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Review of Jane Ayres' "my lost womb still sings to me" by Tiffany M. Storrs



Among the many striking elements of Jane Ayres’ rich, multi-faceted poetry, none is more apparent than her use of imagery, the intricate dance that effortlessly changes lead from description to personification and back again. In her latest collection, my lost womb still sings to me, this back-and-forth exchange moves slowly and fluidly through her retelling of a major surgery and subsequent life change, and it lands not softly but defiantly. It is a blistering ode to the art of life, whether that comes singing or screaming, and does not shy away from its seasons and their constant, inherent shifts.


From hidden in plain sight:

she wears the cloak of invisibility well a woman of her age if

the cap fits they say


perhaps that’s why you favour

rougerage/vividpinkneon/viole(n)t disguise over silver ash

made volcanic to be noticed


seen


not lost in a feathered tangle of word-holes spilling suns &

daughters


From another hot flush:

&

despite my debt to the suffragette sisterhood

despite the feminist fight

despite myself

I capitulate comply & simply wait for the blistering

heat to subside

let it pass (again)

one day this volcano will erupt


On the surface, each piece is a chapter in verse, the story of the sometimes-hell that is womanhood. In truth, it’s a reflection of everyone who has examined themselves and been surprised to see someone they didn’t recognize; or, equally as likely, someone else that they do.


From eggs: 

when I look in the mirror

I see your face

me become you become me


splinters of maternal love jagged beneath my skin

the comfort & fear of inevitability

the future foreshadowed


no more eggs for me


While teetering between acceptance (because what choice do we have?) and raging against the cruelty of aging, implied or inescapable (or both), this work is meant to resonate. Beyond that, it serves as a reminder that we don’t have to lose ourselves fully along the way.


From care taker / private property:

lacerations  /  the memory of a thing

more real than the thing itself

sniffing at the way the light still

shines / stringing the lines

watching your cadence


drawing a veil

i am empty

but my hunger

grows



my lost womb still sings to me is available now through Porkbelly Press:




UK based neurodivergent writer Jane Ayres re-discovered

poetry studying for a part-time Creative Writing MA at the

University of Kent, which she completed in 2019 at the age

of 57. In 2020, she was longlisted for the Rebecca Swift

Foundation Women Poets’ Prize. In 2021, she was nominated

for Best of the Net, shortlisted for the Aesthetica Creative

Writing Award and a winner of the Laurence Sterne Prize.


Her first collection edible was published by Beir Bua Press

(July 2022) and her work has appeared in over 100

publications that include Lighthouse, Streetcake, Magma, Ink

Sweat & Tears and can be heard on Eat the Storms,

Upload and Blue Door to the Cosmos. She has been guest poet

at O Bhéal and Medway River Lit and recently started

combining her words and images on her YouTube channel

because it’s fun!



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