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"My father is buried where crows can watch over," &...by Lynn Finger



My father is buried where crows can watch over

 

they rattle and grate to the sky. They stand

triangular in the sharp pinyon pines:

they don’t know how long they’ll stay. I want

to speak how the crows do, clear as

uncoiled rain, forged bright as ten-penny

nails, agile to cut through any distance.

My father loved their rawness. His spirit

reaches out to me across the trees.

Today a trapezoid-winged crow falls

on the pale aspen by the old steel mill,

at the highway and orange grove crossroad.

My dad threw steel beams into that foundry

for a time. He flashed bright in the kiln.

The sky is sluiced into faded gold,

as the sun strays. Now he is ash,

and crow, and swift feathers tossed to the pines.



I walk in water, the swirling tide


I walk in water, the swirling tide pulls, combs the fingers

of smoke into dires of want. Sky blues into move and sun

note lies, casts the open into a vast net of finds. The deer

travel and leave, skull and bone under full moon rise,

whitened by time. I told you it didn’t have to happen, yet

you showed me what you thought was enough: a deer

on the patio makes itself the only wise thing. How do you

surmise the new direction? The sun dives over thick waves,

weaves through foam. The eyes see grey in the antlers

of morning as the lyre guards the stones, produces lost

thoughts, sutured and gone, like rocks too far out to sea.



Instructions for cloudy wing


I dream about walking the ridges, the pinking finches right near the top.

Clouds sweep blossoms to wind cliffs. I remember you talking of

switchbacks on the grapevine, bowing across mute shale like a phantom

in a lost world, an imaginative scarring moment of change and regret.

Speaking of regret I like how it rhymes with egret, a waterbird who

lives in the line between final and sky, the wings freed at right angles.

As I go up, I feel the beak of it pressing the air back further and then

I have the flight, the lift, to hit the ridge, beautiful and bereft

of goldenrod and bluebells, but the seeds still scatter the way the pinned

hawk claims the sky with its own searing, its knuckled fist, it’s

another way to be night. Reading the sky and wings, when the moon

buries the dark below the cairn, I touch edges with wind and sky,

still burning, all I need is to cry the egrets, cloudy wings holding sky.



It’s another thing


I watch for you, who might wander by any minute,

and yet if you don’t, I’ll move on, because that’s what I do.

It’s another thing to know the sky reflects silver

and the little gnats gnaw away at the edges uncounted,

and the steps through the pines go to the next step. Why do

we need to know where the path leads, there was nothing there

before. It is a lot of time to catch a fish and to ferry a child

in a boat across a sound and no one is there to see it, they

say the locusts can even hear undertones in the grass.




Lynn Finger’s (she/her) works have appeared in 8Poems, Book of Matches, Fairy Piece, Drunk Monkeys, and ONE ART: a journal of poetry. Lynn also recently released a poetry chapbook, “The Truth of Blue Horses,” published by Alien Buddha Press. Lynn edits Harpy Hybrid Review, and her Twitter is @sweetfirefly2.

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