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"Spilled Abstractions", "Woodstock Glass", "Cavities", and "Floating" by Paul Ilechko

Spilled Abstractions


Flowers emerge

a seasonal blossoming

finds them on the front lines

that separate liquidity

from gravity


nature

as we understand it

is a battlefield

we ourselves are floral

from within

an explosion of color

and deviation


the bifurcation of working systems

the border erased

the gauntness of integument

a knife drawn

a shattered sternum

the redness of mouths

that spill paint onto canvas


Jackson Pollock as an angel

in steel capped boots

a set of wings

as broad as eyelids

that quietly close

and hunch

into silent winter.



Woodstock Glass


In Woodstock I looked

into the glass and there


I found me lost in the layers

of inside and out of cars


and street and the baubles

for sale behind the panes



I was there as a man but

also there as a kind of monster


both of those things in parallel

indivisible I held no malice


against this town that trapped

and crystallized me creating



the sudden perception of life

inside that cold transparency


holding me immobile despite

your presence at my shoulder.



Cavities


Noiseless

shaping cavities

into walls of cartilage

stained with mucus

and the thrash of breathing

as you gasp for

gasp for

gasp for

the possible air

the cold clean air

of winter’s dryness

the grasping air

that twists you into shape

and back to the present tense

into a world of premonition

where you gasp

again

for the pinkness of gum

for the elasticity

of clean fresh artery

that mainlines from wisdom

to repudiation

and now your breath catches

as your lungs burst

into flame

and your heart

is only

meat

is only

a charred

and flaming token

of a memory.



Floating


If only we could float -- then surely

the air would be thicker

layers of coldness and solidity

that the light

must fight to penetrate



and trees would stub their leafy twigs

against an unexpected

hardness

as we rested our gin and tonic

upon a slowly drifting slab

of density



somewhere higher than we ever

dreamed of reaching

climbing upon an invisible staircase

to a place

where we could throw

our bodies down



and there we would sleep

and dream of the plasticity of the fabric

of everything lost in visions

of the drifting twists

of cloudsmoke.




Poet and songwriter Paul Ilechko is the author of three chapbooks, most recently “Pain Sections” (Alien Buddha Press). His work has appeared in a variety of journals, including The Night Heron Barks, Rogue Agent, Ethel, Lullwater Review, and Book of Matches. His first album, "Meeting Points", was released in 2021.

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