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"Juncture", "Inheritance", & "Airplane" by Frances Boyle



Juncture


Paper napkins over water

glasses, scarf-draped lamp


hey presto flourish, quick

wrist-reveal: a cage of birds


that start to sing the sky

to sunrise, goldfish in a bowl.


The plot twists, ultimately turns

like the worm—saw it coming


said with dry satisfaction

of the detective show, mystery


novel. Puzzle piece snicking

into place. Revelation.


Pale horse in dawn light.

Rider in shadow, lost.


Fields show themselves,

stubble-jawed, scratchy


morning breath of fog,

stumbling punch-drunk day.




Inheritance


My father made us breakfast each weekday morning.

Cereal pre-poured into bowls the night before, paper

napkins atop. He’d scowl if they fluttered off on a gust


as one of us hurried past. Sugared loops with milk,

and soft-boiled eggs that he scooped into blue melmac

mugs for us. One slice of toast with jam, orange juice


poured into small glasses, their heart and diamond patterns

faded from red to a peachy pink. Our meals regimented,

the way he wanted us to be. Wanted our mother to be.


A gruff for chrissake if I loaded the dishwasher wrong,

or my sister left a drawer in disarray, rolls of saran, tinfoil

and wax paper jumbled, edges flapping and ragged.


Do I bog down in details, let the reels of a childhood,

of a parent’s legacy unspool? I don’t need a memory

palace, no pat mnemonic, to situate my father’s pride


in responsibility, his rags-to-business-suit story, his tall

stance in topcoat, that brown fedora with a pinch-front

crown. The military made him, gave him his upright


bearing. Spine always held straight thanks to 5BX Plan

exercises each day. At the lake, he’d float board-rigid

on water, sporting hat and sunglasses. Or stretch out


full length on my quilt alongside small me, cross ankles

as he read a bedtime story. Later, he built basement rooms

for my sister and me. My space, a refuge where I sank


into the chaos and comfort of books. I would read past

sleep time, bedside lamp burning. Overhead, floorboards

creaked. I heard Dad’s noctambulant pacings, hard soles


of his leather slippers slapping on lino, on hardwood

as he turned off lights, lowered the thermostat, readied

the kitchen for morning. The percussion of his movements


alerted me to put my hand on my own lamp’s chain,

ready to switch it off when his tread approached the top

of the basement stairs where he might see its glow.


If I mistimed or, lost to reading, forgot to listen, his voice

would ring out, deep and cross: lights out! When footsteps

finally passed above me, along the upstairs hallway


to my parents’ room, then halted, I’d snake out an arm,

turn my light back on. Fingers chilled, coverlet to chin,

I would hold the book, circumventing his control, and read


until my eyes ached. In my teens, I felt the chafe of rules

even more, saw him as inflexible, mean. Home from party

or pub, I’d slink by the chalk board posted for us to record


the time of our return. And from the TV room’s open

door, he’d call me in to where he sat, broadside me

with questions. My traitorous dog sniffing at my breath.


And, caught out but aggrieved, I squared shoulders, set

my jaw like his. He had no heirlooms to leave me, but

my stance now echoes his. Softened, I hope, enough to bend.




Airplane


A man wants an airplane to like him; he brings it things. It hums and thrums, he thinks,

with pleasure at his offerings, useless as they are—toffee, feather boas, a coffee table. He tries all the endearments he can think of: liebchen, petit chou, dah-ling. But the plane doesn’t hear him over the jet whine. It loves the sky, it yearns for wing-room, for clouds.

It doesn’t have space for liking, that watered-down emotion. It loves, it loves.




Frances Boyle is a Canadian writer, living in Ottawa. Her most recent book, Openwork and Limestone, is forthcoming in fall 2022. In addition to two earlier books of poetry, she is also the author of a Rapunzel-infused novella and an award-winning short story collection. Places her work has appeared recently or is forthcoming include Rust and Moth, The Literary Review of Canada, Paris Lit Up, and Resurrection Magazine. For more, please visit www.francesboyle.com .

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