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"prophesy" by Esmé Kaplan-Kinsey



we all ride that cosmic escalator

into the afterlife

except the billionaires 

in their bunkers

beneath the blistered ground.

every other life form

has called it quits—

no tree but skeleton trunks

fossilized to granite sky, no animal,

no, no animal.

still, the plan stands: the longer 

the better. underground, it’s fluorescent 

white light all year, steady

as time with no sunsetting anchor

around which to swing itself.

the ski resort (there must be

a ski resort) blasts fake snow. 

behind the white-muraled walls

there’s a glittering maze of dining halls,

saltwater swimming pools, acres 

of waxy potato plants. the wind

is electric exhalation and extinct birdsong 

plays on repeat. it feels

not like the world, it feels like

the not-world, not-breathing not-dying 

not-real.

the billionaires are adorably confused.

something is not right they murmur, 

bumping their little balding heads 

against the asphalt walls. somewhere

in the past, a great miscalculation

was made. this is what 

we stuck around for?


meanwhile

we’re sailing up into the atmosphere,

looking down on all that no longer is,

waving, serene.




Esmé Kaplan-Kinsey is a California transplant attending college in Portland, Oregon. Their work has been recognized by the National YoungArts Foundation, the Scholastic Art and Writing Awards, and appears in journals such as Gone Lawn and No Contact Mag. They are a mediocre guitarist, an awe-inspiring procrastinator, and an awful swimmer.

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