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"Midnight Apple Picking" & "For Amelia" by David Hay

Midnight Apple Picking


In the harsh despondency of night,

When tears have dived into their sepulchers

And the mists, heavy with every defeat

Have exited the scene, leaving

The thick black, which has coated

The red apples hung aloft like lost dreams

Waiting to be plucked.


The floor is coated with the corpses of Eve’s first sin

And memories, long anchored, rise like

Cumbersome whales of deep-tide sadness

For air,

For the fresh breath of surface tranquility.


This year of grief, of fresh pink screams

Has shotgunned through the fragile cadences of hope.


But here in the midst of the midnight hour

With my girlfriend and dog, I catch

The apples doused silver by the moon –

Samurai sword sliced in half, expertly

With clinical precision

With my bucket, frightened

I’ll do a Newton and know the concussion of stars.


In these moments I know love.

Its fragile body of flame

Still burns in the dark of the deepest winter

And even though the hole left by your premature departure

Can never be filled with the notes of soft tears,

I hold the hand of childhood promises made flesh

Thinking on the always uncertain future.







For Amelia


Let sorrows ripe and devouring

depart with the sun

descending below the

pigeon smudged rooftops

and the children weary,

red coated by

evening fall,

are catapulted through

joy’s essence;

tumid with the

moon’s nameless desires.

Lying upon the newly

sprung grass of spring,

Amelia sits upon my back,

and with fake anger I cry

‘I’m not a chair’

but with a disconcerting honesty

she looks at me and demands,

‘well what are you then?’


I am silenced;

the philosophies collected

in my now faltering youth

sink into nothingness,

and I can only

shrug and say simply,

‘I don’t know’,

like a teacher

she nods sagely

and without being told I get

onto my hands and knees;

she climbs onto my back

and we begin to traverse

the front garden unexplored

during this day of beers and babies

and petty parental judgements.


She clings to my collar

and for the first time in months

I reach an equilibrium denied me

in the waged hours which

dictate even the days unbound

by their measurements of worth.


As we sojourn across

natures domesticated self,

the adults drink and talk

wearily of joys passed or passing.


We find a worm,

fat and half sunken

into the black earth.

We stare and watch,

as you wonder

in your fractured tongue

where it is going,

and why it lives in

the world below our feet.


I tell you that’s its home,

it is where it is supposed to be,


and without acknowledgment

you get off my back,

imitate my pose;

fixated by its slow movements.


I think of Coleridge

holding his child in

his frosted midnight

and try to capture this moment,

this wonder seen

through the eyes of a child,

not burdened by mortality

or the price of beer.




David Hay is an English Teacher in the Northwest of England. He has written poetry and prose since the age of 18 when he discovered Virginia Woolf's The Waves and the poetry of John Keats. These and other artists encouraged him to seek his own poetic voice. He has currently been accepted for publication in Dreich, Abridged, Acumen, The Honest Ulsterman, The Dawntreader, Versification, The Babel Tower Notice Board, The Stone of Madness Press, The Fortnightly Review, The Lake, Selcouth Station, GreenInk Poetry, Dodging the Rain, Seventh Quarry and Expat-Press. His debut publication is the Brexit-inspired prose-poem Doctor Lazarus published by Alien Buddha Press 2021.


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