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"Hostile Architecture" & "The Worms" by Robert Beveridge




Hostile Architecture


We huddle closer

to the space heater,

close enough that the sparks

will singe our blankets.


“It’s a cult,” you say.

“It feeds on the homeless.”

I look out our grimy window

at the shelter next door,

the turned-away

who press themselves closer

to the chimney the city installed

over the heating grate.


“And you know,” I say,

“someone will come take them.”

Not all, but one, maybe two.

Tonight, as every night.


one sits in the doorway

of the abandoned vape shop next door,

threadbare blanket clutched to her chest.

tomorrow, or the next day,

someone will find her,

cyanotic, on the church steps,

sacrificed to a hungry god

who thrives on the cold.





The Worms

Metropolis, Part 11


I


He paused in the doorway,

remembering the night before.


In the doorway, clutched

together, hard

and slow,

her hair like blood

trickling down his chest

as his love trickled

down her thigh.


Now, the morning.


Through the doorway,

the blast of air conditioning

even in winter

assaulting his hair and face.


Into the worms' cavern,

the platform, blue-white

tile, pristine, cold glare.


It's crowded,

as always,

bodies in suits

and a wino or two.


Spare some change for the magistrate?


The customary quarters,

no corned beef sandwich today.

They smile, move apart.


He moves to the front of the platform.

Fading now:

Spare some change for the magistrate?


Some disturbance in the back,

jostling, pressing

he's on the yellow line


Hey, man, I'm the magistrate!

You makin' a mistake!

I'll get ya back,

you'll see,

you'll see...


An elbow,

a missed ledge.

He always knew

the worms would come

for him.


II


The magistrate

now outside his kingdom

sits,

a frown begging

its way onto his forehead.


A form,

blurred feet:


Spare some change for the magistrate?


He looks up:

her face is soft, fresh,

framed with red so deep

it's almost blood


her eyes, the purest Midori

poured into a freckled shotglass


she is clutching a brown paper bag

to her purple halter top,

breasts straining

under a denim jacket


she stops,

digs in a pocket

of her tight grey jeans,

shaping her thighs,

muscular (it must be from sex,

lucky guy)


She digs out a bill,

passes it, smiles:

I'll vote for you.


She goes on

to battle the coldness.


Next come the cops,

and the magistrate presses himself

into the doorway

but they run past


then the ambulance

and the men in white

as clean as the magistrate's kingdom.


III


Carrying his forgotten lunch,

she braves the cold, clutches

her jacket to her chest


down the stairs, jostled

by police and paramedics


she wonders idly what's the matter


on the platform,

faceless men in business suits

milling, confused


a train is stopped,

unmoving

sitting, hissing

in its niche,

it seems it may never

move again


one last hiss

and the train dies

a swarm of uniforms

masses into the tunnel

like lemmings


looking for his sneakers

and tweed overcoat

in this sea of pinstripes,

she doesn't see him


curious,

she moves

towards the edge of the platform;

just a quick look,

she can find him soon.


Police

paramedics

a lumpy sheet stained red

a black sneaker


she drops the bag,

and it rips:

a shattered glass

bottle of soda,

liquid spreading,

soaking the bag.


She falls to her knees,

Midori spilling

down her cheeks


IV


All those cops

and no one's busting the magistrate

so he slips back

into his kingdom.


Confusion,

everyone's moving

but going nowhere


the beautiful girl is moving,

falling to her knees

possibly in prayer

to the now-silent worm

on its track


he goes to her

and she is crying


there's something on the track

in front of the train

it's red and surrounded

by cops

and she's staring at it.


The magistrate sits,

legs dangling over the side

next to the girl

he was your man

the magistrate says


She nods, causing

a shower

of tears onto her jacket


Hand on her shoulder,

he rummages

in a few pockets

pulls out her now-crinkled dollar

Here, girl.

Lemme buy ya a cup of coffee.


She nods, rises,

stains spreading

on track and platform.




Robert Beveridge (he/him) makes noise (xterminal.bandcamp.com) and writes poetry in Akron, OH. Recent/upcoming appearances in Cerasus, Discretionary Love, and Sein und werden, among others.

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