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Review of Anne Whitehouse's "Steady" by Tiffany M Storrs



In Steady, Anne Whitehouse’s new poetry collection, the natural world takes on the role of a main character, in a manner of speaking. Interspersed with tender reflections on love, chances not taken, and the curious human experience overall, these pieces remain earth-grounded, scattering reflections of that experience through all living things.


From Pond Lives

The decomposing matter

floating on the surface

emerged from the bottom,

where organisms live off the waste

of fungi, bacteria, and worms.

The autumn winds and rains

mixed up layers of water

that summer had stratified.


As I paddled the canoe,

glimpses of aquatic life

beckoned below me:

a flash of a fish disappearing

in a ruffle of waving weeds,

a turtle paddling towards a log,

snakes, worms, and crabs scuttling

into the rich murk.


That’s not to say there aren’t tales to be told, however. In pieces like From the Life of Iris Origo, Frida, and Bernadette, the reader sets off on a winding road through events from various timelines, historic to the present day. This micro-storytelling in verse opens the door to familial relationships, romantic endeavors, and striving to understand the self in ways both timeless and relatable.


From Bernadette

I was late to marriage,

late to motherhood.

When I met Jamie in New York,

something blossomed in me

that had been dormant.

His jazz club became my hangout,

I dressed up every night

with some place to go.

He was the owner, and I was his girl.


Jamie’s mind had layers of learning

like geologic strata.

He was a born teacher,

a shamanistic poet

and spirit guide for many.

His love was like cool water

from a deep well.  


Still, the path returns to a rooted place, one of rumination on life’s lengthy (and simultaneously too-short) journey during the Earth’s warmest month. It buttons up the collection using a common thread and an apt title: the steady passage of time, of the individual through their days, and the happenings and observations that shape them as they travel.


From Late Summer, Block Island

From the marshes comes the trilling

of red-winged blackbirds, in the thicket

the cardinal’s chirp, the meadow lark’s whistle,

chatter of a hawk chased by crows.


In the afternoon, sunlight behind

banked clouds glints off a sea

as pale as isinglass, reflecting back

my memories as I write,


until the day when words will be

all that are left of me,

words and images

and other people’s memories.





Steady is Anne Whitehouse’s fourth poetry collection published by Dos Madres Press, following The Refrain (2012), Meteor Shower (2016), and Outside from the Inside (2020).


Her other poetry collections are Blessings and Curses (Poetic Matrix Press, 2009) and The Surveyor’s Hand (Compton Press, 1981); three chapbooks from Ethel Zine and Micro Press: Frida (2023), Escaping Lee Miller (2021) and Surrealist Muse (2020), and two from Finishing Line Press: One Sunday Morning (2011) and Bear in Mind (2010). She is the author of a novel, Fall Love, available in Spanish translation as Amigos y amantes, as well as short stories, essays, feature articles, and reviews. Born and raised in Birmingham, Alabama, she divides her time between New York City and Columbia County, New York. www.annewhitehouse.com

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