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"Ljubljana", "Small Window", "Benchmark"...by Frederick Pollack



Ljubljana



“I knew he was in love with me,” she said,

“but my new, wealthy husband, then one by one

the children, those who lived and those who died,

claimed my attention. Also he’d started drinking,

and I wasn’t happy with those sonnets tying

his fate to that of our unhappy homeland,

though I didn’t feel it was a stretch.” She gestures

at her bas-relief two stories up.

“It flatters me somewhat. Also, I was nearsighted;

can I really see his statue two blocks away?”


She leads us to his other surviving

haunts. Of the four clueless tourists, three

drift off; the literature student

savors and files some visual referent;

and then there are – if the phrase isn’t

too quaint – the lovers. The place where

he drank with decayed intellectual nobles

is a bank; by the stream he loved,

she kneels embarrassingly at the spot

where he imagined making love to her.




Small Window



She couldn’t get out.

Said she needed,

but really only had,

to work. There were pressures

beyond that of traumatizing

the kids, perhaps darkening

their entire future;

but then, kids’ futures are bad anyway.

Not her thought. She stole

a moment to watch

the yellow appearing

among green leaves, lending

weight to the royal, no, imperial blue

backdrop. It was the sort of day

when those who like cool

regain the IQ points

they lost in May. Vast

parks she knew

to the north of one city,

in the heart of another, infused

images of a picnic,

philosophical

discussion, constrained

but vigorous foreplay. Hard

to judge if this vision

was classical or romantic.




Benchmark



Some feared thing happens, not the way

you’d imagined: more simply, vulgarly,

offhandedly. And you have

a glimpse of how small you are

(heart and gut even smaller) in

the scheme of things – portentous phrase! –

that vision reputed to bring peace,

which doesn’t. The eyes of passersby

(in this era, one imagines Fifth Avenue,

valley of decision) say Deal with it;

then each retreats into the fortress

where each is safe and all-competent.

In a bar, one of those where nothing

untoward ever happens, you notice how

the glass at the end of your arm

is lifting your arm; how

the drink is drinking you, although you’re paying.




Slow Movement



Music was coming

from somewhere outside – my music,

a minority taste; and I wondered

who among the faces

I know by sight but seldom address

(nor they each other) was playing it.

And pushed aside

knowing that the bemused, healthy

response, if sought, would involve

an accident, a passing mood,

“I like all music” … Constructed

instead a tenuous

widening circle, a community

like that of leaves on successive trees

and streets touched by

one breeze, a thought beneath

melancholy, a pause inflecting action …

the silence of all other things

expanding till it reached

my nonexistent hill.




Author of two book-length narrative poems, THE ADVENTURE and HAPPINESS (Story Line Press; the former reissued 2022 by Red Hen Press), and two collections, A POVERTY OF WORDS (Prolific Press, 2015) and LANDSCAPE WITH MUTANT (Smokestack Books, UK, 2018). Many other poems in print and online journals.Lives in Washington, DC

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