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"The Widow", "Losing the Better Part of Us", & "Our Poor Circulation" by Mikal Wix

The Widow


Courage is a centrifuge, an open mouth,

a subterranean subterfuge, a shoe untied.

Where are his glasses?

I ask no one.


Alone is a trip made of symmetry, a crucible,

a flattery of open books, a paused embrace.

Just one apparition could send me spinning

unbalanced by scarlet buttons or bad brakes,

a simple distillation of elemental forces

in solution, behind veils, eyes beneath coins.

Does the dog know who will shovel the snow?

I ask the pearls in the mirror around my neck.


Monday is an alien destiny of disgust

and fascination, both leaning on each other

like bookends, a shiva, but altogether better than

Sunday, a windowless room in a pine house.


Tuesday is an earthquake,

and the landfill cracks open

to reveal a stratum of waste from 1970,

all things suddenly out of season.

Who can pull weeds from around the squash?


Thursday is another day, as if the comet’s tail

might sweep the kitchen floor.

The archeologist arrives to explain the pain

in shades of newsprint, nail polish, and guacamole,

in which he uses a twisting logic to say

it is indeed from Spain,

and the lack of sunlight has preserved the color

of my spleen, swollen with poison and a sort of

sheen, like a Yiddish proverb.

I am a banquet for the birds.

Once around the block, please.


Losing the Better Part of Us


Because a flower turns around at night

it needs the tears of hindsight to see

the mind of infinity flare,

blowing out in a flash of wit

your life unabridged, and me shifting

in that feral wind to meet every movement,

all the passions like wildfire, tilted up to the sky

to try and find you night after night,

missing you, a twilit castaway—

petals on a savage river, or the zest of your skin

flying up inside the numbing starlight,

answering yes, always yes, to the life we created

becoming the pink upon the mist, never needing

to look back because the tides have stopped,

and the clouds have fled from the blue,

until only the river stones beneath our bare feet,

a Stellarum Fixarum,

come together the same at the beginning as at the end.

I reach through the swash to hold you again,

in the midst,

your phantom gaze bearing me thunderstruck,

into being by the high of counting

every follicle on our newborn child’s head,

and then all the moments in between rush passed us

in a blur of grief, but also wonder,

and the stories of our passage, our arrival here without you

on this plain of feathers, scales, hairs, and flowers,

mix with fear, desire, rancor, and doubt,

more than any tree might contain in root, leaf, or bark,

or any church might burn in wax

to loft the prayers and wishes of bringing you back,

all of us wicks bending flame in the Harmattan breeze,

to gently wipe clean

your dour end with some new diluvial fever

of birth, a pure poem of providence,

of animal spirits and celestial virtue,

a primeval brume rolling down my face in beads

in another race to the strand

to find the beach pebbles end

again at the start.


Our Poor Circulation


Don’t wake the baby again

by dredging my body of sleep,

her polite icicle dream bits float

barefoot in the pumping snow

rolling under the door awake now

gasping bold pleas for warm milk.

My cold feet with distant kid fears

closing the smallest pores—

our refrigerator and television hum clear

to preserve the eggs and stories,

far-flung choices and memories pickled

by simple human voices murmuring

the echo of endless need.

Her tiny hands reach out

for cathedral air on pale lumps of skin,

fleshy triggers that set hunger adrift.

My breasts are under the Moon

and full of godly ichor.

A pair of half-frozen hosts

as patient as stained glass,

they suffer glacial hours of cell division

swelling seesaw like weal and woe,

thawing, eroding, blinking

the distance of years away,

recalling hairy faces beaming,

empty with bald lust,

the men who tried to love me

like curling black smoke from old wiring,

sparking clutters of wild fascination

abruptly whipping tongues of flame

into a bright Ferris wheel of abandon,

who then left my bed of williwaw

rushing out into the blizzard

of brides and wives,

as fathers must.




Mikal Wix grew up in South Florida, of green-thumbed, hydrophilic parents. The place seeded insights into many outlooks, including the visions of a revenant from the closet. He studies literature and anthropology and has recent words in the Penumbra Literary Journal, Berkeley Poetry Review, Angel Rust Magazine, Tahoma Literary Review, Adelaide Literary Magazine, Hyacinth Review, & works as a science editor.

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