top of page

"Pearl Divers" & "Madame Laveau, Fortune Teller and Police Psychic, has a Vision" by Jason Ryberg



Pearl Divers


We’ve crossed two states to be here

on this shiny, blue Saturday afternoon

of hot cosmic winds and A.M. radio crackle,

chrome, clouds and melting tarmac,

eye to eye with ears of corn,

drunk on beer and pollen.


And way over there, on the side of the road,

is the U.S.S. Chevrolet, looking like it’s been

run aground and abandoned somewhere

off the coast of what surely must be Nebraska

(the captain and crew very possibly searching

for native girls or scavenging for food).


Yes, here we are, sifting through someone’s cornfield,

as if we were pearl divers, perhaps, diving capped

and flippered, swimming in a sea of yellow and green

(confessing our sins to crows as we go) recalling again

and again what surely must have been an ancient

Chinese maxim, that a man’s soul is a pearl.


Everywhere around us is the sound of the friction

of the wind filtering through this field of tall corn,

an all-encompassing hiss like the electric crackle

of static, haunted with distant whispering or the dry,

dusty rustling of a million newspapers

that read nothing but old news.



Madame Laveau, Fortune Teller

and Police Psychic, Has a Vision


And this time,

for some reason,

there’s a Charlie Chaplin of a scarecrow

standing in the middle of a crossroads,

staring, blankly, up at the sky, arms outstretched

with a pipe-bomb in one hand

and a bottle of Pernod in the other.


And the sky itself is a living, breathing,

billowing fishnet of a tapestry woven of starfish

and moonflowers, star fruit and banana peppers

and little jade lions with smiles

as wide as the seas of time.


In the bottom right corner of the scene,

there’s a pile of rictus-ly grinning carnival masks

blooming with cherry blossoms

and someone’s spare change

(some kind of foreign currency, it seems).


And just to the right of that (and down a little),

we can see your classic hoary country preacher-type,

with a rainbow variety of snakes crawling from his

pockets and sleeves, shirt-collar and pant legs,

staggering his way towards his unsuspecting flock

(not shown here).


And, just a few years from this very spot,

there’s a hobo clown with a hernia

and a stove-pipe hat,

smoking a clove cigarette

and sipping, solemnly,

from a bottle of Applejack.


And he’s sitting atop an aging rhinoceros

(that, by the way, is just about to do its business

from a steel I-beam, thirteen floors up

on a swaying skeletal structure

which, the locals say, will one day be

the federal memorial something-or-other

dedicated to some fancy so-and-so).


And, finally, there in the background,

just behind (and up to the left)

of the Night Blooming Cereus,


if one squints hard enough

(as if peering into a painting by Van Eyck

or maybe one of those Where’s Waldo dioramas),


one can almost see it …


Life, itself (portrayed here

in some vague, anthropomorphic

manifestation), lurking unnervingly

beneath the pale orange glow of the streetlamp

and the churning cloud of Death’s-Head Moths.

Comentários


bottom of page