth napkin. She dipped a spoon into the bowl and it tasted the way her mother used to make it when she was a girl, with chunks of chicken, carrots, celery and a squeeze of Meyer lemon. While she ate, she watched Lance move around the kitchen, emptying the dishwasher, wiping down the counters. “When you are feeling better, we should get away,” he said. “No. I told you. I don’t need to be rescued. I’m fine.” The man walked toward the end table and picked up Gwen’s glasses and brought them to her. She put them on and he came into focus. The short brown hair, the blue eyes, the nose with the same curve as Maddy’s, the lips she had kissed a thousand times. “I don’t want to rescue you,” her husband said. “But I know how hard you work, how much you do for Maddy. You don’t have to do everything alone. I just mean we could rent a place by the coast, leave Maddy with your parents, and take a little break.” Tony came up behind her and put his hand against her warm forehead, then leaned down to kiss the top of her unwashed head. Gwen took another bite of the soup and relaxed into the comfort of his touch. Melissa Flores Anderson is a Latinx Californian and an award-winning journalist. Her creative work has been published by Rigorous Magazine, Moss Puppy Magazine, Variant Lit, Twin Pies Literary,Roi Fainéant Press, Chapter House Journal and Voidspace Zine. Follow her on Twitter @melissacuisine or IG @theirishmonths

  • "Barry the Millennial" by Daniel Groves

    Have you ever awoken in the morning filled with a sense of dread? That today the world might end and you wouldn’t mind because then you wouldn’t have to work late alongside that asshole Michael only to come home afterward and have to finish that six-page paper that’s due tomorrow? That there isn’t really a point to anything because things outside your control have forced you to follow a life path or make certain decisions that you maybe wouldn’t have made under a different set of circumstances? If so, then you understand Barry. Barry opens his eyes every morning and a wave of thought cuts through the sleep. My goodness, he hasn’t even sat up yet and the day is already a wash at best. The morning ritual – the shower, the pitiful breakfast (you know it’s the most important meal of the day, right?), the rummaging through the clean clothes pile and trying to decide if they actually should’ve been put in the dirty clothes pile, the dressing, the gathering of the things, and the leaving – all happens shrouded by life’s gloomy black cloud. The past was bad and the outlook is worse, and people like Barry are going to be left holding the biggest bag of human excrement ever assembled in the history of the world. Poor Barry. Barry finally finds the strength to sit up after pushing off the weight of the world. He walks into the bathroom and scratches his ass and stretches and yawns and is a little bit sad. See, that sadness is what makes Barry human. He looks into the bathroom mirror and sees himself. It’s hard to believe that a spritely, young, and motivated kid used to look back from the mirror. Now, it’s just Barry. Barry: a man for the people. Barry: just like the people. Barry: stepped on and kept down by the people. And it’s not just Barry that appears in the mirror. There are the bottles of shampoo and body wash, shower and toilet, towel rack with the wet towel, and that terrible picture that looks like it was stolen straight out of a Hilton or Marriott (it was). He sees the bottles. Why did he choose those bottles? Well, the junk mail came and, even though he knew it was junk mail, he looked through it. Barry discovered the advertisements for that big grocery store downtown – the one running everyone else out of the game – and added “shampoo and body wash” to his grocery list. He could’ve bought any brand of shampoo or body wash, but those were the ones on special, so he bought them. “But why those ones?” Barry thinks. He could’ve gone to any store. He didn’t have to go to the big store solely because of the special, thus supporting the trampling of local business, but he did. He could’ve gone to the small grocery store which is actually closer to his apartment (though it won’t be much longer; no profits) and saved the money not on buying a cheaper bottle of soap but on the gas burned by his car. He could’ve spent one dollar less on gas and one dollar more on soap. That would’ve been greener and supported the small grocery store. Instead, he spent more on gas and less on soap. Problem is: Barry is normal. Barry goes to work and comes home and likes to save money and watches sports and gets drinks with his friends on occasion. Of course Barry is going to spend more on gas and less on soap! “But what about the fish?” Barry asks himself. See, Barry knows that when the bottles of shampoo and body wash are empty, he will throw them away and his robot brain will make him spend more on gas and less on soap again. No matter the color of the bin in which those empty bottles are thrown, they all end up in the blue. Some garbage collector comes by – they are normal, too – and chucks everything together in the big stinky garbage truck. The path that garbage takes is a mystery except that it starts in Barry’s bathroom – actually, it probably starts at the store, or maybe ever earlier, it’s hard to tell – and ends up in the ocean. Then people like Barry get to see ads on Hulu of fish who swallowed a plastic bottle one day and never recovered. Barry sees the ad and calls to give money to the cause despite having hardly any money left after his excursion of spending more on gas and less on soap. There is always a fish that eats a bottle cap and Michael, who brought the two together, is too busy counting his Franklins to notice. Meanwhile, Barry is left concerned about the fish as he looks in the mirror each morning. “It’s so exhausting,” Barry considers. And it’s imperative when Barry goes to work that he smells nice and doesn’t take bathroom breaks, so his toilet and shower perform their functions each morning. Flush. Wash. Rinse. Water and soap = down the drain. Back to the sewer or treatment plant or wherever the flow is directed; nobody really knows. Every day water runs through the house and Barry makes use of it because he has to, otherwise Michael will certainly have something to say about it; Michael has always been a stickler for the rules despite breaking them himself when necessary. Yes, Michael would definitely say something if Barry conserved a little water every now and then. The soap must flow and the water must run and the fish must die so that Barry is acceptable to Michael. It’s the gym where it’s the worst. The gym is where Barry goes after work because Michael needs longevity from him. Barry spends time moving heavy objects against his will and theirs so Michael doesn’t have to hire someone new at any point in the next thirty years. Then, once the heavy objects have been reorganized, an exhausted Barry goes into the locker room to spill more soap, use more water, and make sure there isn’t enough for the fish. Use, use, use, take, take, take, me, me, me; Michael demands it. “But for so little money?” Barry ponders. The towel rack is falling off the wall. It’s a geriatric towel rack, and its primary function (you guessed it; holding up towels) is becoming too much to handle. The towel itself is plush, soft, soaks up the water very well. It’s a tag-team effort to ensure the towel’s dryness when the water runs and soap spills again; Barry hangs up the towel and the towel rack holds it. How big is the operation? Do they hire mostly young people or old people or men of women? The long, tiring hours worked by the workers in the towel factory ensure that the demand for dead fish is always booming. They are paid so little it’s insulting. Michael’s insistence alone should result in higher pay. Days and nights and all around the clock; the showers and toilets and towel factories never stop. The big grocery store and Michael say thank you. Barry and the small grocery store and the fish and the workers at the towel factory are sad. “Dance for me,” Barry thinks, shaking his head. And the soap-stained fog which fills the bathroom coalesces on the canvas of the terrible picture. A reproduction. The reproduction factory and the towel factory are on the same schedule and everyone is exhausted except Michael. Barry reaches out and runs his thumb along the canvas and thinks if he presses too hard, the paint (which isn’t even paint) will come off. Then he would have to send the picture off with the next batch of empty shampoo bottles and the fish will not appreciate it. The artists manage to keep busy but never see the profits. They are chained in place. They have one creation good enough to end up above a urinal before it makes its way to a hotel where it’s stolen by Barry who can’t afford the real thing because he is normal. The artists paint the pictures, yes, but they also do so much more. They dance and write and sing and produce and direct and film and sculpt. And Michael feels entitled to tell them “go,” to kick them off, to set them free. Dance, dance, jump, spin. Ha ha. Tell me a joke. Back to the kitchen. But Barry can’t; he has work in the morning. The cycle must continue and Barry is the linchpin. What does Michael do? Barry is the one who does. Do, do, do; that’s all Barry. Barry is the one who spends more on gas and less on soap. Barry is the one who spills the water, kills the fish. Barry is the one exhausted at the gym. Barry is the one who steals the art. “But why?” Barry asks himself. Michael is the asshole who demands. He demands more is spent on gas and less is spent on soap. He demands the water be spilled, the fish be killed. He demands the exhaustion of the gym. He demands the art is stolen. And then Barry thinks: “Why not just get rid of Michael?” Barry flips off the light and walks out of the bathroom. He gets dressed and goes to work.

  • "A Question of Life" by DJ Tyrer

    “This is most irregular. Most irregular, indeed.” The judge pushed his tiny glasses up his nose and looked at the petitioning lawyer. “Yes,” the lawyer said, “it is. Hence… this.” He spread his hands to indicate the hearing. Adjusting his glasses, the judge looked up to take in the lawyer’s client, shaking his head and murmuring again, “Most irregular.” Then, he said, “A biomechanical tyrannosaur owning a corporation? It’s unheard of!” With a gentle cough, the lawyer clarified, “A biomechanical tyrannosaur with the brain of a man… the brain of the corporation’s major shareholder, to be exact.” “I don’t know,” said the judge. He shuffled papers. “Let me see if I understand this… Biomechanical… Now, I understand what ‘mechanical’ means, but ‘bio’? That means ‘alive’, correct?” “Correct,” said the lawyer. “But, the question is… how much of it –” the tyrannosaur leaned closer “– er, him is alive? Other than the brain, of course.” The tyrannosaur blinked, then leaned back. The judge exhaled. The lawyer steepled his fingers and considered. “About fifty-fifty, I believe. The entire body, save for my client’s brain, is artificial, but the core had to be biological to maintain the brain. But, it has been augmented cybernetically.” He looked at the judge. “Ah, that means it is essentially robotic, both the organic and inorganic parts of it, but governed by a living human brain.” Nervously, the judge examined the tyrannosaur. “But, does that constitute being alive?” With a shrug, the lawyer said, “Would you contest his life if he required an exoskeleton to overcome paralysis?” “No, but this is hardly the same.” “It is. My client suffered terminal injuries that left only his brain functioning. This is essentially the outcome of a brain transplant. An unusual brain transplant, granted, but still…” The tyrannosaur growled, a rumbling sound produced by hidden speakers in its throat, and the judge blinked. “Sorry… It’s a question of whether he can own a corporation as a non-human.” The tyrannosaur blinked, then spoke: “Your honour, a corporation can own property – can own another corporation, even, and be regarded as a ‘person’ for legal purposes. A corporation is an entirely-abstract entity… not even alive. I am alive. I am no abstract. Can you deny me as much?” Sweating, shifting awkwardly in his seat, the judge said, “I will have to take this under advisement. You have made some very cogent points, but this is a complicated topic and I can’t just rule on it like that.” He snapped his fingers. “You can and you will!” The tyrannosaur roared. The judge quailed. “But, I… I…” The tyrannosaur lunged forward and seized him up out of his chair and snapped him in half, redecorating the wall of the courtroom. The judge’s legs tumbled to the floor and twitched for a moment. The rest of him, with a muffled wail, was swallowed down. The lawyer wiped his hand across his face and shook his head. “Not again! That’s the third judge you’ve gone and devoured before we could get a ruling. Someone is going to notice soon and, then, we’ll never be able to get a judge to guarantee your ownership.” The tyrannosaur roared at him. “A hissy fit, really?” It growled and said, “I’ve had enough. The corporation is mine and nobody is going to take it away from me.” Shrugging, the lawyer said, “The corporation made you; your shareholders might just decide to reclassify you as a test subject.” Growling, the tyrannosaur said, “Let them try.” The door opened and a cleaner half-stepped into the courtroom; it was after hours, but the courthouse wasn’t entirely empty. “Is everything okay? I thought I heard a – oh, my goodness! What the hell is that?” “I’m a tyrannosaur, you idiot. Did you never watch Jurassic Park?” With a sudden lunge, it seized the man and shook him so that bits went flying, before swallowing what was left. The lawyer wiped gore off his face. “Thank you very much for that little display…” He checked his phone. “What do you want to do next? I have another two judges we can try… What do you want to do?” The tyrannosaur turned and looked at him. Blood dripped from metal fangs. “Kill you,” it said and snapped up the lawyer. It made a sound almost like a purr of satisfaction and said, “I always hated lawyers.” It was silent for a moment, considering. “Actually, it’s people I hate…” With a loud crash, it smashed its way through the courtroom door, then it smashed its way out onto the street. Forget running a corporation, there was a whole world to rule… A police car screeched to a halt in front of him, the officers staring out through the windscreen in confused terror. With a crunch, the tyrannosaur planted its foot on the hood, crushing it to the road, and roared. “I am your tyrant,” he cried. “Obey me or die!” This was the life. Why waste it in an office when you were a monster, the like of which hadn’t been seen in aeons. Yes, this was the life for him. He roared in satisfaction. A new age was dawning: His age. DJ Tyrer is the person behind Atlantean Publishing, View From Atlantis, and the 5-7-5 Haiku Journal. Their website is at https://djtyrer.blogspot.co.uk/

  • "Untitled" by Brianne Reilly

    silver tongued words fall from my lips as the clock strikes midnight suspend me take me to new heights make me cum my Sunday dress hangs in the closet, waiting to be worn for her rewrite your story among the stars among the oceans among the lands Brianne Reilly is the author of several works of poetic verse, critical essays, and fiction. She holds BA’s in English Literature and Philosophy, as well as an MA in WGST. Her work ranges from the creative to the academic and has been published in various anthologies. Her first full-length collection of poetry and prose, along with a book of critical essays is in the works.

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