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"Circulation", "courtesy marketing pitch to Edible Arrangements", & "Redlining" by Maia Joy




Circulation


the heart pumps blood to the lungs.


this is a library.

i am the books.


the lungs pump blood back.


books live in the library.

the library is only the shell

for the books inside.

you can read the books,

you can visit the library,

but neither are yours.


the heart pumps blood to the body.


neither the books nor the library

belong to you. they are merely for

borrow, if you have a library card.

in order to get a library card, you must

file for an application, express interest

in the library in a respectful and totally

consenting manner, and wait for the

library to accept your application.


the body pumps blood to the tissues.


the tissues are on the circulation desk.

you should not need them. libraries

are supposed to be a happy place.

if you do not get accepted for a library

card, this is not your library to visit.

please vacate the premises.


the tissues pump blood to the veins.


do not take the library in vain. it is

not yours. it is merely for borrow, and

only if the library lets you borrow it,

and the library has expressed explicitly

that you are not allowed to borrow it.

the library asks that you leave the premises.


the veins pump blood to the heart.


you are not allowed to borrow the books

or use the spaces. you are not welcome here.

the library asks you to leave the premises.


the heart pumps blood to the lungs.


the library asks you to leave the premises.


the lungs pump blood back.


the heart pumps blood to the body.


the blood clots. the body is unresponsive.


you are not welcome here.



courtesy marketing pitch to Edible Arrangements™


you know that feeling,


the one where you’re holding something—

maybe a mango, or something similar

of the produce variety— and you know

that you have every power in your being to

squeeze the shit out of it and watch as the

insides work themselves from the shell


until there is nothing left inside and you

feel like a monster, except something else,

maybe a little voice in the back corner

of your conscience, says that nature

would not have given you that strength

if it didn’t think that you had every right

to use it as you see fit, much in the same way


that you always have the choice to

throw the monopoly board and all its

falsified societies and colorful currency,

to become a major league pitcher and

hurl your drink across the room until it

splatters against the opposite wall, even if

its glass conduit shatters to pieces into a

puddle of broken pieces and sharp edges;


my seventh grade science teacher tells me

that the human jaw is strong enough to

bite off our own finger, but some reflex

stops us from actually doing so, every time.



Redlining


The plastic surgery team take up their markers

and turn my flesh into a Fantasy Football league;


They each stake an initial claim— one goes directly

for the brain, pulling weeds from the cracks in my

cerebrum, one takes inventory of each sac of air

in my lungs, and one unearths each capillary

and ties them together, having heard that they could

reach around the Earth two and a half times.


They spend a while in my chest, debating

who must take the appendix, the heart,

and all the other unfavorable bits. They settle

on a chamber for each, leaving in its place

a barrel of monkeys with the cap unscrewed;


it isn’t until years later that they realize,

staring at my unarmed pieces floating

in their plastic examination jars, that perhaps

these parts were never the problem at all.




Maia Joy (she/her) is a queer biracial poet and musician from Boston, MA. A 2021 Best-of-the-Net nominee, she is currently studying music and creative writing at the University of Maryland, College Park, where she is a member of the Jimenez-Porter Writers' House. Her work has been previously published in various journals including The Bitchin’ Kitsch and Sage Cigarettes. You can find her social media @maiajoyspeaks, and her website, maiajoyspeaks.wixsite.com/website.

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