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"Born to Rue", "Homesick, Or Sick Of Home?", "Obelus", "Photographer"...by Hibah Shabkhez

Born To Rue


Chimneyed houses set against a red sun

Frown at the morning, as under cover

Of distant car-humming, things that hover

By lorn windows begin to worm their way


Inside. Past the net past the bars past

The lingering stench of frenzied spraying

They come, fly, mosquito and bee, flaying

With their taunting greetings the slack faces


And tousled heads that trusted their sweet rest

To these fuming bricks. Thus broached, quiet walls

Turn into a death trap. The visor falls:

Bars come crashing down. The hunt begins.



Homesick, Or Sick Of Home?


Our hair, if they did more than just exist

Would they be exiles or adventurers?

If hair too could love, crave, yearn and persist

Like those incurable old desirers –


Brain, stomach, heart, soul, tongue, foot, finger-tip;

If the tendrils of hair caught in a comb

Were looped gently over its teeth, let slip

Into the wind, sent from their plastic tomb


Out into the world, would they learn to fly

Free, or plucked from their hearths, wither and die?



Obelus


My life is harnessed to red,

The colour of blood,

And the dead,

Dead flames of festering rage

Forged from time’s ruin

In a cage.


Its gushing artery-trains

Run into the bruised

Sluggish veins

That you cut open

With your pen.



Photographer


Your shield-shaped sword ever on the qui vive

You come, modern quester, without fanfare,

Without flourishes to alert the quarry.

Your fewmets are emotions that receive

Scant attention from the unquesting. Snare

And prey share life’s strange, guilt-rift complicity.


Spontaneities scattered about cities

Like stubbed toes wrench you from tranquil streams,

Unsheathe your tempests. The immortality

You crave finds so entwined inequities

And sublimities, your sword learns from dreams

And screams both, to reap all indifferently.


So you catch and grey the unguardnesses

Of a staircase that believed itself stone

Impenetrable, and of hands and faces

Lured by the seeming-safety of tresses

Of solid steel, and bind them to make known

To every rapt gaze their myriad graces.



Xylem In A Brown Study


Through a dozen leaf-falls the axed tree’s stump

Searched in sorrow the skies for each fresh fate:


Digame, sky, shall it be rain clouds, one

Huge storm cloud to destroy all we designed

Or the fluttery white wisplings assigned

To keep the peace twixt the earth and the sun?


In dry leaves it sat, tended by a clump,

Affecting a stillness regal in state,


Remembering promises boldly made

When the first axe was buried in its side

By a deep young voice that faded and died

Over the hills ever green and ice-staid,


The withering of branch and flesh, the jump

That to both start and ending proved the gate




Hibah Shabkhez is a writer of the half-yo literary tradition, an erratic language-learning enthusiast, and a happily eccentric blogger from Lahore, Pakistan. Her work has previously appeared in Plainsongs, Microverses, Sylvia Magazine, Better Than Starbucks, Post, Wine Cellar Press, and a number of other literary magazines. Studying life, languages, and literature from a comparative perspective across linguistic and cultural boundaries holds a particular fascination for her.


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